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In their fathers’ power

Jasper Griffin, 15 October 1987

A History of Private Life. Vol. I: From Pagan Rome to Byzantium 
edited by Paul Veyne.
Harvard, 670 pp., £24.95, May 1987, 0 674 39975 7
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The Roman World 
edited by John Wacher.
Routledge, 2 pp., £100, March 1987, 0 7100 9975 4
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The Roman Empire: Economy, Society and Culture 
edited by Peter Garnsey and Richard Saller.
Duckworth, 231 pp., £24, March 1987, 0 7156 2145 9
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Sexual Life in Ancient Egypt 
by Lisa Manniche.
KPI, 127 pp., £15, June 1987, 0 7103 0202 9
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... not condemn us to tell lies?’ To put it in a friendlier way, which sort of sentence do you enjoy reading? There is the Gallic style: ‘The genealogy of ancient education was as follows: from culture to the will to culture, from there to the school, and from the school to the scholastic exercise as an end in itself.’ And: ‘It does not follow that law ...

Dark Strangers, Gorgeous Slums

Philip Horne, 16 March 1989

Off the Rails: Memoirs of a Train Addict 
by Lisa St Aubin de Teran.
Bloomsbury, 193 pp., £12.95, January 1989, 0 7475 0011 8
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The Marble Mountain, and Other Stories 
by Lisa St Aubin de Teran.
Cape, 126 pp., £10.95, January 1989, 9780224025973
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The Bathroom 
by Jean-Philippe Toussaint, translated by Barbara Bray.
Boyars, 125 pp., £11.95, February 1989, 0 7145 2880 3
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Motherland 
by Timothy O’Grady.
Chatto, 230 pp., £11.95, February 1989, 0 7011 3341 4
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A Lesser Dependency 
by Peter Benson.
Macmillan, 146 pp., £11.95, February 1989, 0 333 49093 2
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... but it is usually harder to arbitrate between the claims of mental breadth and concentration. Reading Off the Rails by Lisa St Aubin de Teran, however, a memoir in which she brings us up to date with her 35-year ‘lifetime of truancy and escape’, a career of spontaneously marrying, travelling and writing, will make many readers feel that the loss of ...

I Will Tell You Everything

Rosemary Hill: Iris Murdoch, 22 April 2010

Iris Murdoch: A Writer at War – Letters and Diaries 1939-45 
edited by Peter Conradi.
Short Books, 303 pp., £16.99, January 2010, 978 1 906021 22 1
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With Love and Rage: A Friendship with Iris Murdoch 
by David Morgan.
Kingston, 143 pp., £13.99, March 2010, 978 1 899999 42 2
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... soul-stripping illness whose details Bayley did not spare. After her death in 1999 things sped up. Peter Conradi’s portly authorised biography was smartly challenged by A.N. Wilson’s slimmer unauthorised memoir, Iris Murdoch as I Knew Her, a witty, affectionate, impious account which made disturbing suggestions about Bayley’s feelings towards his ...

‘I can scarce hold my pen’

Clare Bucknell: Samuel Richardson’s Letters, 15 June 2017

The Correspondence of Samuel Richardson with Lady Bradshaigh and Lady Echlin 
edited by Peter Sabor.
Cambridge, three vols, 1200 pp., £275, November 2016, 978 1 107 14552 8
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... came across versions of themselves or their foibles being lavishly ridiculed. During a communal reading of the sixth volume of Sir Charles Grandison, she came to a passage she heartily wished she could avoid. Charlotte’s mockery of Aunt Nell’s treasured but rather pathetic letter-case (containing ‘but a few letters’, and filled instead with faded ...

Anthropomorphic Carrot

Polly Dickson: Tales from Hoffmann, 23 January 2025

‘The Golden Pot’ and Other Tales of the Uncanny 
by E.T.A. Hoffmann, translated by Peter Wortsman.
Archipelago, 425 pp., £14.99, October 2023, 978 1 953861 70 2
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The Wounded Storyteller: The Traumatic Tales of E.T.A. Hoffmann 
by E.T.A. Hoffmann, translated by Jack Zipes.
Yale, 277 pp., £30, April 2023, 978 0 300 26319 0
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... real world and an ideal alternative. Both Jack Zipes’s The Wounded Storyteller and Peter Wortsman’s ‘The Golden Pot’ and Other Tales of the Uncanny include translations of ‘The Sandman’, Hoffmann’s most famous text. ‘The Sandman’, the ur-text on the Doppelgänger, has been the object of a dizzying number of readings, among them ...

George Crabbe: Poetry and Truth

Jerome McGann, 16 March 1989

George Crabbe: The Complete Poetical Works, Vols I-III 
edited by Norma Dalrymple-Champneys and Arthur Pollard.
Oxford, 820 pp., £70, April 1988, 0 19 811882 1
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... No one who has read Crabbe’s poetry has ever denied the power of his portraits or his stories. ‘Peter Grimes’, one of the embedded sections of his great work The Borough (1810), is justly famous, and, were it better known, the story ‘Delay has danger’, part of the very uneven Tales of the Hall (1819), would be known for what it is, a masterpiece ...

What a Lot of Parties

Christopher Hitchens: Diana Mosley, 30 September 1999

Diana Mosley: A Biography 
by Jan Dalley.
Faber, 297 pp., £20, October 1997, 0 571 14448 9
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... killed himself over some more private misery, and before he could even have scanned my poor barbs.)Reading Jan Dalley’s very scrupulous if slightly solemn book, I was visited by the same sense of pervasive pointlessness. Here again one encounters teak-headedness and conceit among the overdogs. Here again one learns how vulgar bigotry can be veneered with ...

1685

Denis Arnold, 19 September 1985

Interpreting Bach’s ‘Well-Tempered Clavier’: A Performer’s Discourse of Method 
by Ralph Kirkpatrick.
Yale, 132 pp., £14.95, January 1985, 0 300 03058 4
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Bach, Handel, Scarlatti: Tercentenary Essays 
edited by Peter Williams.
Cambridge, 363 pp., £27.50, April 1985, 0 521 25217 2
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Handel: The Man and his Music 
by Jonathan Keates.
Gollancz, 346 pp., £12.95, February 1985, 0 575 03573 0
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Sensibility and English Song: Critical Studies of the Early 20th Century: Vols I and II 
by Stephen Banfield.
Cambridge, 619 pp., £27.50, April 1985, 0 521 23085 3
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... fingers and hands move – this book shows it. The section on Bach in the set of essays edited by Peter Williams mainly deals with matters of performance in a more conventional way. The most interesting of the essays is by the editor himself, on ‘Figurae in the Keyboard Works of Scarlatti, Handel and Bach’. The problem is that in the 18th century ...

77 Barton Street

Dave Haslam: Joy Division, 3 January 2008

Juvenes: The Joy Division Photographs of Kevin Cummins 
To Hell with Publishing, 189 pp., £200, December 2007Show More
Joy Division: Piece by Piece 
by Paul Morley.
Plexus, 384 pp., £14.99, December 2007, 978 0 85965 404 3
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Control 
directed by Anton Corbijn.
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... all that was left of the old neighbourhood was a chemical factory. One of his mates at school was Peter Hook, who ended up playing bass in the band; Hook likes to describe himself as an ‘oik’. Curtis was more bookish, and isolated. Joy Division’s music was bleak, full of frustration, fear and guilt. They were produced by Martin Hannett, whose studio ...

Brooke’s Benefit

Anthony Powell, 16 April 1981

... who kept body and soul together on a minute stipend by writing facetious novels under the name of Peter Priggins. The Brookes’ wine shop – always known as the Office – was at Folkestone. They themselves lived at Sandgate, a more socially eligible strip of coast to the west. They also possessed an inland cottage at Bishopsbourne in the Elham ...

Diary

Inigo Thomas: My Father, Hugh Thomas, 15 June 2017

... to give a series of lectures about the Spanish Civil War and about Cuba – he was teaching at Reading University at the time. Chile in 1971, under Allende, was on the brink of something, but no one was sure of what: another Spain or a second Cuba, Franco or Castro. ‘The anxiety, or fear, on the part of the bourgeoisie itself is a factor in the ...

The pleasure of not being there

Peter Brooks, 18 November 1993

Benjamin Constant: A Biography 
by Dennis Wood.
Routledge, 321 pp., £40, June 1993, 0 415 01937 0
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Isabelle de Charrière (Belle de Zuylen): A Biography 
by C.P Courtney.
Voltaire Foundation, 810 pp., £49, August 1993, 0 7294 0439 0
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... of Albertine de Staël, probably Constant’s daughter) gives an account of one such reading, at Madame Récamier’s, where Constant broke into sobs as he neared the end: everyone present, already very moved, began crying as well; soon the room was full of weeping and moaning; then suddenly, as the result of a psychological mechanism which is ...

Post-Photographic

Peter Campbell, 19 June 1997

Early Impressionism and the French State 
by Jane Mayo Roos.
Cambridge, 300 pp., £45, October 1996, 0 521 55244 3
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Adolph Menzel 
edited by Claude Keisch and Marie Ursula Riemann-Reyher.
Yale, 480 pp., £45, September 1996, 0 300 06954 5
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... except by acclamation, persuasion and the marketplace. This view of things must colour any reading of Roos’s Early Impressionism and the French State. She writes about the Salon and its politics, which are peripheral if one has already decided that no politics or institution had much to do with the large-scale changes which took place in ...

Thinking

Peter Campbell, 4 August 1988

Who got Einstein’s office? Eccentricity and Genius at the Institute for Advanced Study 
by Ed Regis.
Simon and Schuster, 316 pp., £12.95, April 1988, 0 671 69923 7
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Chaos 
by James Gleick.
Heinemann, 354 pp., £12.95, May 1988, 9780434295548
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The School of Genius 
by Anthony Storr.
Deutsch, 216 pp., £12.95, June 1988, 0 233 98010 5
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... afternoon in front of the computer, debugging a program, or working on an article. If they do any reading at all it’s likely to be a matter of checking a reference in a scientific journal before citing it in a footnote. Perhaps they return a few phone calls or reply to computer mail. Von Neumann’s legacy is at the centre of a number of the pieces of New ...

End of the Road

Peter Campbell, 17 March 1983

Seeing is forgetting the name of the thing one sees: A Life of Contemporary Artist Robert Irwin 
by Lawrence Weschler.
California, 212 pp., £11.25, June 1982, 0 520 04595 5
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Scenes in America Deserta 
by Reyner Banham.
Thames and Hudson, 228 pp., £8.50, November 1982, 9780500012925
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Megastructure 
by Reyner Banham.
Thames and Hudson, 224 pp., £5.95, February 1981, 0 500 27205 0
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... remember how the moment of perception – and idolatry of the sense datum – dominated painting. Reading art history, one imagines the painters of the world getting into huddles and saying: ‘Well lads, what next?’ Irwin has answered the question – having asked it of himself – several times. One of the most attractive aspects of avant-garde art is ...

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