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“... of caviar are available all year round.‘People are gaining more confidence in sushi,’ said Peter Morrison, Manager, Trading Division. ‘We have joined forces with very credible traders such as Yo! Sushi and we aim to educate customers by bringing them here.’ Alison handed me a cup of liquid grass from the fresh juice bar, Crussh. There was something ...”

“... has now become ‘our gardenia’, a look which situates us ‘in the same relationship to that white blossom of tactile paint as the soda jerk’ who savours the perfume while we ‘inhale the atmosphere’. ‘When I was eight years old,’ Hickey writes, ‘Johnny Mercer was teaching me how to listen, and Norman Rockwell was teaching me how to ...”

“... light on the issue of whether ameliorism worked. Did the experts do any good? Charles Madge and Peter Willmott compare Inner-City Poverty in Paris and London, Peter Hall edits an SSRC Working Party’s Reports on The Inner City in Context, Michael Harloe, in New Perspectives in Urban Change and Conflict, edits papers ...”

“... a young couple at a cocktail party – the boy in ‘an army fatigue jacket’ and the girl in a white leather suit – to the old woman from whom she tries to buy an omelette pan, treat her with such awful condescension? These are not comfortable questions, and Desperate Characters is not a comfortable book. It is, however, both unsparing and tender in its ...”

“... There is undoubtedly a gap in the market.  The Telegraph reports that I claimed for a black and white TV licence, the subject of much amusement among my colleagues. Today’s tabloids are particularly vicious. Not for them magnanimity in victory. ‘Arise Lord Gorbals’, the front page of the Mail sneers over a story focusing on the size of the Speaker’s ...”

“... topical image of the RAF roundel’. It’s a patriotic emblem, especially when viewed in the red, white and blue of Technicolor, but the Archers was notable for its use of Pressburger’s fellow exiles: the German Alfred Junge, whom Powell called ‘the greatest art director that films have ever known’; the Polish composer Allan Gray (whose real name was ...”

“... landscape at the mouth of the Thames Estuary. I should be out there now. I have been brooding on Peter Ackroyd’s notion that the Thames is a river like the Ganges or the Jordan, a place of pilgrimage, a source of spiritual renewal. ‘The river itself becomes a tremulous deity,’ he asserts. I carried Ackroyd’s epic, Thames: Sacred River, as I made a ...”

“... in the land of Catita, where Jackanapes flies with his tail in his mouth, to seek out a lady as white as snow and as red as blood?’ Jack is dead. The character who speaks to Eumenides here, and asks to be taken into his service, is the grateful ghost of a poor man for whose burial Eumenides, although a stranger and mere passer-by, had earlier and ...”

“... hubbub ... The Hunter-Indian; Moors Malays, Lascars, the Tartar, the Chinese And Negro Ladies in white muslin Gowns. By the 19th century, however, little mention was made of black people in the London press. Many had run away from their masters to lead anonymous, fugitive lives. Some died of poverty or went to sea; some were transported to America or, more ...”

“... Then in Leviathan, published some years later, Auster uses the same initials for the narrator, Peter Aaron; and anagrammatic sleight of hand (Delia/Lydia, Iris/Siri: Auster’s real-life loves past and present) further blurs the boundaries between his facts and his fictions. So one approaches his openly autobiographical Hand to Mouth with ...”

“... contributions from Jane Ohlmeyer on Ireland and Scotland as ‘laboratories of Empire’, and from Peter Mancall on the troubled relationship between Europeans and Native Americans in the 16th and 17th centuries. The second volume, concerned principally with slavery and the American Revolution, has a sparkling chapter on Native Americans by Daniel Richter, and ...”

“... some exquisite piece of classical statuary, her features sharply chiselled, her skin alabaster white, her raven-dark hair swept chastely back, demure yet enigmatic.’ You’d know from this book that Romantic writers had one hell of a time, but you wouldn’t guess at the depth of their intelligence and ...”

“... getting under the feet of Darmon the historian. The moralist sees everything in black and white (mainly black). He praises occasional ‘liberal’ attitudes but condemns what he calls – in defiance of his own chronology – ‘iniquitous Medieval severity’. Among his favourite adjectives, or his translator’s (but the difference between the ...”

“... linear discipline of Josef Hoffmann, obsessed as he was with rectangles, parallels and black and white contrasts, and the linguistic puritanism of Wittgenstein and Karl Kraus. All were against metaphysics, against ambiguity, against sloppiness, against cliché; and, like Mahler at the opera, against routine. Courage failed the organisers in the sections on ...”

“... retreat: a. No more champagne is to be bought. Unless special directions are given, only the white or red wine, or whisky and soda will be offered at luncheon, or dinner. The Wine Book to be shown to me every week. No more port is to be opened without special instructions. b. Cigars must be reduced to four a day. None should be put on the table; but ...”