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Different under the Quill

Tom Johnson: On Paper, 12 May 2022

Paper in Medieval England: From Pulp to Fictions 
by Orietta Da Rold.
Cambridge, 270 pp., £75, October 2020, 978 1 108 84057 6
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... at the port of London: a page for every person in England. Most of it was probably low-quality brown paper used as a packing material to protect foodstuffs and ceramics as they juddered along cartways into the city. A small amount, some 3500 sheets, was the ornamental paper used for decorations at feasts and known as papiri depicti (Chaucer refers to ...

The party’s over

Jan-Werner Müller, 22 May 2014

Ruling the Void: The Hollowing of Western Democracy 
by Peter Mair.
Verso, 174 pp., £15, June 2013, 978 1 84467 324 7
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... practice, such talk meant that politicians were trying to cut loose from their own parties. Gordon Brown, when he was chancellor, once dismissed a proposal from the trade unions to restore the link between pensions and average earnings; in the face of overwhelming support for the proposal at the Labour Party Conference, ...

Cardigan Arrest

Robert Potts: Poetry in Punglish, 21 June 2007

Look We Have Coming to Dover! 
by Daljit Nagra.
Faber, 55 pp., £8.99, February 2007, 978 0 571 23122 5
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... been dealt with explicitly by other writers: Douglas Dunn, Tony Harrison, Linton Kwesi Johnson, John Agard, Grace Nichols and Tom Leonard, to name a few. For some, ‘literary art’ is a territory to be attained (Harrison’s ‘we’ll occupy/ your lousy leasehold, poetry’), in others a rule-book to be torn up (Agard’s ‘mugging de Queen’s ...

Fog has no memory

Jonathan Meades: Postwar Colour(lessness), 19 July 2018

The Tiger in the Smoke: Art and Culture in Postwar Britain 
by Lynda Nead.
Yale, 416 pp., £35, October 2017, 978 0 300 21460 4
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... colour’ she assigns to the period – 1945-60 – is a foggy sort of greyish brown. Dickens’s monumental fog in Bleak House is perhaps correctly reckoned by Nead to be metaphorical. She doesn’t state what it’s a metaphor for. Presumably the torpid, sclerotic chaos of Chancery. But the impasto fog and smog (a coinage not made till ...

Superior Persons

E.S. Turner, 6 February 1986

Travels with a Superior Person 
by Lord Curzon, edited by Peter King.
Sidgwick, 191 pp., £12.95, October 1985, 0 283 99294 8
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The Ladies of Castlebrae 
by A. Whigham Price.
Alan Sutton, 242 pp., £10.95, October 1985, 0 86299 228 1
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Lizzie: A Victorian Lady’s Amazon Adventure 
by Tony Morrison, Anne Brown and Ann Rose.
BBC, 160 pp., £9.95, November 1985, 0 563 20424 9
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Miss Fane in India 
by [author], edited by John Pemble.
Alan Sutton, 246 pp., £10.95, October 1985, 0 86299 240 0
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Explorers Extraordinary 
by John Keay.
Murray/BBC Publications, 195 pp., £10.95, November 1985, 0 7195 4249 9
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A Visit to Germany, Italy and Malta 1840-41 
by Hans Christian Andersen, translated by Grace Thornton.
Peter Owen, 182 pp., £12.50, October 1985, 0 7206 0636 5
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The Irish Sketch-Book 1842 
by William Makepeace Thackeray.
Blackstaff, 368 pp., £9.95, December 1985, 0 85640 340 7
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Mr Rowlandson’s England 
by Robert Southey, edited by John Steel.
Antique Collectors’ Club, 202 pp., £14.95, November 1985, 0 907462 77 4
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... whether to introduce ‘some bursts of fine writing’, an indulgence best left to Viceroys. John Keay, the drily witty author of Travellers Extraordinary (and, earlier, Eccentric Travellers), comes as a timely model of concision. His heroes are the coxcombs and humbugs of travel, or pretended travel. The best-known is Louis de Rougemont, alias Henry ...

Let’s consider Kate

John Lanchester: Can we tame the banks?, 18 July 2013

... argue back, convincingly and at length, that it isn’t. Their reasoning has influenced the Brown-Vitter bill, put before the US Senate in April, which seeks to mandate an equity level of 15 per cent for banks with assets of more than $500 billion. At the same time, the Federal Reserve and Federal Deposit Insurance Corporation (which has a keen interest ...

How Molly Bloom Got Her Apostrophes

Lawrence Rainey, 19 June 1997

Ulysses 
by James Joyce, edited by Danis Rose.
Picador, 739 pp., £20, June 1997, 0 330 35229 6
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... Dignam wasn’t buried, there to re-stage the same funeral, which never took place. A man in a brown mackintosh will lurk in the background. And in Toronto, two hundred or so will stroll along the shore of Lake Ontario, but refer to it as Sandy-mount, then walk to a series of other sites within the city, each renamed after a locality in Dublin – all in ...

Diary

W.G. Runciman: You had better look out, 10 December 1998

... cheer to the rafters each time Germany scored a goal. 8 June. Spot the typo, spare the blush. John Vincent writes from the University of Bristol: ‘In your memorable diaries you quote Disraeli’s view of May 1881, a month after his death. Would that other historians had access to such primary sources!’ 14 June. Alan Bennett’s letter to the LRB about ...

Amigos

Christopher Ricks, 2 August 1984

The Faber Book of Parodies 
edited by Simon Brett.
Faber, 383 pp., £8.95, May 1984, 0 571 13125 5
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Lilibet: An Account in Verse of the Early Years of the Queen until the Time of her Accession 
by Her Majesty.
Blond and Briggs, 95 pp., £6.95, May 1984, 0 85634 157 6
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... Douglas Adams (hitchhiking through a galaxy of fading stars), Woody Allen, Kingsley Amis, Anon, John Aubrey, Auden and Ayckbourn. An Auden parody is called ‘Self-Congratulatory Ode ...’, but it is the purr of mutual congratulation which is deafening. ‘Parody is frequently welcomed by its victims, who recognise it as a compliment, however ...

Short Cuts

Mary Wellesley: Making Parchment, 30 August 2018

... thrown over a wooden stump with a wet thwack. It lay hair-side up, liquid dripping from its curled brown ends. The stump is a smooth-topped wooden block, which comes to just below chest height. Once there, the hair (known as the nap) is removed with a long, curved knife (called a scudder) which has wooden handles at both ends. I had a go at this and the hair ...

At the Royal Academy

James Cahill: Dalí and Duchamp, 14 December 2017

... in the 1960s and 1970s. When visiting Duchamp on holiday in Cadaqués, Richard Hamilton and John Cage would try to avoid having to meet Dalí, whose villa was close by, and their hauteur is still felt by art historians and curators: Dalí was marginalised at the Hayward Gallery’s Undercover Surrealism exhibition in 2006, and at Tate Modern’s ...

In Russell Square

Peter Campbell: Exploring Bloomsbury, 30 November 2006

... of Oriental and African Studies, a neatly lettered stone plaque attached to a nicely detailed brown brick wall reads: THE UNIVERSITY OF LONDON HEREBY RECORDS ITS SINCERE APOLOGIES THAT THE PLANS OF THIS BUILDING WERE SETTLED WITHOUT DUE CONSULTATION WITH THE RUSSELL FAMILY AND THEIR TRUSTEES AND THEREFORE WITHOUT THEIR APPROVAL OF ITS DESIGN Directly ...

Hot Air

Nicholas Penny: Robert Hughes, 7 June 2007

Things I Didn’t Know: A Memoir 
by Robert Hughes.
Harvill, 395 pp., £25, September 2006, 1 84655 014 9
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... the book becomes an entertaining scrapbook of portraits. We meet the television actress Noeline Brown, who was Hughes’s lover when he was beginning to gain some notice in Sydney as a critic, cartoonist and painter. She ‘looked and sounded rather like the young Marlene Dietrich’, but, no, she was better looking, and Dietrich herself ‘appealed mainly ...

Boys in Motion

Nicholas Penny, 23 January 2020

... the cloth had stiffened it was moved to the right light and a painting of it made in black or dark brown and white pigment on fine linen. Beautiful examples of this type of picture, with remarkable effects of relief, can be convincingly associated with sculptures by Verrocchio and with paintings by two of his pupils, Lorenzo di Credi and Leonardo. (The ...

At Tate Britain

David Craig: Mountain Art, 25 April 2002

... in the rock-leaved Bible of geology’. Those were the words of the pioneering geologist John Wesley Powell, who led the first expedition through the Grand Canyon in 1873. Thomas Moran, an experienced painter from Philadelphia, travelled with Powell, and had been to Wyoming and Montana with the US Geological and Geographical Survey two years ...

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