“... by toe-curling choruses of ‘Happy Birthday’), hand-holding, embracing, chants (‘Hi, John!’). This is evidently necessary to create a structure for the incoming drunk in free fall or those whose sobriety is fragile. The structure is always there and always the same; a reassuringly solid thing in a dangerously liquid world. What is rarely boring ...”

“... the early part, in the narrator’s consciousness, can be delicious: as good as Virginia Woolf, or John Betjeman, who would have adored subtle pentameters like ‘The irregular line of elms by the deep lane’. And like Sonnets from the Portuguese, which Robert Browning had advised Elizabeth to present as translations, and which were not published as her own ...”

“... In his autobiographical papers, Surely you’re joking, Mr Feynman?, the Nobel Prize-winning physicist, Richard Feynman, describes being piqued by an article in Science about how well bloodhounds can smell. Feynman hates not being best, and so he took time off from inventing the atom bomb (he was working at Los Alamos) to run an experiment. He had his wife handle certain coke bottles in an empty six-pack while he was out of the room for a couple of minutes ...”

“... with a clear idea of what they want to be like. (This has something in common with the poetry of John Ashbery, who praised White’s first novel, in words that could easily be used to evoke his own work, as the ‘account of an almost terminally sophisticated society’.) The beautiful room is empty has several characters who come to life in the ...”

“... with self-referentiality. The March of the Long Shadows is set in Sicily in 1947. The narrator, John Philips, is keeping a watchful British eye on the nascent movement for Sicilian separatism. Things begin badly, with a note which tells us that ‘all the languages and major dialects of Europe but one share the saying, “where there’s life there’s ...”

“... we observe is ‘fine tuned for life’, a claim that was investigated in the book which he and John Barrow co-authored, The Anthropic Cosmological Principle. It enters, too, into his expectation that our universe will be found to satisfy the many ‘Omega Point Theory predictions’ which he generates. These predictions concern conditions which he thinks ...”

“... A learned, indeed an erudite little book; but also one that is so absorbing, so readable, so quietly and deftly humorous, that it shows up all the dull pretentiousness of nine-tenths of the stuff that gets written nowadays about Eng. Lit. A fascinating and major paradox is involved; but what would be the point of the author displaying it when a fabulous gathering of fictional puzzles will do it for him? The best critic, like the best novelist, leaves the reader to decide ...”

“... better footage from their news helicopter. A shoot-out takes place in which Clarice’s friend John Brigham (who has, by the way, coached her to three successive interservice combat pistol championships) is killed, as is one of the two BATF agents who are anti-realistically called Burke and Hare. Clarice kills five baddies, including Evelda Drumgo ...”

“... of the impetus to this comes from. Amis mentions a very powerful negative review of his father by John Updike, published in 1978 when Jake’s Thing came out, and collected in Hugging the Shore in 1983. It’s a much less patronising, and more overtly hostile, review than usual for Updike, and it begins:If the postwar English novel figures on the ...”

“... myself rooting privately for Germany, though as I was sitting next to one of JM’s bodyguards [John Major was still prime minister], even though he was a Scot, I pretended to be backing England. It was one of the most incredible matches I’ve ever seen and to be fair to England, they could and should have won and there was a part of me willing them ...”

“... When Ferran Adrià, the Spanish maestro who is undisputedly the most influential chef of the last two decades, gave up cooking at his restaurant El Bulli, he announced that he was going to be starting a number of projects. One of them is intended to be a foundation dedicated to the study of himself. Another was a collaboration on the subject of food and science with Harvard ...”

“... Most​ writers of fiction are interested in anonymity. If they aren’t tickled by the thought when they sit down to write their first books, they get to that point after the first couple have come out. Writing is solitary, private, inward, and involves something close to complete control; even when there are losses of control or agency, they’re of the sort that a writer has, most of the time, chosen for herself ...”

“... Which​ was the best goal? Lauren Hemp’s high-precision cross, headed home by Beth Mead? Mead’s left-footed shot angled past a diving keeper after a jinking run past three defenders? Or Georgia Stanway’s penalty straight into the corner of the net? England’s 8-0 victory over Norway in their second group game of the Euros had moments of individual brilliance but more striking still was the team’s sheer unstoppability ...”

“... Back when I was at university, the only people who ever used the word ‘narrative’ were literature students with an interest in critical theory. Everyone else made do with ‘story’ and ‘plot’. Since then, the n-word has been on a long journey towards the spotlight – especially the political spotlight. Everybody in politics now seems to talk about narratives all the time; even political spin-doctors describe their job as being ‘to craft narratives ...”

“... The modern mode​ of watching television, largely uncoupled from broadcast schedules, makes a programme’s transition from critical acclaim to audience approval to mass adoption more gradual than it used to be. Once, there were immediate hits and misses. There still are – but it’s more common for the hits to build gradually, by word of mouth. Many shows seem magically to become more famous in between series than when they are actually on the air ...”