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“... role played by patrons in the formation of public taste, an encomium it would be difficult to read without remembering that all the work in this particular show was purchased or commissioned by Charles Saatchi. No doubt he will be pleased to be compared with Isabella d’Este. If there is a serious theme running through these essays, it concerns the ...”

“... of her family, so was ‘familiar’ in that sense, but ‘when the Compiler found how many well-read persons were unable to name the author of even the most familiar passage’, she felt the need to provide a volume of these ‘familiar quotations’. Quotations are ‘familiar’ in that strange and slightly coercive sense of being ‘stuff that ...”

“... doorstep. With Pickard’s encouragement, Bunting was tied into the writing scene in Newcastle (he read several times at the newly opened Morden Tower), he found publishers for some of his old poems, and even began writing again. His long poem Briggflatts was written on a commuter train; the last of his ‘sonatas’ (it’s only twenty pages), it was cut down ...”

“... Faustus, Adrian Leverkühn’s music is clearly based on Schönberg’s 12-tone compositions. Alma read the book and immediately told Schönberg she was very upset at the way Mann had appropriated his music. She then rang Mann and told him that Schönberg was angry about the misuse of his ‘intellectual property’ – thanks to Alma, he now was. She went ...”

“... street have given us Camp Bread Basket, another probable icon of infamy. The photos are hard to read. Are the clenched fists and heavy boots caught in midair about to break the bones and bruise the flesh of defenceless prisoners, or are they posed for the camera in a gesture of simulated, lookalike bravado? Are they staged re-enactments of beatings that ...”

“... a title borrowed by Dennison for this new biography, though actually after you’ve read a dozen or so of them their twists cease to be at all unexpected. Dennison’s biography has the virtues of clarity and brevity, but despite declaring itself ‘unofficial’, which might suggest it offers shocking new revelations, it adds little to the very ...”

“... furniture in their drawing room, turning the ‘cosy nooks and corners’ inside out and getting Donald to help him shift the piano. This was, in essence, what he did for the rest of his life, putting objects and people – often making little distinction between those categories – into relationships such that a certain mood or effect would be ...”

“... of conduct Schwartz drew up for himself and distributed among his fellow students. They were to read a chapter from Aristotle’s Logic every day, as well as half an hour of Spinoza; to ‘use words as translations of reality, not as cheap band music’; to listen to Bach and avoid ‘catgut music’; and ‘to be pure of … laziness … pomposity ...”

“... not seem to have profited much by the penetration. It’s not absolutely clear whether, when he read a transcript of the Moscow trials in 1937, Chambers was more affected by fear than revulsion. At any rate, he underwent an excruciating self-examination. He had not failed to notice that other members of his subterranean fraternity, when recalled to ...”

“... fade-ins and fade-outs. Filled with visceral and revolting images, it’s a novel that is easy to read but difficult to forget. The words ‘loneliness and silence and blackness’ recur frequently, along with ‘pain’ and ‘pus’. But, true to form, Trumbo manages to bring it all to an upbeat conclusion. In the visionary final section, an uneasy ...”

“... the English-speaking world imagine. In his introduction to a new translation of Jappe’s book by Donald Nicholson-Smith, Clark speaks of Debord as a thinker who engaged with the future as well as the present and whose time is yet to come.* The Situationist City also seeks to make connections between Situationist ideas and developments in mainstream ...”

“... love stories, but Lochhead does seem most inventive when she is (and is on the) offensive. Donald Davie (LRB, Vol. 6, No 11), seeking a contrast to the knotted texture of Geoffrey Hill’s poetry, has used the notion of a poetry that is ‘ventilated’, a poetry that lets us hear the natural speaking voice. This aptly characterises Lochhead’s ...”

“... what mothers give and resent giving, of what daughters learn and hate learning. Helen isn’t what Donald Winnicott in 1953 called a ‘good enough mother’ – not by a long shot. But she gave what she could: she didn’t abort Jo, she kept her alive and taught her what she knew of the world. Jo knows, and hates, that she’s repeating the script: ‘I ...”

“... to descriptions of what she does, how she holds herself and the way she talks.Fatale should be read in relation to La Position du tireur couché (1981), translated as The Gunman, Manchette’s final néo-polar, whose protagonist is also an assassin. Martin Terrier is a contract killer who works for ‘the company’. The book’s title indicates ...”

“... seems a flimsy pretence. Yet for all its flaws, American Psycho was prophetic in its invocation of Donald Trump as aspirational monster-mogul and endures as an exhibit of slasher-film iconography owing to Mary Harron’s screen adaptation from 2000. The film’s spotless scene design (everything showroom shiny, the downtown loft as laboratory, anticipating the ...”