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“... have by Konwicki. The first of these four books is The Polish Complex (1977 – the translation by Richard Lourie in 1982), the first of Konwicki’s books to be banned by the authorities in Poland; later on, he graduated to being banned by the Underground. Its basic situation is less extreme than that of A Minor Apocalypse, but just as dramatic and ...”

“... Pound’s own life story, the text needs to be glossed in order to be read at all. The annotation Richard Sieburth has provided is ample without being fussy, and his introductory essay offers an informative account of the sequence’s genesis, themes, methods and critical reception (not least from the judges who awarded it the prestigious Bollingen Prize, in ...”

“... Biographia Literaria, which he subtitled Biographical Sketches of My Literary Life and Opinions. Richard Holmes, by reputation anyway, is different; and certainly his magnificent life of Shelley makes time, in the course of unravelling the threads of Shelley’s emotional, intellectual and imaginative life, to introduce its readers to writings that most of ...”

“... R.G. Collingwood, F.R. Leavis, George Orwell, Adrian Stokes, Tony Crosland – as he calls him – Richard Titmuss, Richard Hoggart, Raymond Williams, John Berger, E.P. Thompson and Isaiah Berlin. If you need a stereotype of the English socialist, you may as well take this one as any ...”

“... Nothing untoward has so far happened in Venezuela, although we do not, of course, know what plans may be under consideration in the deeper recesses of Washington. At any rate, now that the Cold War has ended the Americans can no longer denounce their critics to the South as the puppets of Moscow. The gadarene rush from the countryside to Caracas in the ...”

“... and had reverberations on the Continent because of hostility there towards the Jesuits. Zagorin may go too far in attributing dissimulation to some of the occultists, libertines and unbelievers whom he sees hiding behind esotericism (Sir Walter Raleigh is a case in point), but his central thesis of the pervasiveness of dissimulation in 16th and 17th-century ...”

“... directing for viewers, others will object to no titles at all, because that’s equally imperious. Richard Artschwager remarks: ‘The word “Untitled” is already a loaded apparatus. I consider a title as another kind of paint. Or an art material. The title is a trimming. It can’t be ignored. If you do, you’re making rules for viewers of what to ...”

“... The thorough understanding of a difficult text, even of one written in one’s own language, may be made far easier by a good commentary. Eliot himself provided, if not a commentary, useful notes upon The Waste Land, and an Oxford don, John Fuller, has written an excellent commentary on Auden’s poems. In the case of a text written in an ancient language, a commentary is particularly useful ...”

“... offshore island otherwise describable as the landmass of Europe and Asia is that by so doing one may avoid all direct contact with the English literary establishment, which I have nonetheless managed to enter with the publication of a novel called Wales’ Work.1 In Paris, where I have lived even longer than Graham Greene, avoiding literature is not ...”

“... The practice of ‘blacking up’, which has died out in the surviving forms of the morris dance, may in fact have had its roots in the pagan ritual of smearing ash on the face, and the elements of battle mime may have originated in vegetation symbolism based on the battle of the seasons. But it is clear that by the 16th ...”

“... in attainments, would be T.E. Lawrence, Robert Graves, Peter Fleming (perhaps both Flemings) and Richard Hughes. It makes no difference that Lawrence was half-Irish, the Flemings mostly Scottish, and Hughes partly Welsh. The presidential or father figure of the group would be John Buchan, another Scot, whose innings was over before the younger ones started ...”

“... elegantly demonstrates how ‘the idea of the poet’ framed literary lives from Keats onwards. Richard Helgerson’s Self-Crowned Laureates (1983) does the same for the English Renaissance. The title of The Great Pretender is triple-loaded: the hero Ben Janis is a claimant for poetic fame, a laureate hoping to crown himself. His claims, he suspects with ...”

“... my men and boy friends, has been the one guiding principle in my life, and has inspired anything I may have been vouchsafed to accomplish in the nature of the influencing or the building up of character. There may be many comrade friends, there can only be one comrade wife.’ ‘His very sexlessness,’ Crawford ...”

“... the chairman corrected her. ‘ “Mr Harold” has.’ Here, in a nutshell, is the theme of Richard Davenport-Hines’s book. Its early chapters form a heroic chronicle of upward social mobility. We first encounter an earlier Daniel Macmillan as a mid 18th-century crofter, scratching a living from the desolate but sublime landscape of the Isle of ...”

“... If, that is, a ‘memory’ is some kind of private mental property. The picture I have of her may be faintly tinted by first-hand experience, but its contours come from public documentation. Through biographies, critical writings and the tourist phenomenon of her home at Charleston, Vanessa has become a cultural commodity, and it’s this commodity I ...”