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“... but it had its compensations. His enforced withdrawal served as a time for reflection. He read Das Kapital from cover to cover (though remaining unconverted). Thorpe persuasively suggests that it was now that Dunglass acquired ‘identity’, returning to the House of Commons as a stronger figure in his own right. After VE-Day, when the wartime ...”

“... is a major reason for diversity. Whatever its origin, variety makes the rainforest hard to read. The members of a given species are dispersed and in the seasonless climate tend to flower unpredictably. The leaves of many of the thousands of species which make up the forest canopy have responded to a regime of desiccating heat alternating with regular ...”

“... priest of his standing set these words to music so effectively, and it would be a mistake not to read this as a theological, as well as a musical, intervention. In his view, light has replaced the finality of death. I’m also unconvinced by Rees’s careful debunking of the supposed Spanish mysticism underlying the music. Other debunkings – for ...”

“... the last war it was Connolly and Koestler and Spender, William Plomer, Alun Lewis, Dylan Thomas, Peter Quennell. Some still have life or fame or both, some not: but then, not now, was their moment. Was Connolly himself any good as a writer? The question means little because the point of Connolly turned out to be Connolly not producing the masterpieces which ...”

“... Peter Prince’s admirable novel, The Good Father, is about a group of professional-class people in the London Borough of Lambeth, trying to see themselves as liberal and left-wing. They were students together in the late 1960s and are struggling to maintain in the 1980s the package of liberal values (or ‘received ideas’) which they shared so confidently in their youth ...”

“... forty-year-old often skint but always cadging mother, Helen. Other characters were added later. Peter, the louche businessman with a ‘wallet full of reasons’ to lure Helen offstage and into a brief marriage for the play’s middle sections. Jimmie, the charming ‘coloured naval rating’ who keeps Jo company over Christmas and leaves her pregnant. And ...”

“... several thousand pages. Perhaps this is as it should be; to call book history a theory would be to read it against the grain. For many literary critics a decade ago, the study of texts’ production, circulation, and material form provided a last refuge from Poststructuralism. The irony was that the former faces the questions most central to the latter: what ...”

“... to broach the subject. Today, by contrast, a scarred identity earns almost universal respect. Peter Singer’s Pushing Time Away reflects this shift. He used to be, he says, far too busy writing his philosophy to bother with his grandfather. It was only when he noticed an affinity between his work on ‘practical ethics’ and his maternal grandfather’s ...”

“... and How to Shit in the Woods by Kathleen Meyer (1989).1 There are people who will only read Westerns or Crime and others who prefer not to read any book unless, like the works of Maya Angelou, it manages somehow to have a self-help tinge. (‘Self-Improvement’ is now, quite often, a section in your local ...”

“... and history of The Third Man without going too far from a good library, there is plenty more to read: a continuity script (StudioCanal, 2015), a screenplay (Lorimer, 1973), Greene’s writings on film (The Pleasure Dome, Oxford, 1972; Mornings in the Dark, Carcanet, 1993), Brigitte Timmermann’s The Third Man’s Vienna (Shippen Rock, 2005), and Alexander ...”

“... killing me.’ The Education Secretary was, unsurprisingly, sharply criticised; not least by Peter Jones, a Spectator columnist, who told the BBC that ‘a calm, reasoned and balanced judgment would put it down to pig ignorance and blind prejudice’ – open-eyed prejudice being, I suppose, more to his taste. This is too harsh. What Clarke said was that ...”

“... from The Shepherd’s Calendar largely as they first appeared in Blackwood’s. In A Queer Book Peter Garside has chosen to use Hogg’s manuscripts as his copy-text, where these seem to offer something like a final version. On occasion, however, he produces composite texts put together from more than one manuscript, or from a manuscript combined with a ...”

“... in the wilderness. Time alters the past. Gods, too, change ... The exclamatory staccato style is Peter Vansittart’s, and so are some of the words. Many sentences get no further than half a dozen words, some are mere singletons. The manner is intentional, but no more digestible for that. Its chief purpose would seem to be the conveyance of chunks of ...”

“... attribution – sulky, angry, bewildered etc – seems appropriate, since we need to read these faces that are being isolated for us, but it’s also excessive. They are just faces. The actors are not acting, but standing there, as Sergio Leone, a later graduate of the same school of cinema, once told Clint Eastwood to do. The next shot of the ...”

“... explanations lead to more questions. Have escalators always been so fragile? Can broken ones be read as a symptom of a deeper malaise? Are broken-down escalators evidence that we ask for the impossible: that to get the Tube to run smoothly is politically unfeasible because it would involve so many resources being taken away from the other good things we ...”