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“... Eastwood’s relations with his orang-utang co-star; and his excursions into biography, Bird and White Hunter, Black Heart, are brave if lumbering. But what makes and keeps him a star, as actor and director, is a certain intimacy with screen violence, or with ways of representing violence. His Westerns and his cop movies are what continue to matter, and they ...”

“... some money, so does not share Lawrence’s family background. Like the gamekeeper Annable in The White Peacock, Noon has been to Cambridge and done well, but has chosen not to go on with an academic career or a life as a déclassé intellectual. Yet he is out of place, working at home. Like Aaron Sisson in Aaron’s Rod, he has a musical gift; unlike ...”

“... As I ate them, I thought of opossums and birds, and the antique Japanese prints in black and white, in which monkeys are eating persimmons in bare trees.’ To his young Cuban poet friend José Rodríguez Feo, for whom, admittedly, he played down the Puritan, he seemed not quite American (or at least not your average norteamericano): ‘To the ...”

“... sees, implying the view of everyone else: In the middle of the stage sat girls in red bodices and white skirts. One, very fat, in a white silk dress, sat apart on a low stool with a piece of green cardboard glued to the back of it. They were all singing something. When they finished their song, the girl in ...”

“... challenged more strongly. The moral reversal – natives behaving properly while being betrayed by white men who violated their own codes of the sea – impressed the inquiry and, no doubt, the devourers of the now fast travelling news between Aden and London and Singapore. This was the scandal that inspired Conrad, who had landed in Singapore in 1883 after ...”

“... limited to a small but dedicated following among writers such as Richard Ford, Stewart O’Nan and Michael Chabon. This came ten years too late for Yates, who died of emphysema and complications following minor surgery in 1992. His fiction is closely modelled on his own experiences and, perhaps unsurprisingly, it is a miserable place. The Easter Parade ...”

“... more bleakly precise about the needs and wants that draw the fugitive and lonely together – a white girl and black boy in ‘Black Boy’, an overlooked wife and an inventive, operatic Baron in ‘Friend of the Family’. ‘Keep your pity,’ warns the title of a grotesque story of misplaced charity towards a vicious elderly couple. The majority of these ...”

“... Horace and Ovid threw down the gauntlet to oblivion: come and get me if you can. Paul Farley and Michael Symmons Roberts are poets and professors of poetry, and the authors of a previous collaboration, Edgelands, which took as its subject the dejected spaces that buffer suburban developments, industrial parks, highways and airports. They have now teamed up ...”

“... recall these years through veils of mist and shades of grey, conjuring images of black and white photography or newsreel.’ Do they? People, I suspect, have been so often told that this was the palette attached to that decade and a half that they unquestioningly accept it. It is an old chromatic cliché. Edward VI’s coat of arms is twice displayed ...”

“... denigrated A Walk on the Wild Side, he was brought near to suicide by the reviews. Always drawn to white male redemption through black love, Algren had originally called Golden Arm by the title Beauvoir used in their correspondence, ‘The Dealer and the High Yellow’. He had succumbed to the publisher’s pressure and made the prostitute Molly-O a ...”

“... shared a building with National Lampoon. Kincaid struck up a conversation with one of its writers, Michael O’Donoghue, who suggested she meet his friend George Trow, a staff writer at the New Yorker. Trow organised a lunch with Kincaid and William Shawn, then editor of the New Yorker, at the Algonquin. Kincaid ordered the most expensive item on the menu ...”

“... she was sent, as if to complete the gothic theme, to the same awful convent school that Antonia White attended and wrote about in Frost in May. Vicious nuns, a minimal education for middle-class marriage and – something, at least – a powerful enemy to kick against. As an adult she would spit on the street if she saw nuns. Earlier, she had a more ...”

“... 95 picketers were charged with riot, which at the time carried a life sentence. At their trial, Michael Mansfield’s cross-examination of the assistant chief constable of South Yorkshire, Anthony Clement, revealed the existence of the Public Order Manual. The judge ordered some pages to be released, containing ‘questionable tactics, involving the use of ...”

“... class that had given way to an Irish American bootlegging dynasty and affiliated ethnic pols like Michael Dukakis and Paul Tsongas. Romney lived in a mansion in Belmont, a town between Cambridge and Walden Pond with nothing but mansions; in the era of NWA I recall another boy being teased for being ‘straight outta Belmont’. In our imaginations, it was the ...”

“... qu’instable’. He is describing homosexuals, whom he calls ‘inverts’, and to Edmund White’s analysis of this passage in The Proust Project – White sees Proust’s writing on homosexuality as both ‘venomous’ in certain of its assumptions and productive in the sheer array of its contradictions – we ...”