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Little More than an Extension of France

Hugo Young: The British Isles, 6 January 2000

The Isles: A History 
by Norman Davies.
Macmillan, 1222 pp., £30, November 1999, 9780333763704
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... are freer than most of blindness to the Celts. But Henry Hallam, F.W. Maitland and, above all, William Stubbs are presented as the high priests of inveterate Englishism. ‘Despite their immense erudition and their enormous services to the subject, all these scholars positively crowed with nationalistic self-satisfaction.’ Moreover, the multicultural ...

Like Unruly Children in a Citizenship Class

John Barrell: A hero for Howard, 21 April 2005

The Laughter of Triumph: William Hone and the Fight for a Free Press 
by Ben Wilson.
Faber, 455 pp., £16.99, April 2005, 0 571 22470 9
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... be taught’. I wonder, disingenuously perhaps, if one of those ‘key personalities’ will be William Hone. He certainly should be. Hone is one of the ‘national heroes of our past’ who struggled to secure our freedoms and to widen the franchise. He fought hard to resist the encroachment of the executive on the province of the judiciary, and now that ...

Despairing Radicals

Blair Worden, 25 June 1992

Sir Philip Sidney: Courtier Poet 
by Katherine Duncan-Jones.
Hamish Hamilton, 350 pp., £20, September 1991, 0 241 12650 9
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Algernon Sidney and the Restoration Crisis 
by Jonathan Scott.
Cambridge, 406 pp., £40, October 1991, 0 521 35291 6
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Algernon Sidney and the Republican Heritage 
by Alan Craig Houston.
Princeton, 335 pp., £22.50, November 1991, 0 691 07860 2
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Milton’s ‘History of Britain’: Republican Historiography in the English Revolution 
by Nicholas von Maltzahn.
Oxford, 244 pp., £32.50, November 1991, 0 19 812897 5
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... that were ‘built to envious show’ amidst the riot of competitive expenditure in the reign of James I. The Sidneys never had the money to spoil their inheritance, which survives as a glorious muddle of a house, centred on an enchanting Medieval hall and sprawling out into its Renaissance and later additions. Jonson’s poem makes virtues of the family’s ...

The Ballad of Andy and Rebekah

Martin Hickman: The Phone Hackers, 17 July 2014

... me after that because I may be some help on Commons’). Blair also offered advice to Rupert and James Murdoch. Peter Mandelson offered to prep Brooks for an appearance before the Commons Culture, Media and Sport Select Committee. Two Conservative peers gave glowing character references: Baron Black of Brentwood, a former director of the Press Complaints ...

Unmistakable

Michael Rogin, 20 August 1998

Celebrity Caricature in America 
by Wendy Wick Reaves.
Yale, 320 pp., £29.95, April 1998, 0 300 07463 8
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... his ‘abstract caricature’, individuated inner depth was no more his concern than that of William Auerback-Levy (born in Brest-Litovsk), whose slightly turned away ‘timeless, impersonal’ heads, as Reaves observes, use media-generated emblems of fame (Heywood Broun’s unkempt hair, Franklin P. Adams’s cigar, H.L. Mencken’s sneer) to bar access ...

Mercenary Knights and Princess Brides

Barbara Newman: Medieval Travel, 17 August 2017

The Medieval Invention of Travel 
by Shayne Aaron Legassie.
Chicago, 287 pp., £22, April 2017, 978 0 226 44662 2
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... owed a debt in turn to Marco Polo. Less famous, but no less fascinating, is the Franciscan William of Rubruck’s Itinerarium, written about forty years before Polo’s work. A reluctant messenger for Louis IX, later St Louis, William carried a letter from the French monarch to Kublai’s predecessor, Möngke ...

Seventy Years in a Filthy Trade

Andrew O’Hagan: E.S. Turner, 15 October 1998

... in taverns and stews; there are all manner of clerical bruisers, men like the Revds Henry Bate and William Jackson, successive editors of the Morning Post, who gave themselves up to sparrings and scandals, and whose journalistic darts were dipped in poison. They were reckless and factional men in a reckless and factional age: E.S. Turner has something of ...

Y2K = AP2583

Jonathan Rée: 17th-century philosophy, 10 June 1999

The Cambridge History of 17th-Century Philosophy 
edited by Daniel Garber and Michael Ayres.
Cambridge, 1616 pp., £90, April 1998, 0 521 58864 2
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... gentiles’ could also be spun into a reason why the faithful should attend to them. As William Baldwin put it in the upbeat English version of Diogenes which he published in 1547 under the title A Treatise of Morall Philosophye, contayning the Sayinges of the wyse, philosophy was to be studied not for its own sake, but ‘only for this ...

The nude strikes back

John Bayley, 7 November 1985

Monuments and Maidens: The Allegory of the Female Form 
by Marina Warner.
Weidenfeld, 417 pp., £16.95, October 1985, 0 297 78408 0
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... no doubt merely reminded his mentor of the limited facilities for shaving in submarines: but James Joyce’s young man resents his friend’s analysis and calls him a sulphur-yellow liar. We do resent, it seems, having our erotic or quasi-erotic motives explained to us; perhaps not so much because we all feel the explanation to be false, though that ...

On a par with Nixon

Stephen Alford: Bad Queen Bess?, 17 November 2016

Bad Queen Bess? Libels, Secret Histories, and the Politics of Publicity in the Reign of Queen Elizabeth I 
by Peter Lake.
Oxford, 497 pp., £35, January 2016, 978 0 19 875399 5
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Elizabeth: The Forgotten Years 
by John Guy.
Viking, 494 pp., £25, May 2016, 978 0 670 92225 3
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... Antiquaries and historians have wrestled with Elizabeth from the outset: first there was William Camden’s ponderous official history, then the influential courtier biographies by Robert Naunton, Froude’s probing critique, the rigorous constitutionalism of A.F. Pollard, and so on to John Neale, his pupils and colleagues, and beyond to Peter Lake ...

I met murder on the way

Colin Kidd: Castlereagh, 24 May 2012

Castlereagh: Enlightenment, War and Tyranny 
by John Bew.
Quercus, 722 pp., £25, September 2011, 978 0 85738 186 6
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... in Dublin, where Castlereagh was born, contained the classics of the commonwealth canon, including James Harrington’s Commonwealth of Oceana and the Memoirs of the regicide Edmund Ludlow. It wasn’t that Whig Presbyterians were against monarchy; rather, they argued that popular consent was the only acceptable basis for kingly government. The Presbyterianism ...

Living the Life

Andrew O’Hagan, 6 October 2016

Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency 
by James Andrew Miller.
Custom House, 703 pp., £20, August 2016, 978 0 06 244137 9
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... says he loves). In Some Like It Hot, the talent booker, Mr Poliakoff, is on the phone to the William Morris Agency. Standing in his office are Jerry and Joe – Jack Lemmon and Tony Curtis – a bass and a saxophone player. Jerry tries to persuade Poliakoff to give them the job – three weeks in Florida with Sweet Sue and her Society Syncopators – but ...

Mixed Feelings

James Wood: Italo Svevo’s Last Cigarette, 3 January 2002

Zeno's Conscience 
by Italo Svevo, edited by William Weaver.
Everyman, 437 pp., £12.99, November 2001, 1 85715 249 2
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Memoir of Italo Svevo 
by Livia Veneziani Svevo, translated by Isabel Quigly.
Northwestern, 178 pp., $15.95, June 2001, 0 8101 6084 6
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Emilio's Carnival 
by Italo Svevo, translated by Beth Archer Brombert.
Yale, 233 pp., £22.50, October 2001, 0 300 09049 8
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... and has, rather mysteriously, been the only standard version until now, as the American translator William Weaver arrives with an excellent new rendering. Weaver’s is not merely a modern repointing of De Zoete, but a fresh imagining, which differs in important respects from its predecessor, and in almost every one improvedly (though I prefer De Zoete’s ...

Diary

Raghu Karnad: Looking for Indraprastha, 8 February 2024

... oppression. In this account – inherited from early colonial philologists and historians such as William Jones and James Mill – the subcontinent had belonged since prehistoric times to one continuous, indigenous Vedic civilisation, shattered in 1192 by the first Islamic invasions.To its sympathisers, the new government ...

At Tate Britain

Peter Campbell: Van Dyck’s Portraits, 12 March 2009

... Gallery, painted around 1620 when he was just out of his teens, with the Metropolitan Museum’s James Stuart, Fourth Duke of Lennox, painted in 1633. The former is a small picture: you look at it close. Threads of white paint highlight the old man’s hair, beard, watering eye and damp lip. Paint and flesh exchange substance. The same is true of a picture ...

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