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“... Come-On’ and ‘Remembering Lunch’. ‘The Come-On’ takes its epigraph from Camus: ‘The king’s son who kept watch over the gates of the garden in which I wanted to live’. It does not take the class war quite seriously, and that makes it the more effectively disconcerting. Can I become the king’s son? But ...”

“... the filling more than makes up for it. The chapters on ‘honest’ in Othello and ‘fool’ in King Lear are exemplary studies of how words can express and generate social turmoil, and remain among the best essays ever written on Shakespeare. The reason they’re so good is that they show how each word could be used not just with a range of senses, but ...”

“... This is in many ways the full-dress portrait of the young man so brilliantly sketched by Christopher Hampton in Total Eclipse. The exotic otherness of Rimbaud to his Anglo-Saxon readers is indissociable from myths about French Revolutionary violence, the Paris Commune, Continental sexual mores, French art, French bohemianism, Parisian chic and ...”

“... serious but highly readable, were reappearing as Ash wrote: Rosalind Mitchison, T.C. Smout and Christopher Harvie were among the most successful authors. They wrote mostly narrative or social history, revealing unknown territory to generations who had learned almost nothing of Scotland’s past at school. Now, though, the fashion is more reflexive. Tom ...”

“... produced the trash, a lurid account written by the former British MI6 intelligence agent Christopher Steele, based on hearsay purchased from anonymous Russian sources. Amid prostitutes and golden showers, a story emerged: the Russian government had been blackmailing and bribing Donald Trump for years, on the assumption that he would become president ...”

“... I left the village where I’d spent the night, the village where, in the ninth century, a famous king had beaten the army of a northern warlord. I climbed a steep path to a high plateau and walked along dusty tracks. There was gunfire in the distance. In the early afternoon I rested on a hilltop, on the ramparts of ancient fortifications whose shape was ...”

“... by specific occasion or active collaboration to have known Shakespeare personally, which relegates Christopher Marlowe to a glowering presence on the sidelines, and also excludes that engaging gadfly Thomas Nashe, though both had a decisive stylistic influence on Shakespeare in the 1590s, and both must surely have known him. I would also have liked more about ...”

“... animation. But Olamina dies before the starships actually take off. The first is called the Christopher Columbus, in spite of her objections. ‘This ship is not about a shortcut to riches and empire. It’s not about snatching up slaves and gold and presenting them to some European monarch. But one can’t win every battle. One must know which battles ...”

“... of us have to live by. Not Canetti’s great masters, however. Shakespeare may not have wept over King Lear, may indeed have written the play in a passion of relish, but he suffered: the play is a correlative of his total capacity to suffer. That is perhaps self-evident and tautologous. In a climate of pseudo-scientific structuralism, a bloodlessly ...”

“... in North Sea grey, brooding like a Calvinist’s conscience over the city that started off as King George’s Gulag and still struggles to shake off the mighty influence of a minor archipelago on the other side of the world. A glance tells you more than you want to know about Our Bridge. It’s a solid job; it almost bankrupted its British ...”

“... in a sermon, learned, lucid, by no means arcane, one of his finest things, which was delivered in King’s College Chapel on 11 May 1986. The passage reads: God’s silent searching flight, When my Lord’s head is fill’d with dew, and all His locks are wet with the clear drops of night; His still, soft call; His knocking-time; the soul’s dumb ...”

“... had more or less impermeable walls and its contents were more or less homogeneous. Christopher Hann, discussing what he called the ‘Malinowski period’ of early field anthropology, in Social Anthropology (one of the volumes in the Teach Yourself series), underlined the emphasis laid by Malinowski and his disciples and students on the ...”

“... with an extraordinary feat of imagination. The utterances of Uriel and Madimi, of El and Il and King Carmara and scores of other spirits, are not voicings from the spirit-world, but improvised dramatic monologues performed by Kelley. Most of it is high-sounding esoteric flannel, but often the words have a strange rolling beauty: ‘I will hold up his house ...”

“... boys; both Jewish; both were ladled with mother-love as sons, Mailer fussed over as ‘the little king’ and Podhoretz doted on by the women in his family as destiny’s darling, cooing over ‘the blue of my eyes, at the thick curliness of my hair, at the streak of grey on its side (proof, they said, echoing an ancient superstition, that I was among the ...”

“... I decided to write a long novel. And heard in the churchyard a biblical echo. “In the year that King Uzziah died I saw also the Lord …”’ If her lines are unusually memorable, it is because they scan: first the sea, then the Bible, then the whole of English literature.It was the weight of influence that sat so heavily on the Leavis generation. A ...”