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“... almost unfathomable. An immense aid to solving many of these problems has come with Charles Edward Lysaght’s new biography. The result of years of dedicated research into public and private archives, and of much valuable testimony from Bracken’s friends and acquaintances, it adds considerably to Andrew Boyle’s study, published in 1974. The ...”

“... an overdone and vulgar fantasy. Yvor Winters said Poe’s was an art for servant girls. Both Henry James and T.S. Eliot used the deadly word ‘provincial’. Auden condemned a sentence from ‘William Wilson’ as vague and verbose, and Aldous Huxley summed up Poe as ‘one of Nature’s Gentlemen, unhappily cursed with incorrigible bad taste ... diamond ...”

“... of the Injustice and Dangerous Tendency of Tolerating Slavery. The status of an enslaved man, James Somerset, who had escaped in London and been kidnapped for re-enslavement became a national debate. The decision in 1772 by the lord chief justice that Somerset must be freed terrified the colonists. Edward Long, a ...”

“... the 1920s and had been directed by Yeats. Other founding members included O’Hara, John Ashbery, Edward Gorey and Donald Hall, all recent Harvard graduates in their early twenties, as well as those like Lurie living in and around Cambridge. Older, established poets, such as Richard Wilbur and Richard Eberhart, added gravitas to the enterprise. ‘The ...”

“... in spite of its invocation of the conservative revolutionary. While a genuine radical like James Cameron could famously say of himself that he was ‘conservative about everything except politics’, and while it’s true that the Anglo-American political culture holds a special niche permanently vacant for those bookish old ranters (Michael ...”

“... has lost none of its effectiveness seventy-odd years on. That tireless promoter of the third-rate, Edward Marsh, who edited five Georgian anthologies, thought the period would rank with the great poetic ages of the past, and J.C. Squire invoked the Elizabethans as the only possible comparison. But the prototypical Georgians whose names sprang to Mary ...”

“... engaging dash through the reactions of Dickens, Carlyle, Thackeray, Macaulay, and heaven help us, Edward Bulwer-Lytton’s Zanoni, shows just how rapidly British middle-of-the-road opinion could slide into Podsnappian condemnation of all things French, especially the French Revolution. Even though Carlyle’s French Revolution was the source for most of the ...”

“... the names of explorers, famous in their day, but now known only to Arctic buffs, such as John and James Clark Ross, Rae, Pullen, Collinson, M’Clure, Austin, Ommanney, Richardson, Penny, DeHaven, Kane, Forsyth, Bellot, Kennedy, Belcher, Inglefield, M’Clintock – and names of ships, such as ...”

“... Marías writes the kind of old-fashioned, speculative prose we associate with Proust and Henry James, all qualifications and revisions, no assertion that can’t be infinitely embroidered or unravelled. But he also deals in violence, historical and personal, and in the movie titles, politicians, brand-names and underwear we connect with a quite different ...”

“... bourgeois, a Wilcox rather than a Schlegel or even a Leonard Bast. Or so it can easily seem. James Gindin, however, seeing the case in quite another light, challengingly subtitles his biography ‘An Alien’s Fortress’ and suggests at the outset that, despite appearances, Galsworthy had his full share of the discontent and the divided mind needed to ...”

“... There’s​ a supercut on YouTube called ‘All James Bond Cat Close-Ups in Chronological Order’, which strings together every scene in which Blofeld’s feathery white Persian takes centre stage. It’s shorter than you might think: just three and a half minutes, beginning with the cat’s debut appearance in From Russia with Love (1963), glaring into the middle distance while her master strokes her ears with both hands, and ending with her brief turn in Spectre (2015), wriggling out of Christoph Waltz’s grasp ...”

“... early 1980s, Ismail Merchant set out to make The Deceivers. He was without his usual collaborator, James Ivory, who was not enthusiastic about the project. The film eventually appeared in 1988, and was met by a near unanimous lack of critical acclaim. The screenplay was based on a novel by John Masters (1914-83), who had served in the British army in India ...”

“... In 1598 the Lord Chamberlain’s Men were forced to dismantle James Burbage’s Theatre in Shoreditch, which they had occupied since their foundation in 1594, so they transported it across the Thames and built their own playhouse on the Bankside. This was the building whose 20th-century replica was christened ‘Shakespeare’s Globe ...”

“... early films, from Red River to Fred Zinnemann’s From Here to Eternity (1953), and then, after Edward Dmytryk’s Raintree County (1957), eight late films from Vincent Donehue’s Lonelyhearts (1958) to Raoul Lévy’s The Defector (1966), the caesura provided by the spectacular car crash that wrecked his face. There are three kinds of classic American ...”

“... it was usually the hulking bombers from Habaniya that restored things to their grumpy normal,’ James Morris wrote in The Hashemite Kings (1959). At the same time, Britain had established a native Army with British and former Ottoman officers to supplement the RAF in controlling opposition to the new order. The goal was to protect both oil production and ...”