“... as family banker, William played a small but crucial part in promoting the reputation of William Blake. Gabriel bought a major Blake manuscript as a 19-year-old, with ten shillings borrowed from his younger brother. The notebook’s juxtaposition of poetry and drawing gave new impetus to Gabriel’s own work and was ...”

“... of his life’s work, inextricable from his larger concerns about history, culture and economics. Robert Casillo is therefore entirely correct to say that Pound’s writing raises ‘the problem of evil in literature’ in an especially clear way. ‘For it must be emphasised that Pound’s anti-semitism is quite different from Dostoyevsky’s and ...”

“... unique fiction,’ say the publishers, ‘word and image meet with a richness scarcely seen since Blake.’ Certainly A Humument is no ordinary novel: but nor is it much like Blake’s engravings, ‘Word and image’ meet in these pages more as they do in a comic strip – in particular, the comic strip as it has entered ...”

“... All That, as one literary man’s war memoirs with another’s, I’m struck by the contrast with Robert Graves’s modernity. It doesn’t seem to matter that his was an earlier war, or a different kind of war – Mr Powell’s being much more the contemporary kind we know about – but Graves was modern in that his personal involvement is so much more vivid ...”

“... the same reason, that what the poet has said may be taken in many different ways by his readers. Blake would have agreed with Shelley’s note about God at the end of ‘Queen Mab’, that ‘the works of His fingers have borne witness against Him.’ In whatever spirit of humility a great poet undertakes to demonstrate a transcendental view of our ...”

“... in the 1740s’, and ‘made over in the early 19th century’. Thompson’s book on Blake, Witness to the Beast, which appears next month, reads in some ways like a scholarly companion to his novel. The same themes appear here in critical dress. At the New School, he told his audience how he had discovered Marxist history reading Christopher ...”

“... of vignettes: snapshots of various characters and their whereabouts between March and June 2021. Blake is a restaurateur who hides his true vocation from his family: he’s a hitman with an unconventional backstory (not a psychopath haunted by childhood trauma, just a guy who’s good at murder). Victor is a novelist for whom success is always just out of ...”

“... Aberdeen philosopher Thomas Blackwell was writing that Homer was a ‘stroling indigent Bard’. Robert Burns liked that idea. In ‘Love and Liberty’ a bard sings alongside prostitutes and tinkers, and pronounces himself ‘Homer like’. Burns’s footnote (Burns enjoyed footnotes) points out cheekily that ‘Homer is allowed to be the oldest ...”

“... the Observer hired him to report on politics in Western Europe (driving a Bentley with his friend Robert Blake) and then in Czechoslovakia (a Lagonda with the young Alan Clark). In Tuscany, on the first of these jaunts, he met Bernard Berenson, art collector and maestro of highly paid authentication. Berenson became an intimate friend, and their ...”

“... of a nation.’ But nationality still mattered: Seamus Heaney’s reaction to his inclusion in Blake Morrison and Andrew Motion’s 1982 Penguin Book of Contemporary British Poetry was ‘My passport’s green.’ Heaney, preoccupied with ‘the government of the tongue’, was drawn into the arguments about cultural identity, language, gender and ...”

“... Patel, would have had to go for being officially found guilty of bullying her staff; so would Robert Jenrick, the housing secretary, for a ripe lobbying scandal.As for policymaking, a concern for accuracy was supposed to go hand in hand with a thorough and detailed examination of pros and cons, a proper submission of papers and keeping of records, rather ...”

“... especially when Geoffrey Household invests them with a kind of spiritual authority that goes with Blake, art and ‘the unity of life’. I’m glad, however, that the main concern of these writers isn’t with the supernatural itself so much as with naturalising or domesticating it. Randolph Stow plays a Borgesian sort of game, letting the story of marvels ...”

“... that Barrett’s poems were unnecessarily ‘obscure’ – a common complaint about the work of Robert Browning which she also repeatedly echoed. Often EBB penitently acknowledges the fault – ‘my obscure devil’ – just as she often insists on the inevitable cloudiness of those who strive after the sublime. Aeschylus, after all, was ‘the sublimest ...”

“... voracity that characterised his forays among the rubbish-heaps, and extended Fuseli’s maxim on Blake (‘damned good to steal from’) to cover the whole range of Western art. Consequently, his paintings Constitute an irresistible temptation to the art historian, and Andrew Causey and Keith Bell, in the opulent and informative catalogue that accompanies ...”

“... in Revaluation (1936), a new achievement is said to have entered English letters, going from Blake through Dickens to D.H. Lawrence, and centring in the novel. The admission of Dickens into the canon overturns the verdict of Fiction and the Reading Public and goes beyond the rescue of Hard Times, the one Dickens novel treated in The Great Tradition ...”