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“... and Chekhov’. By this point, White was trying to get a deal to write a book of criticism on John Barth, Robert Coover, Rudolph Wurlitzer and Donald Barthelme. The proposal was rejected. Though ‘crushed at the time’, White was later glad, because metafiction ‘no longer intrigues’ him ‘or anyone else’. It’s ‘the sort of storytelling,’ he ...”

“... what she is.’ Sartre, wearing a suit on the beach at Copacabana, looks dreary beside her. John Updike in his dull dad jumper feels like a token inclusion, Hunter S. Thompson naturally stands out. His Hawaiian shirts and safari suits became so recognisable that Gary Trudeau turned him into the demonic Uncle Duke of Doonsbury, much to Thompson’s ...”

“... In​ U&I (1991), his book about John Updike, Nicholson Baker imagines explaining the appeal of Alan Hollinghurst’s The Swimming-Pool Library to his literary hero. ‘You know, once you get used to the initially kind of disgusting level of homosexual sex, which quickly becomes really interesting as a kind of ethnography, you realise that this is really one of the best first novels to come along in years and years!’ But Updike couldn’t get used to the sex ...”

“... of assuming an audience ‘both universal and homogeneous’. The pamphlet was quoted recently by John Gross in an afterword to a new edition of his book The Rise and Fall of the Man of Letters.* Gross assumed a combative stance, calling his piece ‘the man of letters in a closed shop’, and speaking of the ‘cold horror’ that filled him when he ...”

“... up in Rochester, Upstate New York (coincidentally the birthplace of another sui generis writer, John Ashbery). Abandoning an early ambition to become a composer, he graduated from Haverford College, and then worked for a year on Wall Street. Attracted by ‘the prosperous-seeming world of books’, he had short stories and ‘quasi-philosophical ...”

“... this sickly interlude U and I was a return to form. The book explored Baker’s relationship with John Updike, as writerly model, father figure to be challenged, and occasional sharer of the same physical space (the two men’s passing encounters couldn’t be said to constitute even acquaintance). U and I reduced ...”

“... verse (from Anon on the structure of the cosmos – ‘as appel the eorthe is round’ – to John Updike on cosmic gall), is therefore fighting a lost battle. The editors make out a brave case for the similarity of poet and scientist (‘the starting-point for both of their activities is the imagination’), dispute old distinctions between ...”

“... display the arc of a ball’s flight from the moment it’s struck to its distant landing. Golf, John Updike wrote, is of all games ‘the most mystical, the least earthbound, the one wherein the wall between us and the supernatural is rubbed thinnest’. I’m not sure about that. To witness (or in the unlikely event execute) a decisive action in ...”

“... application, always tied, seldom happily, to a university department, and agonising over a book. John Updike, who had a modest two wives and wrote 63 books, was, in a way, worldlier and more comfortable, finding nests at the New Yorker and the New York Review of Books that he never left. These writers are dead now, and the only thing that can be said ...”

“... if contested motif of the elderly sybarite – best known from the fiction of Philip Roth and John Updike – whose declining sexual picaresque is set against historical or social forces which leave the ageing roué flummoxed and rueful. The Escape, or rather its protagonist, evinces a worldview that is best described as aspirant Rothdike: all raging ...”

“... and do we tire of it sooner, once we are accustomed to it and it begins relentlessly to accumulate?John Updike wrote of Joyce Carol Oates that ‘after the first wave of stories and novels … crashed in and swept away a debris of praise and prizes, protective seawalls were built, and a sullen tide set in.’ New standards are applied. Resistance builds ...”

“... One time in four, and usually to everyone’s surprise, John Cheever’s heroes spring a wry and furtive victory over disappointment. Cheever is irresistible in describing those delicious moments of triumph when a dogged loser suddenly strikes a home run – like Farragut’s escape from the penitentiary at the end of Falconer ...”

“... Readers of John Updike’s previous novel, The Witches of Eastwick, will not have forgotten Darryl Van Horne’s bottom: how, at the end of a game of tennis, Darryl dropped his shorts and thrust his hairy rump into his partner’s face, demanding that she kiss it, which she did. In Roger’s Version the roles are reversed ...”

“... offered, but not inadvertently, for the criticism is all made or implied in the novel itself. And Updike’s trend-spotting instincts are not just alert to news-items but sustain whole scenes of social comedy, as in the marriage preparations of Nelson, Rabbit’s son and now his greatest trial. All this, even the dirty talk that grates plausibly on the ...”

“... claim that Desperate Characters is ‘obviously superior to any novel by Fox’s contemporaries John Updike, Philip Roth and Saul Bellow’. My own reservations lie not with the superlatives, but with the implicit grounds for comparison. If Fox is, in Franzen’s phrase, ‘inarguably great’ – and I believe she is – it isn’t because, for ...”