‘I’m going to slash it!’

John Sturrock, 20 February 1997

Oeuvres complètes 
by Nathalie Sarraute, edited by Jean-Yves Tadié.
Gallimard, 2128 pp., £52.05, October 1996, 2 07 011434 1
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“... only other living French novelist I would compare with her as a source of intelligent pleasure, Robert Pinget.) She went about literature slowly once she had taken to it. Tropisms, her first book, was not published until 1939, seven years after she began writing it. It is a sparse but mordant collection of short scenes of social exchange whose ordinariness ...”

Diary

Conor Gearty: On Michael Collins, 28 November 1996

“... in Michael Collins. None matters much to me nor, it seems, have any mattered to the Irish public. Robert Kee put it well when he wrote that the film’s intentions were honest and its central themes ‘historically wholly acceptable’. Not for the first time, however, Kee is in a minority position. The film’s historical compression has been transformed by ...”

Putting Down the Rising

John Barrell, 22 February 1996

The Collected Works of James Hogg. Vol. I: The Shepherd’s Calendar 
edited by Douglas Mack.
Edinburgh, 287 pp., £29.50, July 1995, 9780748604746
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Collected Works of James Hogg. Vol. II: The Three Perils of Woman 
edited by David Groves, Antony Hasler and Douglas Mack.
Edinburgh, 466 pp., £32.50, July 1995, 9780748604746
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Collected Works of James Hogg. Vol. III: A Queer Book 
edited by P.D. Garside.
Edinburgh, 278 pp., £29.50, July 1995, 0 7486 0506 1
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“... number of Hogg’s other novels and stories, including the most famous of all. The first victim of Robert Wringhim the justified sinner, and his diabolical shadow Gil-Martin, is a minister who sits up when shot; and when Wringhim’s own body comes to be buried, it has stiffened into a sitting posture, so that one of the burial party, in a passage expunged in ...”

Most people think birds just go pi-pi-pi

James Fletcher, 4 April 1996

The Messiaen Companion 
edited by Peter Hill.
Faber, 581 pp., £40, March 1995, 0 571 17033 1
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Olivier Messiaen: Music and Colour. Conversations with Claude Samuel 
translated by Thomas Glasow.
Amadeus, 296 pp., $29.95, May 1994, 0 931340 67 5
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“... to Gillian Weir, in the tone of voice in which a gourmet deplores the popularity of hamburgers. Robert Sherlaw Johnson’s essay discusses the gradual development of bird-song in the music, from its recognisable but unambitious beginnings in the Quatuor to its final explosion in the sermon to the birds in Saint François. He shows how Messiaen fitted the ...”

Cloud Cover

Adam Phillips, 16 October 1997

Night Train 
by Martin Amis.
Cape, 149 pp., £10.99, October 1997, 0 224 05018 4
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“... of a very interesting set of lectures: on cosmology, on TV, on the law, and above all on suicide. Robert Stoller suggested that the question the psychiatrist should ask of the trans-sexual is not, ‘Why you?’ but: ‘Why not me?’ Night Train is so accurately disturbing that it makes one ask the same question about suicide. And yet the most remarkable ...”

Diary

David Craig: In the Barra Isles, 30 October 1997

“... of sand. John MacLean, in whose kitchen-room bannocks cooking on the fire had been photographed by Robert Adam in 1905; his three children, Catherine, Mary and Allan, barefoot outside the little window; Donald MacKinnon, who made eight spinning-wheels out of oak driftwood in 1859: they lived here, between the silverweed pasture and the sea-strand of ground ...”

A Traveller in Residence

Mary Hawthorne, 13 November 1997

“... four children, on 6 January 1916, three months before the Easter Rebellion, in which her father, Robert Brennan, served as a commandant in the Irish Volunteers. Following the surrender ordered by Pearse, he was sentenced first to death and then to penal servitude for life but was released soon after and went on to organise the Department of External Affairs ...”

In the Chair

Edward Said, 17 July 1997

Glenn Gould: The Ecstasy and the Tragedy of Genius 
by Peter Ostwald.
Norton, 368 pp., $29.95, May 1997, 0 393 04077 1
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When the Music Stops: Managers, Maestros and the Corporate Murder of Classical Music 
by Norman Lebrecht.
Simon and Schuster, 400 pp., £7.99, July 1997, 0 671 01025 5
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“... is by the psychiatrist Peter Ostwald, the author of interesting psycho-biographies of Nijinsky and Robert Schumann; a good amateur violinist, and a friend of the pianist, Ostwald died of cancer before his book was published, but was apparently able to finish his manuscript despite the travails of his final weeks. Ostwald’s is the first study that tries not ...”

Higher Man

John Sutherland, 22 May 1997

The Turner Diaries 
by ‘Andrew Macdonald’.
National Vauguard Books, 211 pp., $12.95, May 1978, 0 937944 02 5
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“... 1985. At this point the novel received a huge boost. An Aryan Nation group under the leadership of Robert (‘Bob’) Jay Matthews embarked on a series of terrorist actions against what they called ZOG, the Zionist Occupation Government, culminating, in June 1984, in the assassination of the Denver talk-show host, Alan Berg (‘a pushy Jew’). Matthews had ...”

The Grin without the Cat

David Sylvester: Jackson Pollock at the Tate, 1 April 1999

Jackson Pollock 
by Kirk Varnedoe and Pepe Karmel.
Tate Gallery, 336 pp., £50, March 1999, 1 85437 275 0
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Interpreting Pollock 
by Jeremy Lewison.
Tate Gallery, 84 pp., £9.99, March 1999, 1 85437 289 0
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“... which alters once and for all the common perception of an area in the field. One such case was Robert Rosenblum’s essay, ‘The Abstract Sublime’, published in 1961. Its conclusion was that, ‘in its heroic search for a private myth to embody the sublime power of the supernatural, the art of Still, Rothko, Pollock and Newman should remind us that the ...”

Delivering the Leadership

Nick Cohen: Get Mandy, 4 March 1999

Mandy: The Authorised Biography of Peter Mandelson 
by Paul Routledge.
Simon and Schuster, 302 pp., £17.99, January 1999, 9780684851754
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“... the Treasury after New Labour’s victory. Robinson’s fortune had been inflated by dealings with Robert Maxwell, the Channel Island tax havens and a legacy from a satirically named Madame Bourgeois, a Belgian heiress. He had no political base in the Commons and may have felt it politic to bankroll Blair’s closest ally. Mandelson did not declare his ...”

From Soixante-Huit to Soixante-Neuf

Glen Newey: Slack-Sphinctered Pachyderm, 29 April 1999

Collected Papers: Technology, War and Fascism 
by Herbert Marcuse, edited by Douglas Kellner.
Routledge, 278 pp., £25, March 1998, 0 415 13780 2
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The Contract of Mutual Indifference: Political Philosophy after the Holocaust 
by Norman Geras.
Verso, 181 pp., £15, June 1998, 1 85984 868 0
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“... LaRouche, the real ‘existentialist’ honchos on the boardwalk aren’t Adorno or Arendt, but Robert McNamara and the Kilgorean figure of William Westmoreland. This volume bears little sign of the bourgeois deviationism to which Marcuse fell prey in the Forties, though it may be coming in one of the promised sequels. These were, after all, the years when ...”

Red makes wrong

Mark Ford: Harry Mathews, 20 March 2003

The Human Country: New and Collected Stories 
by Harry Mathews.
Dalkey Archive, 186 pp., £10.99, October 2002, 1 56478 321 9
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The Case of the Persevering Maltese: Collected Essays 
by Harry Mathews.
Dalkey Archive, 290 pp., £10.99, April 2003, 1 56478 288 3
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“... for Europe. For a while they lived in Deyá, Mallorca, where Mathews came under the influence of Robert Graves, whose The White Goddess lurks behind some of the arcane mystic lore that turns up in the plot of his first novel, The Conversions (1962). A much greater influence on his early fiction, however, was Raymond Roussel, to whose work he was introduced ...”

Always on Top

Edward Said: From Birmingham to Jamaica, 20 March 2003

Civilising Subjects: Metropole and Colony in the English Imagination 1830-67 
by Catherine Hall.
Polity, 556 pp., £60, April 2002, 0 7456 1820 0
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“... handles polarities of ideology and thought – between appalling racists, such as Carlyle and Robert Knox, and enlightened liberals, such as Mill and James Mursell Phillippo – but also manages to connect these bodies of thought to the changing circumstances of location, climate, daily life and general social history. Partly because the reader has been ...”

Karel Reisz Remembered

LRB Contributors, 12 December 2002

“... the camera), and because it showed to the full Karel Reisz’s sympathy for people who, in Robert Musil’s words, go out on an adventure and lose their way. This was a key element in all his films, whether they were set in Nottingham, London or Las Vegas. I think especially of the confused and manic Morgan in the film of that name, and of the driven ...”