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Crazy America

Edward Said, 19 March 1981

... American ideology. In ‘The Purposes of American Power’ (Foreign Affairs, Winter 1980-81), Robert Tucker claims to be steering a new course between proponents of ‘resurgent America’ and ‘isolationism’. Yet for the Persian Gulf and Central America he proposes a policy of frank interventionism, since, he ...

The Road to Sligo

Tom Paulin, 17 May 1984

Poetry and Metamorphosis 
by Charles Tomlinson.
Cambridge, 97 pp., £9.95, March 1983, 0 521 24848 5
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Translations 
by Charles Tomlinson.
Oxford, 120 pp., £7.95, October 1983, 0 19 211958 3
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Conversation with the Prince 
by Tadeusz Rozewicz, translated by Adam Czerniawski.
Anvil, 206 pp., £4.95, March 1982, 0 85646 079 6
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Passions and Impressions 
by Pablo Neruda, translated by Margaret Sayers Peden.
Farrar, Straus/Faber, 396 pp., £16.50, October 1983, 0 571 12054 7
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An Empty Room 
by Leopold Staff, translated by Adam Czerniawski.
Bloodaxe, 64 pp., £3.25, March 1983, 0 906427 52 5
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... does not die. It is fascinating to notice that when the Congress for Cultural Freedom dispatched Robert Lowell to South America he refused to tell lies and play the part of CIA Virgil. Instead he freaked, sent telegrams to the Pope on the theme of ‘America as the Roman Empire’, insulted every general he met, tried to climb all the equestrian statues in ...

Yawping

Adam Gopnik, 23 May 1996

The Scandal of Pleasure 
by Wendy Steiner.
Chicago, 263 pp., £19.95, January 1996, 0 226 77223 3
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... debate in academic and cultural life in America. Her subjects range from the attempts to suppress Robert Mapplethorpe’s photographs (the famous print of Mapplethorpe with a whip inserted into his anus is reproduced in evidence) to the fatwa against Salman Rushdie, to the way the exposé of Paul de Man’s early anti-Semitic writings has been used to ...

Even more immortal

Paul Driver, 8 April 1993

Memories of Beethoven: From the House of the Black-Robed Spaniards 
by Gerhard von Breuning, edited by Maynard Solomon, translated by Henry Mins and Maynard Solomon.
Cambridge, 154 pp., £15.95, November 1992, 0 521 41710 4
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Beethoven: Studies in the Creative Process 
by Lewis Lockwood.
Harvard, 283 pp., £31.95, July 1992, 0 674 06362 7
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... and overwritings which, while visually creating a symbol of aesthetic tussle not unlike a Frank Auerbach drawing and securing the myth of Beethoven as a heroically patient grappler with crude ideas, in strictly musical terms often amount to a radical recasting of the music, a decisive continuation of composition at ‘fair copy’ or autograph ...

Diary

Marc Kusnetz: The death of General Mowhoush, 23 February 2006

... argument on a military principle known as ‘unlawful command influence’, the defence attorney, Frank Spinner, asked the judge to dismiss the case. With no jurors present, Spinner introduced a witness who testified that he had overheard a conversation on the base which suggested unlawful command influence on the part of Fort Carson’s commanding ...

Leaping on Tables

Norman Vance: Thomas Carlyle, 2 November 2000

Sartor Resartus 
by Thomas Carlyle, edited by Rodger Tarr and Mark Engel.
California, 774 pp., £38, April 2000, 0 520 20928 1
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... and post-religious recovery, ranging from The Nemesis of Faith (1849) by his disciple and too frank biographer J.A. Froude to Mary Ward’s Robert Elsmere (1888). The German setting and European (and occasionally Asian and African) frame of reference seem to make this a cosmopolitan rather than an English or Scottish ...

Check out the parking lot

Rebecca Solnit: Hell in LA, 8 July 2004

Dante's Inferno 
by Sandow Birk and Marcus Sanders.
Chronicle, 218 pp., £15.99, May 2004, 0 8118 4213 4
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... even more suburban San Fernando Valley, much was written about Richard Meier’s architecture and Robert Irwin’s gardens. Remarkably little was written about the parking garage, though it’s the first structure you encounter on arriving at the Getty. (Theoretically, you could take a bus there, but this is, after all, a museum in LA up on a bluff above the ...

Weasel, Magpie, Crow

Mark Ford: Edward Thomas, 1 January 2009

Edward Thomas: The Annotated Collected Poems 
edited by Edna Longley.
Bloodaxe, 335 pp., £12, June 2008, 978 1 85224 746 1
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... May 1914, some six months before his late efflorescence into verse at the age of 36, he wrote to Robert Frost of his longing to ‘wring all the necks of my rhetoric – the geese’. He was referring to the over-elaborate style of some of his prose writings, but his first poem, ‘Up in the Wind’, composed on 3 December 1914, opens with a version of the ...

Cocteaux

Anne Stillman: Jean Cocteau, 13 July 2017

Jean Cocteau: A Life 
by Claude Arnaud, translated by Lauren Elkin and Charlotte Mandell.
Yale, 1024 pp., £30, September 2016, 978 0 300 17057 3
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... works of art: his cadences return in Pound’s Pisan Cantos; he appears as a blonde in a poem by Frank O’Hara; he becomes the name of a band, the Cocteau Twins. It’s as if he can beam into other worlds, as his voice does, through radio, in his 1950 film Orphée, transmitting from an elusive elsewhere. Cocteau’s life, as Arnaud tells it, mirrors these ...

Dreadful Apprehensions

Clare Bucknell: Collier and Fielding, 25 October 2018

The Cry: A New Dramatic Fable 
by Sarah Fielding and Jane Collier, edited by Carolyn Woodward.
Kentucky, 406 pp., £86.50, November 2017, 978 0 8131 7410 5
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... as Collier and Fielding put it; while Harriet Smith’s painful awareness that her suitor Robert Martin hasn’t read the right sort of books (‘I believe he has read a good deal – but not what you would think any thing of,’ she admits to Emma) shows the snobbery behind superficial learning. What the Cry – and by extension polite society at ...

Bounce off a snap

Hal Foster: Yve-Alain Bois’s Reflections, 30 March 2023

An Oblique Autobiography 
by Yve-Alain Bois, edited by Jordan Kantor.
No Place, 375 pp., £15.99, December 2022, 978 1 949484 08 3
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... his first book of art history, Form and Meaning: Writings on the Renaissance and Modern Art by Robert Klein, which includes an intriguing essay on ‘the eclipse of the work of art’. Soon Bois is obsessed with the transformations in American art glimpsed in the pages of Artforum, and contrives to visit the United States as an exchange student. Though ...

Henry and Hamlet

Barbara Everett, 22 February 2024

... Introducing​ his text of Hamlet in The Riverside Shakespeare, Frank Kermode calls it ‘the first great tragedy Europe had produced for two thousand years’, and adds, as if conceding to the long academic stress on its highly ‘problematic’ character: ‘how Shakespeare came to write it is, of course, a mystery on which it is useless to speculate ...

I shoot, I shoot!

Daniel Lee: D-Day and After, 3 April 2025

Normandy: The Sailors’ Story 
by Nick Hewitt.
Yale, 433 pp., £12.99, March, 978 0 300 28109 5
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D-Day, the Oral History: The Turning Point of World War Two by the People Who Were There 
by Garrett M. Graff.
Monoray, 448 pp., £14.99, March, 978 1 80096 219 4
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... sexual offences by GIs in the UK, including 126 rapes, were documented, though the sociologist J. Robert Lilly has argued that only 5 per cent of rapes were reported: he estimates that between 1942 and 1945 US military personnel raped almost 2500 women in Britain, more than 3600 in France and more than 11,000 in Germany. Anti-Black racism meant that African ...

Every Mother’s Son

Jonathan Parry: Britain in Sudan, 24 July 2025

Chain of Fire: Campaigning in Egypt and the Sudan, 1882-98 
by Peter Hart.
Profile, 444 pp., £30, February, 978 1 80081 073 0
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... spears at the British. Individual British deaths were taken very seriously. After Lieutenant Robert Grenfell was hacked to death during the cavalry charge at Omdurman, his brother’s angry account of it spurred the men inspecting the wasted battlefield to ‘polish off the wounded and dangerous Dervishes with their bayonets in a very determined ...

At the tent flap sin crouches

James Wood: The Fleshpots of Egypt, 23 February 2006

The Five Books of Moses: A Translation with Commentary 
by Robert Alter.
Norton, 1064 pp., £34, November 2004, 0 393 01955 1
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... of many waters’. In his remarkable new translation of the Pentateuch, a monument of scholarship, Robert Alter eschews ‘face’ to describe the surface of the world at the start of Genesis, and I miss the cosmic implications, but his first two verses amply compensate with their own originality: ‘When God began to create heaven and earth, and the earth ...

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