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“... leather leash by Hector, shaven headed, with a leather vest fitted snugly over a shaven, muscled brown chest. The leather vest melted into tight black jeans and construction boots. His eyes were obscured by massive black wraparound sunglasses. A lit cigarette dangled between his full lips.’ At this point the only indication that Hector will play a ...”

“... of character. He was still not an independent actor, remaining, in the matter-of-fact judgment of Judith Brown, in her biography of Nehru, an ‘utterly reliable’ prop of the old guard within the party.At the outbreak of the Second World War, the Congress high command instructed all its provincial governments to resign in protest at the viceroy’s ...”

“... get a raw deal. There is no entry on Katharine Whitehorn, Polly Toynbee, Nancy Spain, Helen Gurley Brown. Agony aunts get an even rawer deal: Marje Proops, Anne Landers and Dear Abby are firmly out. Pauline Réage is not given the benefit of the gender doubt. There is a noticeable favouritism towards the French experimental novel but indifference to outmoded ...”

“... the evenings and I swoon over him’. This was the Bay Area figurative painter William Theophilus Brown, who was to become an important friend. Brown and Frame translated Rilke’s French poems together (‘Stay still, if the angel/at your table suddenly decides;/gently smooth those few wrinkles/in the cloth beneath your ...”

“... is already taken to be a paradigm of female beauty, but quite another thing for a black or brown woman, or a trans woman. The turn towards intersectionality has also made feminists uncomfortable with thinking in terms of false consciousness: that’s to say, with the idea that women often act against their own interests, even when they take themselves ...”

“... Taylor Caldwell and all those other books by Twain. I read Sydney Sheldon’s first five novels, Judith Krantz’s first three; until I went to college, I believed that Watership Down was the best book I’d ever read – and I was right. What attracted me then, though I didn’t realise it until years later, wasn’t the strength of the narrative, but its ...”

“... from Margaret Dashwood, or Interference (a sequel to Sense and Sensibility by Edith Charlotte Brown, 1929) to Consequence, or Whatever Became of Charlotte Lucas (Elizabeth Newark, 1997) and Desire & Duty: A Sequel to Jane Austen’s ‘Pride and Prejudice’ (Ted Bader and Marilyn Bader, 1997) have appeared in print. The further adventures of Isabella ...”

“... a custard-pie violence (‘smack! her sword divorces his codshead from the codpiece’ from ‘Judith’) and a strangely, disarmingly boyish thrall to heroism. You get vivid but cartoonish tropes like the ambush under the bridge (‘Down there, below a bridge, his back on the arch,/Hannibal listens, thoughtful, glorying,/to the dead tramp of the advancing ...”

“... simply stamped out; with the Pre-Raphaelites, there was indeed such a potential – he cited Madox Brown’s house, where ‘there were not only artists but also atheists, political refugees, vagrants: there was the kind of widening which was questioning the order of a much wider area’ – and this did link to Morris’s development. But Williams could not ...”

“... others with service vans regularly blocking emergency vehicle access. They had the support of Judith Blakeman, one of the local councillors, in this (they later accused her of collusion with the TMO on other matters). ‘We are not in a position to accuse TMO officers of conniving to mislead the London Fire Service,’ one blog said, ‘and of playing ...”

“... towards domination. ‘Once you decide that a single vulnerable minority can be sacrificed,’ Judith Butler wrote recently in relation to trans rights, ‘you’re operating within a fascist logic.’ Others see it as an inherent feature of unjust, oppressive societies. Fascism, Langston Hughes wrote in 1936, ‘is a new name for that kind of terror the ...”

“... through Facebook accounts, until a second message told me he had swapped his father’s surname, Brown, for his mother’s, Lindsay. I typed in ‘William Lindsay’ and there he was: a boy in a EA7 bomber jacket with headphones round his neck, flaming hair and a lopsided smile.When I got back to Glasgow, I learned why my contact had risked his job to give ...”