“... pretty quickly – as Suite at the Majestic. That same translation became The Strange Case of Peter the Lett, then The Case of Peter the Lett. In 1963 it was newly translated as Maigret and the Enigmatic Lett. David Bellos’s recent translation is the first with the confidence to call the book in English what it is ...”

“... post-feminist or anti-feminist film, or just in some baffling way French. In the Guardian, Peter Bradshaw went for ‘provocative’, before deciding it was a ‘startlingly strange rape-revenge black comedy’. I didn’t think it was as strange as all that and I did think it was funny, but what really struck me was that every woman I knew who had ...”

“... talking about: ‘With a bound he was up the steps, & through the iron-studded oaken door into the hall.’ Ouch.Orwell’s writings from the 1930s were Zola-ish representations of poverty. Plongeurs (dishwashers) eke out a living in the kitchens of bad French hotels, and French waiters gob in customers’ soup. Hop-pickers in Kent get by on less than ...”

“... I fear’s that great worked-out black hollow under mine. Not train departure time, and not Town Hall with the great white clock face I can see, coal, that began, with no man here at all, as 300 million-year-old plant debris. 5 kids still play at making blossoms fall and humming as they do Here Comes the Bride. They never seem to tire of their ball though I ...”

“... Ayrton. In the dark background are the diabolic Bernard Van Dieren and Philip Heseltine (‘Peter Warlock’), two men, composer-writers like himself, to whom Lambert maintained a fierce loyalty, before and after their deaths. Lambert’s cardinal importance in the establishment of the Vic-Wells, later the Royal Ballet, is valuably stressed by ...”

“... Thelma ended, Barnes flitted between New York, Paris and London, with spells in Devon at Hayford Hall, a house rented by Peggy Guggenheim for her lost and drunken friends. Barnes reworked many drafts of Nightwood here, with the support and editorial expertise of her friend Emily Coleman, who made sure T.S. Eliot read the manuscript. Though Eliot admired and ...”

“... sponsored domestic opera and ballet companies, as well as theatre groups in Europe. Ted Hughes and Peter Brook wrote an experimental play, Orghast at Persepolis, merging the myth of Prometheus with Aeschylus’ The Persians, which was staged at Persepolis as part of the Shiraz Arts Festival. Subsidised in part by the Iranian government, actors from twelve ...”

“... them as a powerful second reality. They read the story, or listen to the dead talk in a public hall; two hours pass; they close the book or rise from their seat, they shut down that other world, run out into the high street and go looking for a pizza. In Britain, where mainstream religion is dwindling into a mix of apathy and superstition, alternative ...”

“... Cross, visible only to people who know where to look for it. The ceiling in the school dining hall is a constantly changing lifelike simulation of the sky, and the portraits are alive: they visit one another and talk to the people outside the frames. Though Games loom large, the game of Quidditch is played in the air on flying broomsticks. (For most ...”

“... if technically difficult way to decorate a Gothic building, was obtained from the German painter Peter von Cornelius. Hugely popular exhibitions of potential schemes were held in Westminster Hall and much discussed, for the public expected a lot for their money. The scheme was supposed to encourage artists, educate ...”

“... of jurisprudence, barrister, journalist, colonial civil servant and eventually master of Trinity Hall, Cambridge. Maine made an eloquent case for the historicity and agency of the colonised, as part of an attempt to reconstitute the colonial project on a more durable basis. In doing so, he distinguished the West from the non-West, universal civilisation from ...”

“... urban for its outer-suburban context’. Hatherley is even more ensorcelled by Alison and Peter Smithson’s béton brut behemoth, Robin Hood Gardens in East London (shown above). For him the Smithsons are the real heroes, and a half-century on he reprises Reyner Banham – with dialectical knobs on – by placing them and their fellow New Brutalists ...”

“... and as a ‘foil to Lear’s frenzies’ (which are, as he points out, frenzies of renunciation). Peter Davison, general editor of the 20-volume Complete Works, felt that Orwell should be thought of as, among other things, a comic writer. I’m not so sure. None of his best works is a bundle of laughs. But I do think that he sought to play the fool, on ...”

“... Mendelssohn, you must work against the music’s almost fatal facility, its deceptive smoothness. Peter Pears was a wonderful singer because of, not despite, the peculiarity of his voice. Stylistic genre had nothing to do with it: the musical spirit was as likely to manifest itself in Julius Patzak singing Die Fledermaus or in a song by Gershwin or the ...”

“... Exploration (GFOE) have focused on an area between fifteen and twenty miles off Flamborough Head. Peter Reaveley, one of the GFOE researchers, sent me thirteen handwritten pages about his analysis. ‘I derived the weather – visibility, winds, the sunrise and sunset, moon-rise and moon-set, and the magnetic variation,’ he wrote. ‘I built scale models ...”