Oedipal Wrecks

Michael Mason, 26 March 1992

Fates Worse than Death 
by Kurt Vonnegut.
Cape, 240 pp., £14.99, October 1991, 0 224 02918 5
Show More
Show More
... a writer whose similarity to Vonnegut, and known influence on him, is possibly less flattering: George Bernard Shaw. Critics of Vonnegut have sometimes remarked with some justice on the haziness or orthodoxy of what appear to be uncompromised and uncompromising declarations of belief by him. In these moments one can see why Vonnegut enjoys so greatly the ...

Let him be Caesar!

Michael Dobson: The Astor Place Riot, 2 August 2007

The Shakespeare Riots: Revenge, Drama and Death in 19th-Century America 
by Nigel Cliff.
Random House, 312 pp., $26.95, April 2007, 978 0 345 48694 3
Show More
Show More
... shall be gradually prepared to admit their real existence among us.’ But others, including George Washington and John Adams, already regarded the unconfined soul of Shakespeare as belonging more securely to the land of the free than to the land of his birth, and the first American edition of the Complete Works – a piracy of an English text, but with ...

Slashed, Red and Dead

Michael Hofmann: Rilke, To Me, 21 January 2021

... eyes rise up before me … yes, these tired eyes, athirst for death.In Young Rilke and His Time, George Schoolfeld calls this woman ‘an advance member of [Rilke’s] rich gallery of women variously beset’. The recast piece is called ‘Fantasy’ and subtitled ‘a poem in prose’. Enough already.The second ‘Emigrant-Ship (Naples)’ is both immediate ...

First Puppet, Now Scapegoat

Inigo Thomas: Ass-Chewing in Washington, 30 November 2006

State of Denial: Bush at War 
by Bob Woodward.
Simon and Schuster, 560 pp., £18.99, October 2006, 0 7432 9566 8
Show More
Show More
... victories, are themselves uncertain about how to end it. What will there be to pick up when George Bush leaves office in two years’ time? If he lasts that long.Conclusions and opinions aren’t Woodward’s strongest suit. He offers no general summations to his three books, no views on the people he interviews. He allows his subjects to speak for ...

How long before Ofop steps in?

Patrick Carnegy, 16 March 2000

In House: Covent Garden, 50 Years of Opera and Ballet 
by John Tooley.
Faber, 318 pp., £25, November 1999, 9780571194155
Show More
Never Mind the Moon: My Time at the Royal Opera House 
by Jeremy Isaacs.
Bantam, 356 pp., £20, November 1999, 0 593 04355 3
Show More
Show More
... taste of his own, Haitink became the victim of those who had to decide things for him. In Michael Waldman’s unsparing television documentary The House, the hapless Haitink is seen to be flabbergasted as the head of the opera company, Nicholas Payne, tries to sell him the director Richard Jones’s scheme for the Ring. In Die Walküre Fricka would ...

Diary

Tobias Jones: San Giovanni Rotondo, 13 May 1999

... on for advice, and when he arrived at the grotto he received a visitation from the Archangel Michael, who ordered him to consecrate a Christian altar on the site. It’s not known what happened to the man with the arrow in his forehead, but the result of his misadventure was the famous Santuario di San Michele. In 999 AD, the Holy Roman Emperor, Otto ...

Davitt’s Part

Charles Townshend, 3 June 1982

Davitt and Irish Revolution 1846-1882 
by T.W. Moody.
Oxford, 674 pp., £22.50, April 1982, 9780198223825
Show More
Show More
... active and gentlemanly-looking; his age is about 30 years.’ Such was the picture of the young Michael Davitt, Fenian suspect, produced by the police detective who was watching him in 1869. (In fact, he was working-class, and 24 years old.) Somewhat later, after seven years’ penal servitude, he was seen by the Irish Parliamentarian F.H.O’Donnell as ...

Foreigners

Denis Donoghue, 21 June 1984

Selected Essays 
by John Bayley.
Cambridge, 217 pp., £19.50, March 1984, 0 521 25828 6
Show More
Collected Poems: 1941-1983 
by Michael Hamburger.
Carcanet, 383 pp., £12.95, March 1984, 9780856354977
Show More
Poems: 1953-1983 
by Anthony Thwaite.
Secker, 201 pp., £8.95, April 1984, 0 436 52151 2
Show More
Show More
... loves. He is a superb praiser, so it is a pity that he should ever be driven beyond his patience. Michael Hamburger’s poems have always been in the shadows of his translations and critical essays: mainly, I think, because he has acute misgivings about the autonomy of language. He believes in inspiration, that a poet’s words are what ‘some power behind ...

Diary

Elisa Segrave: Is this what it’s like to be famous?, 11 May 1995

... in a Sunday newspaper in two days’ time. How can I not be manic? The next day I met the poet Michael Horowitz in the local health-food shop. The last time I bumped into him, in the same place a few months before, I was about to deliver my completed manuscript. Today, I asked him to my launch party. ‘Maybe I could review your book,’ he said. ‘That ...

Already a Member

R.W. Johnson: Clement Attlee, 11 September 2014

Clement Attlee: The Inevitable Prime Minister 
by Michael Jago.
Biteback, 390 pp., £25, May 2014, 978 1 84954 683 6
Show More
Show More
... idea of a modern politician turning down such a soundbite opportunity makes one sigh. Similarly, Michael Jago reproduces part of an interview with Honor Balfour in 1967: Balfour: What was the greatest achievement of the Labour government? Attlee: Indian independence. Balfour: What was the greatest problem you faced? Attlee: Russia. Balfour: What was the ...

Dithyrambs for Athens

Leofranc Holford-Strevens: The difficulties of reading Pindar, 17 February 2005

Soliciting Darkness: Pindar, Obscurity and the Classical Tradition 
by John T. Hamilton.
Harvard, 348 pp., £17.95, April 2004, 0 674 01257 7
Show More
The First Poets: Lives of the Ancient Greek Poets 
by Michael Schmidt.
Weidenfeld, 449 pp., £20, April 2004, 0 297 64394 0
Show More
Show More
... obscurity begins with Nietzsche, who, cried up along with Pindar himself and Hölderlin by Stefan George and friends in their war for a Hellenised German (or Germanised Greek) Geist against Wilamowitzian philology, twists an adjuration from the Second Pythian, genoi’ hoios essi mathôn, ‘having learned [from me] what manner of man you are, live up to ...

Invention of the Trickster

Celia Donert: Roma in Europe, 2 November 2023

Europe and the Roma: A History of Fascination and Fear 
by Klaus-Michael Bogdal, translated by Jefferson Chase.
Allen Lane, 588 pp., £40, July, 978 0 241 51902 8
Show More
Show More
... was accompanied by a widespread fascination with ‘Gypsies’ in popular culture. Klaus-Michael Bogdal, a professor of German literature at the University of Bielefeld at the time of the riots, was struck by the contradiction. In the early 1990s, Germans were taking up flamenco lessons. The French-Gitano band Gipsy Kings was hitting the top of the ...

The Virtues of Topography

John Barrell: Constable, Gainsborough, Turner, 3 January 2013

Constable, Gainsborough, Turner and the Making of Landscape 
Royal Academy, until 17 February 2013Show More
Show More
... of particular places’. The exhibition includes several such pictures, watercolours by Sandby, Michael Angelo Rooker and others, beautiful but somehow small-minded, limited in their ambition, we are invited to believe. Eventually, however, in the early 19th century, topographical art was transcended by something infinitely more serious and more powerful, a ...

Little Mercians

Ian Gilmour: Why Kenneth Clarke should lead the Tories, 5 July 2001

... where Christians have a huge impact on public policy’ – presumably, therefore, God agrees with George Bush’s tearing up of the Kyoto Protocol and is in favour of bespattering Alaska with oil wells. Furthermore, according to Mr Leach, EU integration runs ‘counter to a Biblical model’, for apparently ‘Biblical government is minimal ...

Mistaken or Doomed

Thomas Jones: Barry Unsworth, 12 March 2009

Land of Marvels 
by Barry Unsworth.
Hutchinson, 287 pp., £18.99, January 2009, 978 0 09 192617 5
Show More
Show More
... arresting Rodney King, a black man, Unsworth won half the Booker Prize – the other half went to Michael Ondaatje for The English Patient – for a novel that in its unsparing portrayal of life aboard an 18th-century slave ship looked back to the colonial and commercial origins of racial tensions in North America. With its description of a multicultural ...