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“... now admired as a kind of wartime reincarnation of Christopher Smart. Gurney trained as a musician, David Jones and Isaac Rosenberg as artists; they all served in the ranks and were excluded from the mainstream of literary life after the war – Rosenberg was dead, Gurney mad, Jones given to arcane pursuits. Once ...”

“... of course, there were the young directors whom Wheldon fostered: John Schlesinger, Ken Russell, David Jones, Peter Newington, Humphrey Burton. They were encouraged, chivvied, and in Russell’s case restrained from some of his wilder excesses, all in the cause of demonstrating the nature of art by means of films which were themselves small instances of ...”

“... working in some less restrained modern poetic structures, such as those of MacDiarmid or Auden or David Jones, but not in Shakespearean sonnets: ‘unvermiculated’, ‘penetralian’, ‘exuriate’, ‘cineritious’, ‘intercrural’, ‘rupetral concentricity’, ‘cerebellic souterrain’. ‘The Price of Stone’ reeks of the ...”

“... the law has never had the respect and consent of the poorest and most dispossessed classes, but David Philips, in his study of crime in the Black Country, asserts not only that there was surprisingly little violence and disorder, but that the vast majority of the population accepted the legitimacy of the criminal law and was relatively peaceful, orderly and ...”

“... of Richard Vinen’s superb history, the best accounts of National Service were fictional: David Lodge’s Ginger, You’re Barmy is a particularly successful evocation of the miseries and absurdities of the conscript’s life.* But Vinen, who was born in 1963, when the last national serviceman was demobbed, draws on memoirs, interviews and official ...”

“... Council concerning Iraq’s mobile biological weapons laboratories was immediately criticised by David Kelly, who recognised them as trucks bought from Marconi for filling balloons with hydrogen. David Kelly and Brian Jones were not the only ones to have doubts about the dossier: similar ...”

“... launched at the Hay-on-Wye festival in May. It goes live some time this month. Laurence Middleton Jones, the company’s managing director, believes he is in a position to find ‘tomorrow’s writers today’, while at the same time describing electronic publishing as a ‘refreshing step into the past’. Now there’s an arresting paradox, although it ...”

“... In​ 1975 David Bowie was in Los Angeles pretending to star in a film that wasn’t being made, adapted from a memoir he would never complete, to be called ‘The Return of the Thin White Duke’. This dubious pseudonymous character was first aired in an interview with Rolling Stone’s bumptious but canny young reporter Cameron Crowe; it soon became notorious ...”

“... Award for Between the World and Me, his essay on race and violence. Coates’s close friend Prince Jones was killed in Virginia in 2000. ‘When Prince Jones died, there were no cameras. There was nobody looking. The officer that killed him was not prosecuted. He was not even disciplined by the police force.’ In the ...”

“... In their foreword to the predictably dismaying Higher Education White Paper, Vince Cable and David Willetts deploy the standard language of the marketplace: the Higher Education Funding Council for England will take on ‘a major new role as a consumer champion’; ‘universities will be under competitive pressure to provide better quality and lower cost’ because they’ll be ‘responding to student demand ...”

“... 11 January. It’s not to disparage David Bowie, but if even a fraction of the tributes being paid to him and his influence were true we would never have had a Conservative government or indeed any government at all. Hearing the news on the Today programme this morning R. nearly cries. I met Bowie only once, at John Schlesinger’s sometime in the 1980s, and remember him as a slight, almost colourless figure, who was somehow Scots ...”

“... I was interviewed by a Swiss television team: ‘Don’t you think England might go Fascist, Mr Jones? A quiet English sort of Fascism?’ ‘Abs’lument pas!’ I snapped (quoting from a favourite French film), ‘Abs’lument pas!’ – with a confidence I could not muster today. Then, a contemporary at a college reunion (a conservative chap, working ...”

“... an advisory committee intended to strengthen links between universities and creative industries. David Eastwood, chief executive of the Arts and Humanities Research Board, said: ‘Arts and humanities research has a positive contribution to make in the creative sector’ – but what about the other way round? Eastwood also endorsed ‘the emphasis on ...”

“... movies and now the video footage. In the late 1980s and early 1990s, I was working on the life of David O. Selznick, the man who produced Gone with the Wind, Rebecca and Duel in the Sun. It was a great help, yet a daunting obstacle, that Selznick had kept virtually every bit of paper that passed through his office. But the family archive had other ...”