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“... escapes through the roof of the burning building, and departs for New Zealand. In a prefatory note Robert Alan Jamieson calls his book ‘a yarn’, and if the yarn doesn’t read too convincingly it is perhaps because he is chiefly interested in other things: the face of external nature in Shetland, and the quality of life – narrow, enduring, heroic ...”

“... he had lived mostly in Greece. He still painted landscapes, but his work had none of the damp, green, memory-sodden melancholy of the English and Welsh valleys. The light in them was sharp, reflected off the Aegean; his palette in paintings such as Landscape, Hydra (1960-62) shimmers. The figures in these vivid landscapes were seldom single: they were ...”

“... influenza. If he struck many of those who met him, from Alfred Jarry to Max Jacob to Picasso to Robert Delaunay, as larger than life, as the avant-garde spirit incarnate, and if his long poems, like those of Whitman and O’Hara, seem to expand and prolong themselves as effortlessly as amoebas in a petri dish, then beneath the shifting decors and personae a ...”

“... puppet, a half-animal creature, a faun, a character from the Commedia dell’Arte or even a Green boy in love with himself was much easier for him. He needed a mask.’ In some larger sense – in some way to do with desire and death at the Fin de Siècle – Nijinsky also appeared like a prophecy, a frightening conjuror with the energies of the ...”

“... was heavily revised in 1844) and the vivid anti-war poem Captain Sword and Captain Pen (1835). Robert Morrison’s volume on the piecemeal journalism of 1822-38 gives a very good sense of Hunt the critic, showing his extraordinary eye for new talent (the reviews of the young Carlyle, Browning and Tennyson are particularly insightful). Charles Mahoney’s ...”

“... young woman, wearing a permanently startled expression, and curiously finished off with a high green silk headdress, concealing her hair, so that it is not known whether she has any’. The style, perfected over decades, was part performance, part optical illusion. Sitwell’s passport recorded her height as five feet eleven but she was often reported as ...”

“... progressive activists. ‘Both parties do the same thing, one covertly, one overtly,’ he told a Green Party gathering in 2001. ‘Which one is going to get more people mad? Which one is going to get more people organised?’ The questions depend on a familiar leftist cliché – the worse things get, the better they get. But if Nader’s dismissal of the ...”

“... of her first novel, Wise Blood. Her friend Sally Fitzgerald, the wife of the poet and translator Robert Fitzgerald, broke the news, which effectively terminated all dreams of escaping Andalusia, the farm outside Milledgeville run by her mother. There O’Connor spent the last 12 years of her life, raising peacocks and writing ferocious stories populated by ...”

“... prizes the Oedipus complex. It would, wouldn’t it? Blake’s cultivation of his brother Robert was, apparently, ‘his most sustained and successful piece of Oedipal insubordination’, a means of ‘displacing his parents – particularly his father’. Aren’t the poems full of oppressive fathers, from Tiriel to Nobodaddy? ‘William’s poems ...”

“... of, the Times on seven other pages. The Sunday Times features on six pages. The Times columnist Robert Harris gets two entries compared to Germaine Greer’s one, Gandhi’s one, or Mandela’s one. Noam Chomsky: nil. E.P Thompson: nil. The Times columnist Bernard Levin: two. Levin deserves a special mention. In the Times in May 1996, he implied that ...”

“... of curiosity: historical, technical, geographical. The result falls short of the masterpiece that Robert Penn Warren hails on the jacket. It needs a bigger and better-stocked mind to carry the reader from one individually satisfying sketch to another over such a long span. But for a writer’s first published book it is a formidable achievement, combining the ...”

“... wrote of a Greek doctor who gazed wonderingly at Disraeli’s garb of red shirt, silver buttons, green pantaloons, jacket festooned with ribbons, Turkish slippers, and then asked: ‘Questo vestito Inglese o di fantasia?’ To this there came a reply which Monypenny describes as ‘oracular’, but which seems to me richly appropriate to the story as a ...”

“... route, Peter Redgrove has arrived back at a very ancient place: or at any rate, a place that Robert Graves unearthed in The White Goddess and would have us believe is ancient. Graves is probably right: but it is best to approach enchanted ground, as he himself does, doubly armed, with red thread around a rowan twig and a pinch of scepticism. What is ...”

“... Fled backward with a gimlet in its heart To see the two youths swimming hand in hand Through green eternity. O swept overboard Not could the thirty-foot jaws them part, or the flouncing skirts that swept them over Separate what death pronounced was love. It is a most subtle use of archaism, in diction, properties and propriety – lamentation and ...”

“... seems to have sat and read in something like an octagonal closet, nine feet across and painted green and white, with eight desks and drawers for books. By removing the drawers he could take the books with him from residence to residence, slotting them into other similar reading closets. Most early library rooms have been lost, but there are some jewel-like ...”