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The Oxford Companion to Australian Literature 
by William Wilde, Joy Hooton and Barry Andrews.
Oxford, 740 pp., £30, June 1986, 0 19 554233 9
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... Stevenson) or exercised significant influence in Australian cultural history (e.g. Dickens, Shakespeare); and on other topics. By historical and other cultural contexts is meant those aspects of Australian life and history about which readers unfamiliar with Australia might need basic information (e.g. the Australian States or the Heidelberg School of ...

Floating Hair v. Blue Pencil

Frank Kermode, 6 June 1996

Revision and Romantic Authorship 
by Zachary Leader.
Oxford, 354 pp., £40, March 1996, 0 19 812264 0
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... later version ‘richer, more complex’, like Jack Stillinger and Zachary Leader; or decide, with William Empson, that it has been mangled ‘for reasons of conscience’? It is not easy to make out what Coleridge thought about the unity of the self, but surely having a sense of it is consistent with occasional changes of mind. His practice suggests that he ...

Good dinners pass away, so do tyrants and toothache

Terry Eagleton: Death, Desire and so forth, 16 April 1998

Death, Desire and Loss in Western Culture 
by Jonathan Dollimore.
Allen Lane, 380 pp., £25, April 1998, 0 7139 9125 9
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... digs its own grave, defaces whatever it embraces. The book skilfully traces these motifs through Shakespeare, Montaigne, Raleigh, Donne and an array of Early Modern others, before turning to consider the denial of death implicit in Enlightenment thought. As Jean Baudrillard remarks, there is a sense that for modernity ‘it is not normal to be ...

Jack in the Belfry

Terry Eagleton, 8 September 2016

The Trials of the King of Hampshire: Madness, Secrecy and Betrayal in Georgian England 
by Elizabeth Foyster.
Oneworld, 368 pp., £20, September 2016, 978 1 78074 960 0
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... who seems to have detested him from the outset. She soon struck up a sexual liaison with one William Alder, who was discovered by a servant in bed with Lady Portsmouth while Portsmouth himself lay by the couple’s side, apparently asleep. It was troilism with a new twist. This, too, would serve later as evidence of his lunacy. It was proper for Alder to ...

A Tentative Idea for a Lamp

Tim Radford: Thomas Edison, 18 March 1999

Edison: A Life of Invention 
by Paul Israel.
Wiley, 552 pp., £19.50, November 1998, 0 471 52942 7
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... or twice as well. He went to burlesque houses and developed a taste for theatre, especially for Shakespeare. ‘My, but that man did have ideas!’ he said later. ‘He would have been an inventor, a wonderful inventor, if he had turned his mind to it. He seemed to see the inside of everything.’ He also studied electrical science. He was 17 when he made ...

Good History

Christopher Hill, 5 March 1981

After the Reformation: Essays in Honour of J.H. Hexter 
edited by Barbara Malament.
Manchester, 363 pp., £17.95, December 1980, 0 7190 0805 0
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Puritans and Adventurers 
by T.H. Breen.
Oxford, 270 pp., £10, October 1980, 0 19 502728 0
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On History 
by Fernand Braudel, translated by Sarah Matthews.
Weidenfeld, 226 pp., £10.95, January 1981, 0 297 77880 3
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Sociology and History 
by Peter Burke.
Allen and Unwin, 116 pp., £6.95, August 1980, 0 19 502728 0
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... Robert Harding’s ‘Aristocrats and Lawyers in French Provincial Government, 1559-1648’. William J. Bouwsma writes on ‘Anxiety and the Formation of Early Modern Culture’. His most interesting point is that the words ‘anxiety’ and ‘anxious’ entered the English language in the 16th and 17th centuries. Professor Bouwsma attributes anxiety to ...

Tom Phillips: An Interview

Tom Phillips, Adam Smyth and Gill Partington, 11 October 2012

... dead people I got to show this book to: one was Richard Hamilton who died this week; the other was William Burroughs was died earlier on. William Burroughs was very generous in a terrifying kind of way. He said it’s okay, and why wasn’t it science fiction? I had a very tough day with him. Very ...

On (Not) Saying What You Mean

Colm Tóibín, 30 November 1995

... up to then that there were short poems in the 16th century. I knew there were sonnets and plays by Shakespeare and The Faerie Queen, but even saying the phrase now – ‘short poem in the 16th century’ – makes me wish I were writing about the work of Fulke Greville or Sir Walter Ralegh or Sir Thomas Wyatt. I studied English and History. In English we were ...

My Darlings

Colm Tóibín: Drinking with Samuel Beckett, 5 April 2007

... locked eyes stopped to talk, and they arranged to meet four days later outside the house where Sir William Wilde, eye surgeon to the queen in Ireland, if she should have ever needed an eye surgeon (which she did not), and his mad wife, Speranza, had lived, where they had raised their son Oscar, who was four years dead by this time. There’s now a funny ...

There isn’t any inside!

Adam Mars-Jones: William Gaddis, 23 September 2021

The Recognitions 
by William Gaddis.
NYRB, 992 pp., £24, November 2020, 978 1 68137 466 6
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JR 
by William Gaddis.
NYRB, 784 pp., £20, October 2020, 978 1 68137 468 0
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... idea of literature, and a peculiar division of labour between writer and reader. Their author, William Gaddis, who won the National Book Award with JR, might actually have felt short-changed by the accolade of the imprint, to judge by a riff in JR deploring the way ‘longer works of fiction [are] now dismissed as classics and … largely unread due to the ...

Diary

Patrick Wright: The Cult of Tyneham, 24 November 1988

... Finest Man.’ But after that the story dies away in minor ditties by Sagittarius, Noel Coward and William Scammell. Regretting the ‘remarkable shortage’ of ‘good, straight’ verse written about ‘public events in England over the past thirty years’, our anthologist adopts a policy of charitable evacuation. His collection seems to suggest that if the ...

After-Lives

John Sutherland, 5 November 1992

Keepers of the Flame: Literary Estates and the Rise of Biography 
by Ian Hamilton.
Hutchinson, 344 pp., £18.99, October 1992, 0 09 174263 3
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Testamentary Acts: Browning, Tennyson, James, Hardy 
by Michael Millgate.
Oxford, 273 pp., £27.50, June 1992, 0 19 811276 9
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The Last Laugh 
by Michael Holroyd.
Chatto, 131 pp., £10.99, December 1991, 0 7011 4583 8
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Trollope 
by Victoria Glendinning.
Hutchinson, 551 pp., £20, September 1992, 0 09 173896 2
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... has an unfailingly good eye for anecdote and a line in sarky parenthesis – on such things as William Davenant’s pox-rotted nose – worthy of a stand-up comedian. Although it will find a home in that dreariest of Dewey Decimal deserts – the public reference section – this book is fun. But it will not help the ambitious undergraduate pass his/her ...

Blame it on the Belgians

Hilary Mantel, 25 June 1992

The Reckoning: The Murder of Christopher Marlowe 
by Charles Nicholl.
Cape, 413 pp., £19.99, June 1992, 0 224 03100 7
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... and Skeres and Poley, much further back than the ‘feast’ at Mrs Bull’s. In As you like it Shakespeare made a reference to Marlowe’s death, cryptic but pointed: he called it ‘a great reckoning in a little room’. What sort of man was Marlowe? Nicholl is not primarily writing a work of literary criticism, but he presents us with a picture of an ...

Like Buttermilk from a Jug

Oliver Soden: Ivor Gurney’s Groove, 22 September 2022

Dweller in Shadows: A Life of Ivor Gurney 
by Kate Kennedy.
Princeton, 488 pp., £28, June 2021, 978 0 691 21278 4
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... colour that may stem from their instrumental origins. ‘Orpheus with His Lute’, with words from Shakespeare’s Henry VIII, opens the cycle with rising E major semi-quavers, and moments of harmonic shock, with voice and piano sometimes just a tone apart. ‘Under the Greenwood Tree’ introduces a hey-nonny perkiness, mirrored by the fifth ...

Electroplated Fish Knife

Peter Howarth: Robert Graves’s Poems, 7 May 2015

Robert Graves: Selected Poems 
edited by Michael Longley.
Faber, 136 pp., £15.99, August 2013, 978 0 571 28383 5
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... on the poet’s sore spots. After the humiliation of exile from court, Graves argued confidently, Shakespeare worked through his discontent in the writing of Hamlet. ‘As each scene developed he must have become aware of the political allusions occurring in it, but I cannot believe that he realised what now seems obvious enough: that Hamlet was a political ...

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