“... is his daemon seems at home with its homelessness. ‘The Tree-House’, one of the better of the short poems in Cathures, has Morgan climbing into a tree-house, surveying the world below, then gazing at ‘the high, the uncapturable’ clouds. It’s a happy poem. But – sitting comfortably some way above the world and contemplating what’s higher still ...”

“... to Egypt, writing regularly for opposition newspapers. He published a novel, a novella and some short stories (collected in 2004 under the title Friendly Fire), none of which made much of an impression. Meanwhile, he practised as a dentist in Cairo. The stories his wealthy and influential patients told him while sitting in his chair became the basis of The ...”

“... of the sons and daughters, rather than that of the migrants themselves. From Henry Roth to Philip Roth, it’s the second or third generation whose experience shapes the fiction of immigration. Brooklyn is unusual in telling the story from the immigrant’s perspective, the more so since Tóibín’s protagonist is female, young, unattached and ...”

“... conceptual and not really catchy title, relaunched the Kundera backlist: The Joke (1967), the short story collection Laughable Loves (1969), The Farewell Party (1972), Life Is Elsewhere (1973), The Book of Laughter and Forgetting (1979). If you weren’t reading the new book, you were catching up on one of the others, or feverishly waiting for the next ...”

“... with the German Jews but lived in ‘Little Odessa’. Marcus starred on the debate team and wrote short stories for the school magazine. He got good grades, was accepted at Yale, and seemed on the path to assimilation. But Yale was going through one of its periodic anti-Semitic paroxysms. ‘If we do not educate them, they will overrun us,’ warned the dean ...”

“... and explain. This is the least mimetic of biographies. It is a long book about a writer of short fictions. It is full of stodgy sentences about someone whose phrases were like darts. King, close to his subject, is determined not to be bamboozled by her. Particularly by her claim that she didn’t see the point of making things up: that she drew on her ...”

“... so much over anything not entirely uncritical written of Winston in World War Two (or WWW2 for short), there was no possibility whatever that Charmley’s 648 pages for 30 quid would pass by quietly, attracting deadly praise of ‘the best one-volume Churchill biography published this fortnight’ variety. Inevitably, the suggestion that post-1945 world ...”

“... they were unwittingly providing concepts so elastic that they could stretch to a thousand short-term excuses. Setbacks were thus reinterpreted as temporary aberrations or explained away in hindsight as necessary detours. The Left has thus been comforted through many a season of adversity by a perversely indomitable sense that, in the long run, history ...”

“... neither simply the writer himself nor a delegated fictional character but a kind of semi-fictional short-cut to an idea in the making. The essay, we might say, is the place where thoughts can have a hero – as distinct from novels, where heroes and others just have thoughts. When Musil says that Thomas Mann and others ‘write for people who are ...”

“... good movies out of the later list (for example, LA Confidential, The Usual Suspects, Thirty Two Short Films about Glenn Gould), and a few others (Nil by Mouth, The English Patient, The Truman Show, Shallow Grave) that someone might feel it was worth crossing the road for; but in general his argument that Lane’s evident talent has had little to work on and ...”

“... Off and on, for over half a century, William Gaddis worked on a manuscript about the short life of the player piano in the United States. Over fifty years on an outmoded entertainment? There is more here than meets the eye: ‘Agapē Agape is a satirical celebration of the conquest of technology and of the place of art and the artist in a technological democracy,’ Gaddis wrote in a proposal from the early 1960s ...”

“... continuum. Updike’s Self-Consciousness is well up at the art-over-life end of the spectrum; Philip Roth’s record-straightening and strangely flat The Facts is, perhaps surprisingly, of the other type (and his intensely focused Patrimony is somewhere in the middle). Kingsley Amis’s riotous Memoirs are lifelike, too much so for some. Terence Kilmartin ...”

“... off in an instant. A warrant for my execution was drafted at the moment of this conception.’ Short stories rely on parsimony and Perlman’s overwrought sentences don’t often work. The prose is better when he writes with more detachment. ‘In the Time of the Dinosaur’ offers a frosty, child’s-eye view of a superannuated father. Lucas wants to be a ...”

“... rule was the only option. With a huge army and navy to finance, the Government was desperately short of money. It also found its right to raise conventional taxes challenged in the courts. The reign of the Major-Generals was not intended to increase military expenditure, rather to reduce it. They were instructed to build up local militia forces – rapidly ...”

“... than a dozen speeches called the Philippics, after Demosthenes’ almost equally nasty attacks on Philip of Macedon, three centuries earlier. The chase had degenerated into an elaborate, occasionally comic game of hide-and-seek, with Cicero torn between holing up in his villa to wait for the inevitable knock on the door and making a speedy getaway by ...”