There are some limits Marlowes just won’t cross

Christopher Tayler: Banville’s Marlowe, 3 April 2014

The Black-Eyed Blonde 
by Benjamin Black.
Mantle, 320 pp., £16.99, February 2014, 978 1 4472 3668 9
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... Amphitryon set in a parallel universe, introduces a line from Nietzsche.) As ‘Benjamin Black’, though, he’s shown himself willing to turn out workmanlike crime stories, and some of his best non-Black novels – among them The Book of Evidence (1989) and The Untouchable (1997) – add sinister plot elements to ...

Scoop after Scoop

Ian Jack: Chapman Pincher’s Scoops, 5 June 2014

Dangerous to Know: A Life 
by Chapman Pincher.
Biteback, 386 pp., £20, February 2014, 978 1 84954 651 5
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... defence and science correspondent, Chapman Pincher. Out of the Express’s triumvirate of black-glass offices in London, Manchester and Glasgow came a torrent of newsprint that set the popular tone for the last days of imperial Britain, the ‘second Elizabethan age’ that was half-thrilled and half-terrified by Britain’s endeavours to build its ...

South London Modern

Owen Hatherley, 23 October 2025

Modern Buildings in Blackheath and Greenwich, London 1950-2000 
by Ana Francisco Sutherland.
Park, 415 pp., £35, July 2024, 978 3 03860 342 9
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Dulwich: Mid-Century Oasis 
by Paul Davis, Ian McInnes and Catherine Samy.
RIBA, 207 pp., £27, September 2023, 978 1 915722 31 7
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... Queen’s House, the ‘castle’ that Vanbrugh built for himself, the Georgian crescent of Michael Searles’s Paragon – and while Dulwich is less monumental, it does have John Soane’s Picture Gallery and the buildings of Dulwich College, ranging from mannered Georgian to Barry’s lurid neo-Gothic, with the remnants of the Crystal Palace nearby ...

All about Me

Kevin Kopelson: Don Bachardy, 9 April 2015

Hollywood 
by Don Bachardy.
Glitterati, 368 pp., £45, October 2014, 978 0 9913419 2 4
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... by Alan Walker.* I was also reading – for amusement – the biography of Lytton Strachey by Michael Holroyd and one of Dorothy Parker by Marion Meade. In Holroyd’s book, I was most struck by some portraits – reproduced in full colour – that had been done of Strachey; there’s one by Simon Bussy, drawn in 1904 (the year of Isherwood’s ...

Mortal on Hooch

William Fiennes: Alan Warner, 30 July 1998

The Sopranos 
by Alan Warner.
Cape, 336 pp., £9.99, June 1998, 0 224 05108 3
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... fully conceal. She observes ‘peacocks’ eyes of olive oil skimming atop the vinegar, dapples of black pepper and tawny streaks of mustard popped onto the biggest leaf of lettuce’. ‘Peacocks’ eyes’, ‘dapples’, ‘tawny’ – all signature notes of the mandarin sensibility of an Updike or Nabokov. Morvern’s voice has been praised for its ...

The Jump-out Boys

J. Robert Lennon: The Drug-Bust that Wasn’t, 3 August 2006

Tulia: Race, Cocaine and Corruption in a Small Texas Town 
by Nate Blakeslee.
PublicAffairs, 450 pp., £15.99, September 2005, 9781586482190
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... a narc, called Tom Coleman. When the operation had finished, 47 Tulians, almost all of them black, found themselves in jail. At the outset, the bust seemed almost flawless. Coleman, the son of a Texas Ranger and a one-time ‘officer of the year’, had posed as a construction worker down on his luck, infiltrated the underworld of Tulia, and caught ...

Diary

Rebecca Solnit: Before 1776, 23 July 2026

... of Art in Santa Fe (until 18 October), is a monumental head on a pedestal. The head has a band of black across the eyes, a row of five topknots marching from forehead to nape, and a pattern of spikes on a looped line across the hairless skull. It’s glossy raku ceramic, white with blue glaze dripping like fine rain across the head and face, and represents a ...

Subjects or Aliens?

Matthew Kelly: Postwar Irish Migration, 9 October 2008

The Irish in Postwar Britain 
by Enda Delaney.
Oxford, 232 pp., £55, September 2007, 978 0 19 927667 7
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... her flat so she could watch Neil Jordan’s biopic about the nationalist politician and guerrilla Michael Collins. In the closing sequence, Collins’s fiancée, Kitty, buys her wedding dress, Michael is assassinated by anti-Treatyites in the wilds of County Cork, and Sinead O’Connor sings ‘She Moves through the ...

I Am Brian Moore

Colin Burrow, 24 September 2020

The Dear Departed 
by Brian Moore.
Turnpike Books, 112 pp., £10, April, 978 1 9162547 0 1
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... Wife), 20th-century France (The Statement) and the Jesuit missions in 17th-century Quebec (Black Robe). Each of these places is evoked in prose possessed of that cutting edge of vividness which enabled Moore to write thrillers as well as mainstream fiction. In Black Robe his surgical directness can be ...

Motoring

Frank Kermode: James Lees-Milne, 30 November 2000

Deep Romantic Chasm: Diaries 1979-81 
by James Lees-Milne, edited by Michael Bloch.
Murray, 276 pp., £22.50, October 2000, 0 7195 5608 2
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A Mingled Measure: Diaries 1953-72 
by James Lees-Milne.
Murray, 325 pp., £12.99, October 2000, 0 7195 5609 0
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Ancient as the Hills: Diaries 1973-74 
by James Lees-Milne.
Murray, 228 pp., £12.99, October 2000, 0 7195 6200 7
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... been reissued as rather grand paperbacks, along with an eighth, a final hardback selection made by Michael Bloch. They all have titles like Ancestral Voices, Caves of Ice, Through Wood and Dale, Midway on the Waves and Prophesying Peace, and it will not escape the notice of the literate public that they are all derived, one with a bit of a spin on it, from ...

Blood Running Down

Helen Cooper: Iconoclasm and theatre in early modern England, 9 August 2001

The Idolatrous Eye: Iconoclasm and Theatre in Early Modern England 
by Michael O'Connell.
Oxford, 198 pp., £30, February 2000, 9780195132052
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... was no room for half measures. Compromise with an idol was a denial of God. In The Idolatrous Eye, Michael O’Connell tackles a more difficult question: why did the Puritans believe not just religious but all forms of theatre to be idolatrous? It’s not difficult to see why they disapproved of the great cycles of religious drama. Although the cycles were ...

Can’t you take a joke?

Jonathan Coe, 2 November 2023

Different Times: A History of British Comedy 
by David Stubbs.
Faber, 399 pp., £20, July, 978 0 571 35346 0
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... comedies made at Ealing Studios in the late 1940s and early 1950s. Indeed, as Stubbs reminds us, Michael Balcon, the studio’s head in its heyday, was explicit in defining its mission. When Ealing was sold in 1955, he placed a plaque on the studio building that read: ‘Here during a quarter of a century many films were made projecting Britain and the ...

Old Dad dead?

Michael Neill: Thomas Middleton, 4 December 2008

Thomas Middleton: The Collected Works 
edited by Gary Taylor and John Lavagnino.
Oxford, 2016 pp., £85, November 2007, 978 0 19 818569 7
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Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works 
edited by Gary Taylor and John Lavagnino.
Oxford, 1183 pp., £100, November 2007, 978 0 19 818570 3
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... blue, its spine adorned with the familiar gilt coat of arms; the Middleton is clad in unornamented black, suggesting a sly homage to the author’s early prose satire The Black Book, with its sardonic farewell to the reader: ‘Now sir, what is your censure now? You have read me, I am sure. Am I ...

Diary

David Denby: Deaths on Camera, 8 September 2016

... On 19 July​ 2015, a sullen, hot day with white skies, an unarmed black man was killed in Cincinnati. The incident began when Officer Ray Tensing, a member of the University of Cincinnati campus police, pulled over Samuel DuBose, whose car was missing its front licence plate. Tensing was wearing a body camera, and when the Hamilton County district attorney released the video ten days later, on 29 July, Americans watching the news that night saw about two minutes of what happened ...

Where Does He Come From?

Sanjay Subrahmanyam: Placing V.S. Naipaul, 1 November 2007

A Writer’s People: Ways of Looking and Feeling 
by V.S. Naipaul.
Picador, 193 pp., £16.99, September 2007, 978 0 330 48524 1
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... especially defenders of the ‘Third World’ and its hopes, from C.L.R. James and Edward Said to Michael Gilsenan, more or less uniformly find him and his attitudes troubling and sometimes bigoted. He is portrayed as a self-hater and Uncle Tom, a product of the sorts of complex that Frantz Fanon diagnosed. On the other side are the conservative writers ...