“... of totalitarianism continue to ignore the acute descriptions of Nazism (by Jawaharlal Nehru and Aimé Césaire, among other imperial subjects) as the radical ‘twin’ of Western imperialism; they shy away from exploring the obvious connection between the imperial slaughter of natives in the colonies and the genocidal terrors perpetrated against Jews ...”

“... of any significant difficulty will help us to think concretely about others. I first came across Aimé Césaire’s Cahier d’un retour au pays natal, a lyrical prose piece about the oppression and liberation of the black population of Martinique, as a title in Harrison’s poem ‘On Not Being Milton’; recently, I found myself returning to the poem ...”

“... an African warrior who leads a doomed shipboard revolt in works as various as the Martinican poet Aimé Césaire’s Cahier d’un retour au pays natal, with its description of former slaves ‘unexpectedly standing’ at the helm of a ship after an uprising; John Berry’s strange and lurid film Tamango, starring Dorothy Dandridge; and the Senegalese ...”

“... aged sixteen, and enrolled at the prestigious Lycée Fénelon. It was there that she came across Aimé Césaire’s Cahier d’un retour au pays natal. Reading it was, she said, ‘a genuine mystic revelation’. The next day, she bought everything Césaire had written. The encounter with Négritude turned her from ...”