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“... did nothing to help Byron’s character; but he could hardly have been Byron without it. Scott astutely thought him ‘a patrician on principle’: the business of being important was crucially important to the business of being Byron. His snobbery was mostly venial. He liked the idea of his mother’s family more than his father’s because of its ...”

“... value out of these few pages, you should also be capable of recognising allusions to Walter Scott’s Kenilworth and to the ‘War Song of Dinas Vawr’, a poem from Thomas Love Peacock’s The Misfortunes of Elphin:     Ednyfed, king of Dyfed, His head was borne before us; His wine and beasts supplied our feasts, And his overthrow, our ...”

“... doctrine definitively trumpeted by Milton and Locke, and knocked into some sort of final shape by John Stuart Mill? Even before you get to today’s remix of the debate, you cannot help noticing two features of it. First, the zealots today are no longer the progressives on the left – liberals, socialists, trade unionists. Instead they are predominantly on ...”

“... gentlemen’s clubs. A cricket club doesn’t sell season tickets, Durham’s commercial director, Scott Sherrard, told me: it sells membership. A member isn’t just a fan, he’s one of us. So it seems unlikely, on the face of it, that England could owe its cricketing success to the strategies of Billy Beane. A cricket club feels very much like an insider ...”

“... opaque dourness enveloping the place. She found a handy prototype in the narrators of Sir Walter Scott’s Waverley novels: honourable if rather dozy young Englishmen such as Rob Roy’s Frank Osbaldistone who undertake perilous expeditions into the wild regions north of the border. These young men turn out to possess a combative streak perfectly calibrated ...”

“... but even more so because its sensational image may encourage false, 20th-century expectations. But John Burrow will not mind. He writes to burst joy’s bubble upon the tongue. A Liberal Descent, like the works of 19th-century historical scholarship that it discusses, is written out of a tradition that respects personality (which is not at all the same thing ...”

“... but which have been familiar to historians since the days of S.R. Gardiner and W.R. Scott. While the incidents do not themselves amount to ‘irrefutable proof’, the author tells us, they do suggest that such incessant attacks ‘alienated’ the city fathers and caused them to enter into an alliance with the Parliamentary leaders. Since the ...”

“... a visionary monologue notionally addressed to a love-object, though her reality is pretty foggy. John Stuart Mill read the poem attentively in preparation for a review which never appeared, although Browning did later get to see his notes and was understandably struck by one of Mill’s sharper comments: ‘The writer seems to me possessed with a more ...”

“... and editors. Other leading figures also do both, including, in this country, Christopher Ricks and John Carey. But most critics in good repute don’t seem to want to edit, and wouldn’t be any good if they tried. The provocative element in McGann’s position for them will be his serious belief in the centrality of the role of the editor. He goes back to the ...”

“... thought I’d been drinking.’ The Amis style, though, doesn’t altogether fit its new context. John Self would gorge himself on emetic burgers but he wouldn’t analyse his own motives for cholesterol abuse, as Miller does: ‘I knew the stuff I was cramming into my body was crap, but I also knew there was something seductive and pleasure-giving about it ...”

“... In the movie, however, it provides the occasion for one of Hollywood’s happy endings, in which John Quincy Adams moves the Supreme Court to a recognition of human rights by eloquently invoking the Declaration of Independence. Unfortunately, this never happened. The justices did, indeed, send the Africans home, but their decision turned on maritime law and ...”

“... and still largely unfashionable case for Victorian ‘restorers’, notably Sir George Gilbert Scott. It emerges that the villains were often the relevant Dean and Chapter, who then told some shocking lies in order to transfer responsibility from themselves to their architects. He very reasonably asks why we should think late medieval restoration ‘a good ...”

“... of convention. That said, the books are hardly subversive. Father is in the Navy, where John and Roger expect to follow him. Mate Susan, caring and cooking, is training herself for middle-class wifehood. Her mother, though reared in the Australian outback, is (unlike Ransome’s remarkable second wife) very content to employ servants. Through Slump ...”

“... to bolster the movie’s plot – the future Tammany Hall boss William M. Tweed, Archbishop John Hughes and the showman P.T. Barnum – are either transported backwards in time or engage in alliances with gangs that defy the actual marginality of these gangs within the class and power structure of the mid-century city. As for Gangs of New York’s ...”

“... men than me have meant less.’ So it’s possible to see how commissioning a Marlowe novel from John Banville, whose agent represents the Chandler estate too, might have struck all the parties involved as an inspired piece of stunt casting. A disciple of Proust, Nabokov and Beckett, an admirer of German Romanticism and 17th-century painting, a reimaginer of ...”