At Tate Britain
Peter Campbell: James Gillray, 21 June 2001
“... are passages of wiry drawing in some plates – for example, the figure of Pitt as Death and the white horse which carries him in Presages of the Millennium – which only the most vigorous and controlled pen drawing could match, and which only a master in either medium could achieve. Gillray’s first ambition was to be a reproductive engraver (... ”