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“... insect fluttering against a screen. So that’s what they’re looking at. Note, too, the red, white and blue colour scheme, brought together in the boy’s tricolore shoe and the children’s toys. It’s both a patriotic display and an advertisement for the colours Gohin stocked in his shop: ‘bright, rich carmines of every shade, red lakes, Prussian ...”

“... available online), features some seventy objects by Tompkins, most of them hung vertically against white walls like tapestries or modernist paintings. It is a studiously dignified presentation that highlights the striking optical effects of her works, as in the showstopper String (1985) with its luscious, undulating strips of velvet and velveteen. The piece ...”

“... was one; Alain Resnais, Jacques Demy and Chris Marker were others; the naturalised French director William Klein – also a photographer – is sometimes included; so is Georges Franju, a documentary filmmaker whose first narrative feature was released in 1959. The core figures of the Left Bank group were more collaborative than the New Wave crew: Resnais and ...”

“... a week before his trip to Seattle, he was wearing a Malcolm X cap and carrying a well-worn copy of William Gaddis’s novel The Recognitions. On 8 July, after a breakfast with the Democratic presidential candidate and former basketball star Bill Bradley, Joe went to Mount Rainier to do some birdwatching. He never returned. The most likely explanation is that ...”

“... unlikely winners of power that looked precarious, held the centre of the country, while White armies supported by the Allies dominated Russia’s peripheries. Sixteen countries were involved in the intervention to some degree, not counting British and French colonial troops (a term which Reid uses to cover Australians and Canadians as well as ...”

“... documentary sources,’ he writes, ‘include the hitherto unpublished expedition journals of William Grant Stairs and memoirs of Alice Pike Barney’; he also pays generous tribute to Richard Hall’s earlier biography, ‘a model of hard-nosed and painstaking investigation’. Hall was the first to reveal Stanley’s secret engagement to Alice ...”

“... that he could not and perhaps did not want to understand’. How much better if the Scots artist William Scott had not tried to explain the force which impelled him to introduce frying pans and kitchen objects into his works. Their ‘multivalent symbolic significance’ at first reflected the ‘elemental life of the simple poor’ and then became ‘the ...”

“... Their friends included the ageing Radical John Bright and Elizabeth Gaskell’s widower, William. But smart society was closed to them and this was something that Beatrix’s mother, Helen, seems to have minded deeply. A grim-faced little woman, she apparently occupied herself entirely with a round of calls and with ordering and re-ordering her ...”

“... three weeks; a second and third followed rapidly. ‘Holy Hannah’, as Horace Walpole called her (William Cobbett called her ‘the Old Bishop in petticoats’), was already a celebrity. William Roberts, the family friend entrusted with the task of producing the book, made her into a saint. He presented her as a vessel ...”

“... perhaps to re-create the disorientation of the senses recommended by Rimbaud and diagnosed by William James. The groupuscule we call the Beats (short for ‘beatitude’) was by 1961 geographically and emotionally scattered: Kerouac (barely present in Baker’s book) hunkered down at his mother’s house, Burroughs cocooned himself in Tangier, Neal ...”

“... The future isn’t what it used to be. In one of William Gibson’s first published stories, ‘The Gernsback Continuum’, a photographer is assigned to capture examples of ‘futuristic’ American design from the Thirties, the kind of dream architecture that graced the covers of pulp science fiction magazines like Amazing Stories ...”

“... So-called World History originated in an attempt to escape from the tyrannical perspective of dead white Euro-American males, yet that ‘world’ perspective has had the effect of making those same males more dominant than ever. Thus Eric Wolf’s Europe and the People Without History (1982), however heroic in intention, ends up asserting that extra-European peoples did have a history, but it was a history of their relations with Euro-American economies ...”

“... 26 June). They hang on either side of the more reticent Standing Female Figure, a bronze by William Turnbull, whose textured surface and swathed upright form suggests a mummified Giacometti. The pairing illustrates how unusual Cordell’s paintings were in going beyond the inhibition and deference to French and American art that mark much British work ...”

“... a single journalist of the overpaid legions who swarm around the Pentagon, State Department and White House has ever bothered to investigate it. Iraq might once have been a potential challenge to Israel. It was the one Arab country with the human and natural resources, as well as the infrastructure, to take on Israel’s arrogant brutality. That is why ...”

“... familiar with other potteries often commented on the neatness of Rie’s studio and her pristine white apron. It was a telling contrast to the prevailing style of British craft ceramics at the time she came to England. Dominated by Bernard Leach, whose tendentious and quasi-philosophical A Potter’s Book appeared in 1940, it cultivated a masculine, not to ...”