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“... off it recalling: ‘Bosley was quite keen on me.’ What on earth were they looking for – Ted Hughes and Philip Larkin, Seamus Heaney and Charles Causley – that they should have rated Bosley’s heart-warming dexterity (feelingful as well as formal) below, for instance, 18 solid unpunctuated pages of pornographic daydream: Kenneth Bernard’s ‘The ...”

“... poetry today’ – should have told John Haffenden in an interview for Viewpoints that he found Robert Frost’s fable of imagined unlived lives, ‘The Road Not Taken’, exemplary. If Fenton’s distinction between the narrative kinds is just, so is the note of regret and rebellion that he strikes in the phrase ‘deliberately excluded from ...”

“... made-up. Anyone who finds his poems flat or prosaic might consider Edward Thomas’s defence of Robert Frost: ‘if his work were printed [as prose] it would have little in common with the kind of prose that runs to blank verse ... It is poetry because it is better than prose.’ A New Path to the Waterfall is poetry because it is better than prose. Another ...”

“... In May 1804, at the age of 18, Benjamin Robert Haydon left his home in Plymouth and set off for London to become a great artist. His mother was distraught, his father furious, but there was no doubt in Haydon’s mind either of his vocation or of his genius. He could have worked in his father’s bookshop and inherited a secure, independent income but he didn’t want to ...”

“... the pursuit of political life. It is within this context of political mentalities that Jonathan Hughes situates his study of the Duke of York’s charismatic eldest son, Edward IV. Edward has always received a mixed historiographical press. Contemporaries recognised and celebrated his energy, intelligence and good fortune, but gave due weight as well to his ...”

“... wit and humour to protect itself against the failure of its search; and what the art critic Robert Hughes calls (in a different context) a ‘prophylactic irony’ to obscure the poet’s exact attitude to his statements, making his own uncertainty itself uncertain. Such games, and indeed such rigours, are quite unnecessary to a work like Omeros ...”

“... not base a car plant in Britain if Labour won the election, which was a lie; the Express said that Robert Hughes MP was affiliated to the Soviet Friendship Society, which was another lie; the Sun tried to swing the Chesterfield by-election with a fraudulent ‘psychiatric analysis’ of Tony Benn. Henry Porter, once again displaying a complete disregard ...”

“... though, face all ways. And it could still be your best girl referred to, or the Virgin Mary. Ted Hughes wrote a poem for the same place on the same occasion, incised in stone, in the square with Larkin’s. The poem does not feature in this handsome slim collection, at least I don’t think it does, for Hughes was not the ...”

“... and then, coming towards the nearer end of the line, the dark, odd and uncouth figure of Ted Hughes. In the superb doorstop of his Collected Poems, Hughes comes across as a more diverse poet than I remembered, and in many ways a more sympathetic and engaging presence. But it’s true that a good many of his poems ...”

“... Between leaving school and going to Cambridge, Ted Hughes did his National Service in the RAF. Writing from RAF West Kirby, in the Wirral, to a friend, Edna Wholey, in 1949 – characteristically there is no date on the letter – he exults in the wild weather:Edna, I’ve seen rain and I tell you this isn’t rain, – a steady river, well laced with ice, tempest and thunder, covers all this land, and what isn’t concrete has reverted to original chaos of mud water fire and air ...”

“... separated the theatres, one behind the other, on a vast paved piazza. But something there is, as Robert Frost says, that does not like a wall. From any angle, these schemes suggested disguised factories for making some plebeian product – meat pies, perhaps – inexplicably thrusting out of the harbour, the same problem that had inspired the soon to be ...”

“... culture’, the ‘Marilyn Monroe of the literati’. But the double story of Sylvia Plath and Ted Hughes is material for an Emily Brontë or a Henry James, a great ghost story with the roles of haunter and haunted, villain and victim, hopelessly entwined. This Gothic tale, Rose demonstrates, ‘seems to have the power to draw everybody who approaches it into ...”

“... spangles of diamonds, / a sparkling cover for earth’) to the carnivalesque Scots of Robert Fergusson, who hymns ‘Caller Oysters’ and harangues ‘the Principal and professors of the university of St Andrews, on their superb treat to Dr. Samuel Johnson’. When Fergusson rounds on his former teachers he subjects their Scotophobic guest to a ...”

“... branch of the ‘identity’ lobby spoke of the new affinity it felt with Californian poets like Robert Duncan. Again, the word ‘geography’ was used: it made geographical sense for Australians to cosy up with San Francisco. To balance the provincial angst, there were also a number of sneering cosmopolitans, but they tended not to sit on platforms. They ...”

“... were drawn up of such notorious Communists or Communist sympathisers as Brian Walden, David Owen, Robert Mellish, John Stonehouse, Roy Hattersley and Reg Prentice; and even a bogus pamphlet on ‘revolutionary strategy’ for the installation of socialism in Britain was contrived for off-the-record briefing of American journalists, the joint ...”