Search Results

“... and there was no doubt that more women than men were reading them. For most of the 1860s, Mrs Henry Wood and Margaret Oliphant outsold not only Trollope, but Dickens and Thackeray too. In the 1870s, it was George Eliot who reigned, and when Hardy’s Far from the Madding Crowd appeared in 1874 the Spectator declared that she must be its real author, and ...”

“... were respected. Not so the visitors who paid to see them. First Coleridge and the Romantics, then Henry James and Virginia Woolf, then the New Critics of the 1930s, followed by Barthes, Derrida and the deconstructionists, have scolded literary tourists. ‘The author’s dead!’ they’ve told these vagrant supplicants again and again. ‘So go ...”

“... sixty years. Swinburne is devoted to him at the start, as is Siegfried Sassoon at the close, and Henry James is going to address over four hundred letters to him. He weathers two major storms, one emotional and the other resulting from a rash claim that if not a poet he is at least a scholar. Becoming Librarian of the House of Lords, he luxuriates ...”

“... been six months in London before the Times had devoted a leader to his work. In that year, 1890, Henry James had termed him ‘the star of the hour’; R.L. Stevenson had pronounced him ‘too clever to live’; and Tennyson had judged him ‘the only one ... with the divine fire’. Nine years later, news of his illness had taken precedence in London ...”

“... centre stage (not in Greek dress) a struggling bald man of about seventy years. Good Lord, it’s Henry James, cursing his tardiness. But they’re singing: ‘O sweetly spoken Word of Zeus ...’ Quite a lot better than the rain of boos he received last time. He looks ...”

“... novel yet’ implies a future of prosperous activity which may be barmecidal. The novelist-hero of Henry James’s story ‘The Middle Years’ is amused by the view that his latest novel is ‘the best thing he has done yet’: it ‘made such a grand avenue of the future’. This story is alluded to in detail in The Ghost Writer and is structurally as ...”

“... Speculation, Leon Edel remarks in his one-volume life of Henry James, is ‘the stock-in-trade of all biographers’. But if all biographers speculate, some do so more scrupulously and convincingly than others. Edel, for instance, is both meticulous and plausible. The same can hardly be said of Martin Seymour-Smith in his new critical biography of Kipling ...”

“... dinners’ were being held, at first under the auspices of Butler’s great friend Henry Festing Jones (the last dinner was in July 1914), and Forster was offered £25 by his publisher as an advance for a book about Butler. Lytton Strachey, who also found Butler immensely ‘cheering’, wanted to write on him in the Edinburgh Review; and ...”

“... and Shelley shadow the literary love of William Godwin and Mary Wollstonecraft. Anaïs Nin and Henry Miller, Robert Graves and Laura Riding, Nadezhda and Osip Mandelstam, W.B. and Georgie Yeats all get chapters to themselves. Since some of her cases come close to the pathological, and most are ineffably silly, there is nothing instructive about reading or ...”

“... He was always around the corner and out of sight,’ Henry James wrote of his older brother William as a child. ‘He was clear out before I got well in.’ The philosopher C.S. Peirce said something similar about the grown man. ‘He so concrete, so living, I a mere table of contents.’ Josiah Royce, a life-long friend and Harvard colleague of William James, with whom he agreed philosophically scarcely ever, offered a fine parody of the pragmatism so closely associated with his companion’s name ...”

“... to be too afraid of pleasure. There are other hobby-horses, such as the pernicious influence of Henry James upon English fiction. James sinned by turning the eyes of the best authors ‘away from the needs, passions and immortal longings of humanity to dwell on the trivial curiosities of sheltered gentlefolk’, on ...”

“... horses both ways. He perhaps gave this unpretentious first comedy a far more ambitious partner. Henry VI Part I is now judged to be so packed with uncertainties and difficulties of authorship, dating and text, style and subject, that one hardly dares to call it Shakespeare’s first history play. If it is, it raises a question so radical, and so interesting ...”

“... of the development in American criticism during the last three decades, from The Comic Sense of Henry James (1960) and A World Elsewhere (1966), through a middle phase in The Performing Self (1971) and Norman Mailer (1972), on to the major study of Robert Frost: The Work of Knowing (1977), and culminating in The Renewal of Literature: Emersonian ...”

“... of saying she wasn’t the twenty-year-old girl of ‘The Turn of the Screw’, had not lived what James called ‘a small, smothered life’, and was most unlikely not to have seen herself full-length in a mirror before she got to the haunted house at Bly. Of course she sheds much of this past when she comes to the new film – she’s an actress. But she’s ...”