At the Royal Academy
Julian Bell: Manet, 21 February 2013
“... in Manet’s earlier responses to her presence – cornered him into a frantic attack on his two-foot-high canvas, stabs and swipes of black pelting down on two other mainstays of his palette, a bright flesh tint and a cow-dung brown. Everything became ragged, snatched, hollow. MaryAnne Stevens, the curator, wants to take Manet on via the genre of the ... ”