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“... expelled to the high-rise suburbs, and the mansions are restored and divided into appartements de grand standing for the fashionable rich. According to Cobb, Paris began to lose its ‘human proportions’ with the gradual disappearance of the beret since the Thirties. The process is now almost complete and the centre has been turned over to pedestrian ...”

“... really got it all together – not quite Frenhofer, but not an artist who was on the verge of the grand synthesis sustained throughout his last 18 years. With Cézanne, works produced under the pressure of aims fraught with internal contradictions and in a state of agonising doubt arrive at a ravishing lyricism. But he can also create light of an intensity ...”

“... untidy social category that incorporated hundreds of thousands of individuals, ranging from the grand aristocrats of Versailles to retired provincial aldermen. The French state sold off noble titles by the bushel to support its perennially woeful finances, with the result that by 1789 a large majority of title-holders could not trace their noble ancestry ...”

“... the seat; or, perhaps, a visit to Mirbeau’s torture garden. He had a soft spot for the sort of Grand Guignol drama in which ‘eyes are gouged out or arms and legs amputated on stage.’ Cinema boasted direct realities of its own. What’s more, it could combine them more explosively than even the most in-your-face theatrical production by the systematic ...”

“... end to end, these 800 or so pages, covering more than 40 years, add up to something incontestably grand, the nearest we have today to the great cycles of upper-class English life published in the decades after the war – Dance to the Music of Time or Evelyn Waugh’s Sword of Honour. They combine a distinctive and exotic subject – appalling posh people ...”

“... in facts. But the only duty Herzog has ever felt as a filmmaker is, as he puts it, to ‘follow a grand vision’. His talent as an inquirer, backed by monumental self-confidence, has gained him access to sealed locations as disparate as death row and a cave full of prehistoric animal paintings. You sometimes wish that he’d handed his ...”

“... not the leader of the most important belligerent, nor even the most influential warlord in the Grand Alliance, but the most significant human being. His prodigious literary skills afterwards enabled him, thanks to the writing, publication and long-lasting celebrity of his war memoirs, immensely to distort the conflict’s historiography. He presented an ...”

“... dear, no, not me.’ This ballad, sung in procession when the Tichborne Claimant appeared at the Grand Amalgamated Demonstration of Foresters at Loughborough in August 1872, neatly compresses the story of the most celebrated of all late Victorian causes. In the spring of 1854, Roger Tichborne, a roving, hard-drinking ex-dragoon, took ship on the Bella bound ...”

“... Some sixty years ago, when David Thomson was a boy, he suffered from a condition that badly affected his eyesight. He could see, but poorly. He read Braille and, though this was forbidden, the printed page. On two occasions, when the condition grew worse, he was condemned to spend six weeks at a time lying on his back in a darkened room ...”

“... was styled like a floating country house. With stuccoed ceilings, stained glass, palm courts and grand pianos, it looked as if it might sink under the weight of the furniture. The deck was a merely functional space for the crew. After 1918 things changed. Modernism, as well as a fashion for fitness and outdoor living, saw the situation reverse to the point ...”

“... forced to fight on alone without any official communal support. The outstanding figure here was David Salomons, whose repeated efforts as a professing Jew to obtain election to the Court of Aldermen of the City of London was rewarded in 1845 with an Act which allowed Jews to hold any municipal office. After the passage of this law, it was clear that only ...”

“... big man. Once one recognises what he is up to, all the paradoxes of his character fall into place. David Willey has written a fascinating book, and has done so from the point of view of an agonised catholic liberal. ‘My faith in God is intact,’ he tells his readers by way of preface, ‘but my allegiance to the Roman Church has been suspended while I ...”

“... projectionist (‘SS-man Ellerkamp’) and the Cosmologist (a Strangelove figure set in a Caspar David Friedrich icescape) add to the richness of the texture while reinforcing the central ideal that what we are seeing is no more than a film about a film. Hitler, muses Ellerkamp, was ‘the greatest film-maker of all time’. Two principal narrators, Harry ...”

“... there. The two most familiar images of the men express the contrast eloquently. First, there is David’s brilliant portrait of Napoleon on his rearing charger in the Alps, seemingly master of the wind, rocks and sky; second, Chateaubriand’s acid description of Talleyrand hobbling into the presence of Louis XVIII with the help of Napoleon’s sinister ...”

“... David Solkin​ ’s new book is designed to replace Painting in Britain 1530-1790, a volume of the Pelican history of art by Ellis Waterhouse, which was first published in 1953 and appeared in five separate editions, the last in 1994, nine years after Waterhouse’s death. Waterhouse’s history was quickly recognised as a classic ...”