‘Today the artist is a saint who writes his own life’
Edmund White, 9 March 1995
“... promise of an early and highly coded, not to say obscure and ‘poetic’ novel, Nocturnes for the King of Naples, for the sordid aftermath, my tiresome and overt obsession with homosexuality. Most French critics, I’m happy to say, and in the end the publisher as well, were satisfied that I’d not turned Genet into a gay folk hero, as they’d feared – an ... ”