Search Results

“... it should have both these things – but whatever it is at the centre must be substantial like the stone in a peach and it must exist before one can ever begin to start thinking constructively. In May he decided to have a break and, on a friend’s recommendation, took a boat from Narragansett to Block Island. There he saw the charred remains of the Ocean ...”

“... In the early Eighties, Western governments, notably those of America, Britain and France, were anxious to assess the probable rate of growth and pathways of infection of Aids. They sponsored extensive sex surveys in order to find out, for example, the number of sexual partners an average male had in his lifetime and how many used safe sex. The British survey was carried out by four women, primarily trained in medical statistics, epidemiology and health care ...”

“... Do you ease a scruple? Or do you calm a scruple? A scruple, etymologically, is a small, sharp stone. I often think of that etymology when I have an actual small, sharp stone in my shoe.’I’m unsure. The pieces in Essays One – divided into categories on ‘The Bible, Memory and the Passage of Time’, ‘The ...”

“... ruins became teaching aids in a series of lectures on the sinfulness and transience of tyranny. Robert Hillenbrand’s meditations on Eastern ruins may similarly lead his readers to thoughts of mortality and transience. Many of the buildings he studies in Islamic Architecture have an overt function – whether prayer, teaching, interment or pleasure – yet ...”

“... differs from the prototypes of the Romantic revolutionary, and his prison is not a camp but a stone vault. You wouldn’t think that more than a hundred years had passed since Fidelio. But as the names Dachau or Buchenwald began to appear more widely in the literature of the Thirties, it was clear that they referred to a new phenomenon – not to ...”

“... comic effects that function like a jeweller’s steel blade, cleaving faceted gems out of rough stone. It represents a new mode of organising the fragments of perspective that the trilogy exploded: a deannihilated novel, and a very good ...”

“... My name​ is Róbert Valzer and I like walking, not that I have anything to do with the famous Robert Walser, nor do I think it strange that walking should be my favourite hobby. I call it a hobby but I accept – or rather I am prepared to entertain the fact – that where I live in this Central European country I am considered to be too unstable to be regarded as a normal person and that my hobby is not to be compared with other people’s hobbies ...”

“... designed it was a miracle of discretion, because the artist himself emerges nowhere from the stone. A worshipping lady emerges in bas-relief, and is largely concealed behind a bush. One could do worse than to recommend a similar modesty to artists at large, wherever they may temporarily hide. Verlaine did not suffer from it. He scowls down at us from the ...”

“... David Robert Jones, alias David Bowie, is now in his 40th year. His creepy, chilling phrases pop out of pub jukeboxes, and extracts from his movies catch the eye on pub videos, whether he is embracing a Chinese girl or being executed by Japanese soldiers; his image appears in the Sunday-paper magazines, artistically displayed in sundry poses ...”

“... The Book of Jack London was needed. In 1934, Charmian was approached by a young biographer, Irving Stone, who had just produced his popular biography of Van Gogh, Lust for Life. Charmian liked Stone’s technicolour vision of the tormented painter and gave the go-ahead.’ Stone took as ...”

“... to fit in with the theme. In ‘Bram Stoker’s Dracula’, the silver ball hurtles along dark, stone-flagged corridors and up cobwebbed ramps, bounces off battlements and disappears from time to time into catacombs. An odd feature is an additional ball which is occasionally released, seemingly at random, and which wobbles somnambulistically across the ...”

“... As a boy, Robert Duncan had a recurring dream. He would imagine himself in the middle of a treeless field. The ripe grass rippled, though there was no wind, and the light, as he later remembered, ‘was everywhere’, though there was no sun to be seen. Seeing himself in the centre of a circle of children, all of them singing and playing ‘Ring a Ring o’ Roses’, Duncan understood that he was ‘it’: ‘the Chosen One … a “King” or victim of the children’s round dance ...”

“... but it is still the most impressive and among the most magisterially consistent. Richard Goy and Robert Berger, in their respective accounts of the construction of the Cà d’Oro and of Louis XIV’s Louvre, remove ambiguities which hang around the word ‘built’. They ask who made decisions, who paid, and how much, and why each building took this form ...”

“... manifestly shaped by his own agenda. On some matters, Wheatley and Dunn can turn to other sources: stone inscriptions, the coins that Demetrius and Antigonus both minted, other historians of the period. But they often find themselves in the position of a trial jury, having to decide whether the story they have been told is true and where it is most likely to ...”

“... know them entirely and understand the reason each feature, natural or civilised, is as it is. That stone-heap on a west-facing slope, is it scree, or a cairn, or the remains of a house? Who made those cup-holes in a reef by the shore, and why? When did somebody last dig those lazy-beds, the ridges for potatoes or barley that corduroy the rough ...”