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“... that I could need £100. I’d go down there and he still wouldn’t pay me, and yet he’d have a white Rolls Royce with a chauffeur sitting outside waiting to take him wherever he wanted to go. But who says he paid the chauffeur? Not settling debts is hardly unheard of in Old Etonians. But Robert was a first-generation Etonian, and might conceivably have ...”

“... appearing as a peevish young icon slouched on a chair with a moody, come-hither expression, a pure white cat on his lap and his bare feet submerged in the pile of a white rug in Mr and Mrs Clark and Percy, the portrait by David Hockney that aspired to Gainsborough as a take on the aristocracy of London, c.1971, but owed more ...”

“... as a form of philosophical discourse but from the idea (best exemplified in the work of Hayden White) that as a story, or something contrived, history is not all that different from stories which make no claim to ‘truth’. ‘Dear reader,’ he wrote in a typically self-conscious style (and here I paraphrase), the story I am about to tell differs from ...”

“... sent the young author a three-page analysis of The Jungle and an invitation to visit him at the White House for further discussion. These events led directly to the passing of the Federal Meat Inspection Act and the Pure Food and Drug Act (although not, to Sinclair’s chagrin, to the drafting of new legislation promoting workers’ rights. ‘I aimed for ...”

“... was made from the Quarry Wood wall. Sure enough, another slide showed the boulders chipped bone-white and crushed into a foundation. Growing up in Cults, I felt the presence of this past – walls, cairns, excavations – almost like the imprint of flagstones under linoleum. As Shepherd put it in The Quarry Wood, ‘the stones summed up existence.’ My ...”

“... performance, the long-breath rant with its doomsday imagery, its wild repetitions in the mode of Christopher Smart’s Jubilate Agno, persuaded Ferlinghetti to send a telegram paraphrasing the note from Emerson to Whitman from the appendix to Leaves of Grass. ‘I GREET YOU AT THE BEGINNING OF A GREAT CAREER. WHEN DO I GET MANUSCrIPT OF “HOWL”?’ Howl ...”

“... it in January, it was overrun by brambles; much of its balustrading had been kicked away; its four white marble columns had long since been heaved off (the nearby railway line their likely destination); and the temporary metal fence surrounding it was more of an eyesore than a protection. Soane designed the monument in 1816, originally as a memorial to his ...”

“... displays from its stone amphitheatre. There were also beauty contests, with girls in bikinis and white stilettos parading in front of men in suits and their wives in fake pearls and cat eye sunglasses.At night, the bustle switched to the town centre. The Picture House, known as the bug hut, was built in the silver screen rush of the 1920s and offered cheap ...”

“... Marilyn Butler’s Romantics, Rebels and Reactionaries, reviewed in the LRB (Vol. 3, No 21) by Christopher Ricks; and Thomas McFarland’s marvellously over-the-top Romanticism and the Forms of Ruin, which also appeared in 1981. (One might commend, en passant, the Princeton University Press as a place where inventive, wordy studies in Romantic ideas ...”

“... the gnawing anxiety about his standing one has to remember that he began as the whitest of British white hopes. Being the youngest undergraduate at Oxford for centuries (though he did not stay the course) was less significant than creating the score for the Sitwellian Façade at 19. It would take several decades for this masterpiece to achieve its final form ...”

“... He is wearing the same literary-critical uniform too: the baggy jacket and the wide-collared white shirt, open to the sternum. He holds a book, closed around his index finger, which is still marking the place. It is as if he has agreed to stop reading for just a moment, so that the photo can be taken. He stares straight at the camera and his expression ...”

“... flatness. Reports from Europe were bound to dismay people with sensitivity to suffering. Young Christopher Mayhew, scion of a country-house family, former President of the Oxford Union, but soon to be a Labour MP, had reached Germany as a soldier in March. His father, Sir Basil, vice-chairman of Colman of Norwich, didn’t like what his son wrote home ...”

“... in the publication, nearly a century on, of Faber’s two all-comprehending new tomes, edited by Christopher Ricks and Jim McCue. The editors promise to ‘elucidate the difficulties’ of Eliot’s work by tracing every possible verbal overlap between the words used in his poems and the words used by other writers, both famous and obscure, in texts that ...”

“... Green told his interviewer that ‘the writer must be disengaged’, and enjoyed pointing out that Christopher Isherwood, who called Living ‘the best proletarian novel ever written’, had never worked in a factory himself. Pontifex’s own employees, having rumbled the fact that Yorke and Green were the same, weren’t so impressed. ‘I read your ...”

“... contemporary designer ‘signed’ as many cityscapes as Norman Foster? Perhaps no architect since Christopher Wren has affected the London skyline so dramatically, from the Swiss Re ‘gherkin’ to the new Wembley Stadium arch. Foster has a right to be immodest, and the Catalogue of his work is punctuated with adjectives like ‘first’ and ...”