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“... McEwan, I tried to call you on the radio telephone, when our old flatmate, John Webb, fell overboard in a gale off the coast of Long Island a few years ago and was nearly swept south to Bermuda. But the old Oxford number had been disconnected, and your publisher told me that you were ‘indisputably a hugely important literary phenomenon’ and not taking any calls ...”

“... not only because he worked hard at them, but also because he listened to advice, especially from John Gardner but also, more remotely, from Hemingway, Chekhov and V.S. Pritchett. One of the things he learned was the need for arduous revision, draft after draft. Another lesson was that the writer needs to trust the tale. ...”

“... the politics of their respective authors: R.H. Tawney and Christopher Hill on the political left, Lawrence Stone in the Whig centre, and Hugh Trevor-Roper on the right. They were comfortable corroborating their own political predilection with sophisticated historical exposition and, it seems, happy for their opponents to do the same. All agreed on the ...”

“... Alfred the Great (who earns the mysterious plaudit that ‘there was something about him of T.E. Lawrence’) gets credit for proscribing as treason any plot against the life of a feudal superior, and Henry VII for backdating his reign to the day before the Battle of Bosworth, making a traitor of anyone who fought for Richard III. There followed, in ...”

“... obsession with masculinity from James Fenimore Cooper through Owen Wister, Zane Grey and John Ford to Sergio Leone and Sam Peckinpah. His subject is the well-known tautology that a man’s gotta do what a man’s gotta do. For Mitchell, the Western novel is essentially theatrical – a stage on which male identity is enacted, as well as a form of ...”

“... books published to mark the opening of the new galleries supports this view of Turner’s genius. John Gage ends his introduction with a remark made by Lawrence Gowing in 1966: ‘It is not certain that we are yet prepared to see Turner whole.’ Gage reckons it is time to renew the attempt. He uses another quotation from ...”

“... it, producing not only Rockwell, Guest and the Saturday Evening Post but also Georges Simenon, John Steinbeck and the New Yorker (‘high-class kitsch for the luxury trade’). With kitsch running wild, like the capitalism which propelled it, authenticity needed defending. For nearly fifty years, Greenberg shouldered the task, separating good art from bad ...”

“... excoriated by Yeats. O’Malley tells his story in cadences influenced by the early Joyce, D.H. Lawrence and American writer friends like Hart Crane, but with a dry assurance all his own. The heroics come through all the more powerfully in his highly-polished but economical style. The supreme example can be found in the closing paragraph of the book. It is ...”

“... come hell or high water, let our distinctive British identity be lost in a federal Europe.’ John Major’s ringing assurance to last year’s Conservative Party Conference is part of a long tradition whereby Britishness has been defined primarily by reference to a real or an imaginary Other. Understandably so, since defining this entity in its own terms ...”

“... When John le Carré published A Perfect Spy in 1986, Philip Roth, then spending a lot of time in London, called it ‘the best English novel since the war’. Not being such a fan of A Perfect Spy, I’ve occasionally wondered what Roth’s generous blurb says about the postwar English novel. As a le Carré bore, however, I’ve also wondered how Roth managed to overlook Tinker Tailor Soldier Spy (1974), the central novel in le Carré’s career, in which George Smiley – an outwardly diffident ex-spook with a strenuously unfaithful wife and an interest in 17th-century German literature – comes out of retirement to identify the turncoat in a secret service that’s explicitly presented as a metaphorical ‘vision of the British establishment at play ...”

“... work off their private frustrations and seek new identities. (Like his most ardent disciple, T.E. Lawrence, Blunt may well have been conceived out of wedlock.) The net effect was far from innocuous. The myth that the ‘English knew the Arabs as no one else did’ made it easier for the British to take over large portions of the old Ottoman Empire after the ...”

“... Lover’, ‘Hill of the Bees’, ‘A Myth Enacted’, ‘Slow Bell from the High Hill’, ‘John Hunter’s Canal’, ‘The Lawn of Trees and Rocks’, ‘Quelle Histoire’, and (an unusual exertion of sympathy) ‘Dulled Son of Man’. In a poem to Ivor Gurney, Grigson, who can sometimes be magnanimous to the dead, hails Gurney as a poet of ...”

“... Octagon Theatre. One chain of events focuses on the Deputy Chief Constable of Manchester, Mr John Stalker, who was recently suspended for three months during an internal disciplinary investigation and subsequently reinstated by the lay Police Authority, despite the evident willingness of his senior colleagues to have him face a tribunal. The other ...”

“... the legs of a stool. That is why we find in his writing a tendency visible in Dickens, Chekhov, Lawrence, and Henry Green’s Loving: his own metaphors get very close, in style, to the speech of his least lettered characters, who in turn often use images that Hardy himself might have polished up a bit and used in his descriptive prose: ‘I were as dry as a ...”

“... the French in 1759, General Wolfe read Gray’s Elegy aloud to his officers as they crossed the St Lawrence River. ‘I would rather have been the author of that piece than beat the French tomorrow,’ he is supposed to have said. Presumably his men didn’t suddenly start to worry that they were being led into combat by some absurd literary ...”