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“... My fellow members of the Left often seem to have met an entirely different middle class from the one I was brought up in. Left-wing chat about education accepts without challenge the thesis that book learning comes easily to middle-class children because they come from homes conversant with books. Chat (which is rarer) about arts policy accepts that ‘standards’ and ‘quality’ are bourgeois conventions which the middle class has contrived to impose on public patronage of the arts, thereby getting itself, at the taxpayers’ expense, a bonanza of the kinds of art which it happens to enjoy ...”

“... The plot of Frankenstein, Chris Baldick points out, can be summed up in two sentences. ‘Frankenstein makes a living creature out of bits of corpses. The creature turns against him and runs amok.’ The mystery is why so many people know the plot of Frankenstein, and have known it, as this book ably demonstrates, since shortly after the work’s first appearance in 1818, without necessarily reading a line of Mary Shelley’s prose ...”

“... In 1802​ , the young Humphry Davy introduced his first full course of chemistry lectures at the Royal Institution by addressing the fear that science was a Trojan horse for social or political reform. In ‘a bright day, of which we already behold the dawn,’ he announced, ‘we may look forward with confidence to a state of society in which the different orders and classes of men will contribute more effectively to the support of each other than they have hitherto done ...”

“... Now that the three-volume novel and the circulating library are dead,’ I imagine someone as saying around the year 1900, ‘novels will have to be shorter, sharper, more up to date. The future lies with an Associated Press dispatch, not with the slow unfolding of generations. Nobody wants to read elaborate descriptions of things that might have happened, but didn’t, decades ago ...”

“... In Europe the health-seeker may still go barefoot in dew-treading meadows, as enjoined by Father Kneipp, or sniff the gentle mist from rows of brine-soaked hedges, as at Bad Kreuznach, or wallow in the black mud laid on at almost any decent spa. What the British call sea-bathing is available as thalassotherapy, or, with added sand, as thalassopsammotherapy ...”

“... In a time of mass unemployment, budget deficits, infrastructure decay and economic decline, of ethnic cleansing, mass rape, communal violence and racial polarisation, Garry Wills and Sacvan Bercovitch proclaim the power of language to transform the world. Against one current fashion, both reject punning and the play of the socially detached signifier: they embed American words in American history ...”

“... Academician I.R. Shafarevich is a world-famous mathematician specialising in algebra and number theory, a member of the Royal Society and of the American Academy of Arts and Sciences. Andrei Sinyavsky may dismiss his ideas as ‘ridiculous’ and suggest that he has no significance except as a stalking-horse for the ideas of Solzhenitsyn, but the excitement generated by his musings on Russian society, and especially by his essay ‘Russophobia’ which appeared last year in Nash Sovremennik, would seem to indicate that many Russians respect his role as an ideologue of contemporary Russian nationalism ...”

“... For those who do not admire it, football must seem like American popular culture does to those who do not admire America: something whose spread is both inexorable and destructive. Football is not just the ‘beautiful game’, it is the ‘world game’; something not simply to be played or watched, but an activity powered by all the resources of global wealth and technology ...”

“... The creation of identity, the invention and re-invention of the self, is as emblematic of the modern era as technological invention. Of the many revolutions our species has witnessed in the last two centuries, the one which has probably contributed most to the development of the ‘plastic’ self has been the process by which, in the West, family size has been permanently reduced ...”

“... In June​ 2021, shortly after she was kicked off Twitter, Naomi Wolf gave an interview to Rosie Kinchen of the Sunday Times. ‘She is increasingly out on a limb,’ Kinchen observed, listing Wolf’s top topics of the time, the anti-lockdown stuff and the anti-masking and the terror of ‘vaccine passports’, and noting that she had just appeared on Steve Bannon’s hard-right War Room webcast ...”

“... I have been reading the Twentieth Century’s special number on women, which is pink with a palely gleaming Mona Lisa on its cover. It’s odd that I’ve not read it before, since it came out in August 1958 and contains what could be described as my first appearance in print. The actual copy I have belonged to Betty Miller, and it is in her article, which is called ‘Amazons and Afterwards’, that I appear, anonymously and representatively, as Afterwards ...”

“... Sir Peter Hall is a man of Notes. He is a director of plays who has become Director of the National Theatre. The skills of play directors are not those of performers (like his predecessor at the National, Lord Olivier). Play directors pride themselves on their ability to give what they call Notes. This sort of Note (scarcely recognised by dictionaries) is not the sort manual workers make, in notebooks or on notepaper: it is mouth work ...”

“... Do the authors of this volume of the Cambridge Urban History know how gloomy a book they have written? Pessimism suffuses these pages from start almost to finish. ‘Why have so many of Britain’s great cities fared so badly in the 20th century?’ Peter Clark, the general editor of the series, asks in his preface. Turn the page, and Martin Daunton’s introduction descends with unconcealed relish into the ‘decay, corruption, stench and stickiness’ of the early Victorian city – a hell from which the best escape reformers can imagine is the extirpation of stagnancy, and the setting of traffic, sewage and people alike moving on a joyless treadmill of ‘continuous circulation ...”

“... Forty years ago, Roy Fuller was taking a close look at himself and finding the image unsatisfying, already a little disappointed. This one is remembered for a lyric. His place and period – nothing could be duller. In his new book of poems there is one called ‘On Birkett Marshall’s Rare Poems of the 17th Century’: Coppinger, Pordage, Collop, Fayne, Fettiplace, Farley, Chamberlain – They could be the darling poets of my youth: I almost search among the names for mine ...”

“... For over fifty years the diary of Joseph Farington – topographer, academician and formidable art politician – has been recognised as an invaluable source of information about English artists of the Romantic period. Running from 1793, when the compiler was 46, to his death 28 years later, it covers one of the most exciting times in the history of British painting ...”