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“... ran the headline in the Wiltshire Herald and Advertiser. His school reports are amusing: ‘frank and responsive, full of good will’; ‘a little unpopular with the other boys, who regard him as rather boastful and self-important’; ‘I much admired his fighting spirit in the boxing’ (here too, perhaps, the dandy’s liking for a ...”

“... arguments finally break out and break down. BS501 (and PS501 too) await their textbook writers. Frank Kermode’s masterguides are not such men. As Leach, for instance, explains, he is not offering stock answers to any stock questions. Indeed, he warns, anyone who read him for this would be put down by most examiners as ...”

“... to become residuals (and hence very difficult to relate to anything real). Solow and Temin are frank: ‘The usual routine, in the absence of anything better, is to treat technology as the ultimate residual ... This is particularly unsatisfying to the historian.’ So it is that many historians, while finding the national income aggregative approach ...”

“... dutifully spoke for the defence at the Lady Chatterley trial while feeling that it was a bad book. Frank Kermode, writing of what he approvingly termed ‘decreative’ Modernist poets in a 1966 essay on T.S. Eliot, suggested that one way of recognising them ‘is by a certain ambiguity in your own response. The Waste Land, and also Hugh Selwyn Mauberly, can ...”

“... corroboration of the great conspiracy against goodness. Almost as monstrous is the film’s use of Robert Kennedy’s assassination as a mere item in Garrison’s self-vindication and patched-up private life. It proves he was right about everything, and it regains him (immediately) his wife’s love and respect and sexual favours. Amazing how useful public ...”

“... the measured acceptance of the actual that became almost the signature of his own later poetry; a frank acknowledgment of the scattered incompleteness of experience constituted, for him, an important test of a writer’s humility before the sheer solidity of the empirical.This anthologising impulse made for a distinctive reviewing style. He could, when he ...”

“... been the glory of classical art – was one of the big issues of those days, and the artist-critic Robert Smithson had great fun with Fried’s finding that certain polychrome sculptures by the painter Jules Olitski consisted of surfaces that had the miraculous property of being ‘flat, but rolled’. Speaking of the American painters he championed in the ...”

“... several times, as ‘a boxer’. No, no. Muhammad Ali was a boxer, Sonny Liston was a boxer, even Frank Bruno was a boxer: Alvarez boxed. Despite all this bluster and beefing about, Alvarez puts one in mind not so much of a reckless slugger and controversialist like Norman Mailer, as of a more genteel tradition of eccentric but robust writing; of a writer ...”

“... meet, rather than people. In white-collar epics from King Vidor’s seminal The Crowd through Robert Wise’s highly inventive Executive Suite and the exuberant Jerry Lewis vehicle The Errand Boy to The Hudsucker Proxy, the Coen brothers’ screwball version of Frank Capra, what separates the upper floors from the lower ...”

“... because, like Robinson Crusoe, he’s fiction that’s become myth. ‘Fictions,’ according to Frank Kermode, ‘can degenerate into myths whenever they are not consciously held to be fictive.’ The fictiveness of Sherlock Holmes was uncertain from the start. The letters addressed to him sent to Conan Doyle for redirection, the landladies who wanted to ...”

“... every time it’s reproduced (the poet Craig Dworkin even commissioned a version on a rug). Robert Barry’s ‘The Space between Pages’ calls attention to its own material location in a different way. Carried in 1969 by the New York avant-garde periodical 0 TO 9, it was listed on the contents page, but readers searched for it in vain. The magazine ...”

“... leader to complain about the ‘strange dishes’ which weren’t ‘up to English standards’. Frank Forsdick and his men asked for ‘a bit of old English roast beef or a plate of fish and chips’ and beer instead of wine. It didn’t require the commercial vapidities of the Greenwich Dome – a Festival of Britain manqué – to reveal that such ...”

“... Vendler to distort major figures helps her discriminate among lesser planets. Her inclusion of Robert Hayden, for example, is bold and welcome. Moreover, her promise to present writers ‘whole’ has more chance of being fulfilled with subsidiary figures. When Eliot judged anthologies less just to major than minor poets, he was, as often, lending his ...”

“... In the 1964 film Robin and the Seven Hoods, when someone compares ‘Robbo’ (Frank Sinatra) to Robin Hood, one of the gangsters asks: ‘Who’s Robin Hood?’ And another replies: ‘Well, he was a hood, some Englishman who lived long ago and had an operation going for him in the forest. And I guess the "robin” means he stole birds ...”

“... McCarthy and facing dissent in his party, he became convinced he wasn’t going to win. Then Robert F. Kennedy, one of three main Democratic contenders (alongside McCarthy and the vice president, Hubert Humphrey), was assassinated, only two months after the murder of Martin Luther King Jr. The former governor of Alabama George Wallace ran a ferocious ...”