“... at what Wordsworth called ‘getting and spending’. His phrasing sometimes sounds rather like William Blake, whose name and example as a London poet crops up quite a lot, or like Coleridge at his most indignant: this is a story of native genius held in thrall by the hostile forces of trade – what Hill refers to at one point, in a Poundian spirit, as the ...”

“... and Eliza Emmerson. In March he made his first visit to London, where his portrait was painted by William Hilton. Taylor and his business partner James Hessey gave a dinner for him, at which Clare met and became friends with Henry Cary, whose translation of Dante he draws on in ‘To the Snipe’. A week after returning to Helpston, he married Patty ...”

“... Browne, Hazlitt, Emerson and Henry James. He brought, he wrote, ‘a special attitude’ to Shakespeare, Bach, Rembrandt, to the stones of Paris, to the cathedral of Chartres, and to the Empire State Building . . . These were not really my creations; they did not contain my history; I might search in vain for ever for any reflection of myself. I was an ...”

“... Newspaper Axis, American newspaper owners are shown putting their weight behind isolationism, what William Randolph Hearst preferred to call ‘America first’. He commissioned Hitler and Mussolini to write for his many newspapers (at $1 a word), and was delighted that Hitler had restored ‘character and courage’ to Germany. At a time when most Americans ...”

“... mindTo keep itself from noyance.Come across this said (I think) by Rosencrantz. As so often with Shakespeare you wonder what sort of life he led, how he came to know this. It takes in most of Larkin’s life.A regular from Arlington House walks down the crescent, stiff as a ramrod, upright, respectable. By his side and pressed as firmly into the seam of his ...”

“... rhetoric. He often stunned teachers and contemporaries by his ability to recite huge tracts of Shakespeare, Lincoln, Kipling and the like. Emotionally he focused on his Quaker mother, Hannah, whom he regarded all his life as a saint. ‘He never let us forget his mother had to scrub bedpans,’ a White House staffer recorded nearly fifty years ...”

“... were regarded as culturally respectable only when based on some classic text, preferably Shakespeare; when involving some OK modern author, H.G. Wells, Maugham, Greene, Huxley or the like; when starring players famous in the legitimate theatre, Olivier, Richardson, Laughton: or when wrapped in a European reputation, such as Garbo’s or ...”

“... in his pantheon of practitioners, but Dillon’s responsiveness is wide, to Virginia Woolf, to William Gass, to Susan Sontag, to Lester Bangs and to Roland Barthes (his first and most important inspiration). Most practitioners regard essay-writing as a sideline – Davenport set store by his stories, so much less vital than his non-fictional prose – but ...”

“... pieces can be salvaged. We have all heard about ‘the lunatic, the lover and the poet’: but not Shakespeare nor anyone else can excuse us for being light-minded and unfeeling about the madnesses of mad poets. There are those who positively welcome such disorder, as if it authenticated a poet’s vocation. But great poetry is greatly sane, greatly lucid; and ...”

“... death in 1658 – he was the de facto laureate to the new state. He also became tutor to William Dutton, who was a member of Cromwell’s household. At this time Marvell was referred to as ‘a notable English-Italo-Machiavellian’ – for reasons that are mysterious he had the reputation of being a crafty and powerful figure. In 1657 he entered the ...”

“... of his closest friendships remained formal, mediated through books; his longstanding translator, William Weaver, recalled Calvino flinching every time he was obliged to call him ‘Bill’. In a preface to Numbers in the Dark, a collection of short and very short stories, Calvino’s widow, Esther, quotes a note from 1943 that she discovered among his ...”

“... it accounted for their high electricity bills. And she couldn’t comprehend his taste for Shakespeare (‘old-fashioned’). When Schwartz appeared one day carrying Hart Crane’s The Bridge, she was appalled that such a small book cost three dollars. Even summer camp offered no respite: Rose came along to help out and humiliated her son by following ...”

“... showed that nightmares are the dream History is made of. of. Just like Goya, only worse. Just like Shakespeare in Macbeth, though not happening in Scotland in the remote past, but now, today, in the murky waters of present-day politics where the ceremony of innocence – a baptism in fetid fonts – is drowned in obscene shouts: Heil Hitler! Evviva Il ...”

“... Such lists can be dispiriting, and it could be said of this one that it had too little Shakespeare and no short poems at all (in such contexts, ‘great’ means ‘long’). But though there were omissions, there were no silly inclusions; Homer and Virgil and Chaucer accompanied Stendhal and Jane Austen, Dickens and Tolstoy and Henry James; and ...”

“... Beginner, published in 1966, about living in Cairo as a child between the wars: her father, Sir William Goodenough Hayter, was a judge with the Anglo-Egyptian Service, a vital arm of the British Protectorate running the country from the wings. There were many prints of Egypt in our Zamalek flat – picturesque views of the ruins and the pyramids and Old ...”