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“... his Presidential years. ‘To lunch at the Wyatts at Connock. Clarissa Eden, the Weinstocks and John Harris ... the Weinstocks and Clarissa all being surprisingly agreeable.’ ‘Drive to Isleworth and dinner with the Gilmours ... an enjoyable and interesting dinner.’ But if these were sometimes occasions for tittle-tattle and of no great interest ...”

“... Talking about a visit to New York in 1945, Powell will come up with paragraphs on Tennessee Williams, silent movies, his wife’s pregnancy, American buyers’ attitudes to British war movies, the possibility of his buying United Artists with Emeric, the demise of the silents, meeting Salvador Dali, then suddenly: Do I digress? Well I digress. Art has ...”

“... had written Death of a Salesman, The Crucible, A View from the Bridge and All My Sons, Tennessee Williams The Glass Menagerie, Streetcar, Camino Real and The Rose Tattoo, but if Osborne shows any American influence it is from the earlier generation of O’Neill, or even Odets. There were intermittently fine productions on the London stage: ‘revivals’ of ...”

“... innocent that he was, he failed to twig that walking through the streets of Harlem with Mayor John Lindsay might be interpreted as supporting the political ambitions of a white politician in need of black votes. Rap Brown ‘lambasted me as a shallow liberal poking his nose into a world he didn’t know and in which he didn’t belong’. Brando took ...”

“... it is true that some American magazines, notably the New Yorker, have welcomed the talents of John McGahern, Seamus Heaney, Brian Friel, Edna O’Brien and Benedict Kiely, among others, one could give long odds against a manuscript by an unknown Irish novelist or poet seeing the light of first publication in Boston or in New York.So it’s back to London ...”

“... with rather juvenile insults to religion – the Virgin was a whore, Christ was a bastard and St John was his bedfellow, and so on. It seems that one somehow needed to publicise the outrageousness of one’s heretical opinions by talking in this manner. And indeed the most curious aspect of blasphemy and profanity in general is this apparent need. What use ...”

“... the Andy Warhol Museum on Sandusky Street, where Andrew Warhola was born in 1928. As the director John Waters has said, every kid needs someone really bad to look up to, and the Warhol legacy carries on that counter-cultural role for a new generation. The museum recently organised an exhibition of the prison photographs from Abu Ghraib. In rural West ...”

“... a narrow line between cynicism and credulity. There are thinkers like Jürgen Habermas, Raymond Williams and E.P. Thompson who can be too positive about ordinary human capabilities, and others like Michel Foucault, Alain Badiou and the later Frankfurt School who are a good deal too sceptical of them. This is​ a bold book, not least because Felski must ...”

“... through the reductionist lenses of colour and colourlessness. She leans heavily on Raymond Williams’s notion of a ‘structure of feeling’ which supposedly defines the ‘particular and characteristic colour of a period’. What Williams intended by ‘colour’ was ever-changing mood, constant only in its ...”

“... to read the reviews aloud. ‘It is to be hoped that she will be recognised for what she is,’ John Ashbery wrote in the New York Times, ‘one of the finest modern writers of fiction, in any language.’ He went on to describe her prose as ‘a constant miracle’ in which ‘it is impossible to deduce the end of a sentence from its beginning, or a ...”

“... by Desmond Rice and Arthur Gavshon, and Messrs Secker and Warburg to interview Rear Admiral Sir John Woodward and Commander Christopher Wreford-Brown DSO, Royal Navy, about the sinking of the General Belgrano; and if he will make a statement. Mr Stanley: As my right hon. Friend the Prime Minister said to the hon. Gentleman on 21 February 1984, the ...”

“... Brian Wilson over those of Norman Whitfield, and the social significance and songwriting talent of John Lennon rather than James Brown – persists. Clearly, too, most rock writing foregrounds lyrics, whereas most dance music works through texture, beats and effects. Back in 1976, punk set itself against disco wholeheartedly. Alan Jones and Jussi Kantonen ...”

“... certain sharers of her aims: among literary critics, Wayne Booth; among philosophers, Bernard Williams and Stanley Cavell; among social scientists, Amartya Sen. Nussbaum explains her discovery of virtues eloquently, volubly, in the manner of a belated Victorian moralist. The reverse of a dry writer, she is fairly often deeply moved, and you come to know ...”

“... of its offices: ‘At this location, 122 Commerce Street, was a very large warehouse owned by John Murphey, who provided support to the slave traders in the city.’ ‘I would have preferred not to have the additional markers,’ the mayor confessed, ‘but I believe they are part of history.’ He agreed to allow them, he said, because they would ...”

“... As John Berryman​ tells it, in a Paris Review interview conducted in 1970, he was walking to a bar in Minneapolis one evening in the mid-1950s with his second wife, Anne, the two of them joking back and forth, when Berryman volunteered that he ‘hated the name Mabel more than any other female name’. Anne decided Henry was the name she found ‘unbearable ...”