At Tate Britain
Rosemary Hill: Aubrey Beardsley, 24 September 2020
“... scenes from tumbling into Hieronymus Bosch-like orgies, or erupting into the bawdy romps of Thomas Rowlandson. His theory of line, Beardsley claimed, was his only original idea. Instead of ‘thin lines to express backgrounds and thick lines to express foregrounds’, he kept ‘the same value of line’ in both. The resulting flattened monochrome ... ”