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“... the English faculty’s lecture list for Trinity term 1996, I find that the Professor of Poetry, James Fenton, will give a lecture on 9 May entitled Eliot v. Julius. It would be improper of me to anticipate Fenton’s approach to Anthony Julius’s compelling study, but I would hope that he will not see fit to mount another repudiation of this ...”

“... of young, vulnerable women wandering alone in the gloom. In The Portrait of a Lady, Henry James sends Isabel Archer boldly marching by herself through the ‘thick brown air’ from Euston to Piccadilly. Corton, however, suggests that the fog is ‘a metaphorical representation of this lack of light in her life, the obscurity of her emotional ...”

“... On​ 2 November 1921, James Joyce wrote from Paris to his aunt Josephine in Dublin asking if it was ‘possible for an ordinary person to climb over the area railings of No. 7 Eccles Street, either from the path or the steps, lower himself from the lowest part of the railings till his feet are within 2 feet or 3 off the ground and drop unhurt ...”

“... and no doubt it contributed, visibly and invisibly, to her success. It may even have been what Frank Capra had in mind when he produced the somewhat confused statement that ‘there are women and there are women – and then there is Kate. There are actresses and actresses – then there is Hepburn.’ The Garbos and Monroes had been nothing until they ...”

“... of repetition within the collection. But there are also valuable pieces on popular culture – Frank Bruno, Spike Lee, the iconography of album covers; and an emphasis on the relationship between race and nation, the possibility of Black Britishness, that ties it closer to his earlier There Ain’t No Black in the Union Jack (1987). Gilroy’s insistence ...”

“... Flavin, and on to the site-specific and ‘post-medium’ installations of subsequent artists from James Turrell to Olafur Eliasson. To hold together the large halls needed for contemporary production with the delimited galleries for modernist painting and sculpture is no easy task, as any visit to Tate Modern or MoMA attests. And the problem is complicated by ...”

“... of consciousness, a sentence strewn with commas but in no place cut by a period’. William James preferred the image of a stream: consciousness, he wrote, ‘does not appear to itself chopped up in bits. Such words as “chain” or “train” do not describe it fitly as it presents itself in the first instance. It is nothing jointed; it flows.’ It ...”

“... but that the few English critics who bother with theory are tourists: mid-Atlantic figures like Frank Kermode and Tony Tanner, or Francophiles like Stephen Heath and Stephen Bann. Samuel Johnson had moral principles, but nothing like a theory of literature: he didn’t need one. The force of English common sense is that it leaves you free to deal with the ...”

“... modern practitioners as L.P. Hartley and Walter de la Mare, to the definitive achievements of M.R. James, Stevenson and Le Fanu, and their Gothic predecessors. The ghost story, or original tale of the supernatural, was essentially a short story, delicately crafted to obtain the maximum effect from its metaphysical equivocations. If it did not aspire to the ...”

“... considering who was listening as well as who was speaking, Rosenbaum’s outline, supported by James Haule’s editorial framework, puts together an interesting picture. One account of the club’s origins has it that Molly MacCarthy wanted to find a way of forcing her husband, an incorrigible procrastinator, to produce something. On this front it was a ...”

“... and parents, or one’s own youth – unfamiliar, revealing its full complexity and difference. James Nott’s parents also met at a dance, but his book impressively resituates their story in that strange and vanished world which, for three generations of young Britons, revolved around the dance hall. Never before the period 1918-60, Nott writes, had ‘so ...”

“... Broadway, but he would never act there again. There would be no Hamlet or Lear, no Vanya or James Tyrone. His one shot at Shakespeare was as Antony in Joseph L. Mankiewicz’s film of Julius Caesar (1953), where he amazed many doubters and impressed John Gielgud (his Cassius), by handling the verse as easily as he had muttered and snarled in Streetcar ...”

“... Introducing​ his text of Hamlet in The Riverside Shakespeare, Frank Kermode calls it ‘the first great tragedy Europe had produced for two thousand years’, and adds, as if conceding to the long academic stress on its highly ‘problematic’ character: ‘how Shakespeare came to write it is, of course, a mystery on which it is useless to speculate ...”

“... and a desperate battle over Sangin in 2013 … attracted little attention’. In 2012, when Frank Ledwidge was researching his book, which tallies the personal and financial cost of Britain’s Helmand campaign, he approached all six ministers who had held the defence portfolio since the start of the operation to ask what they thought its legacy would ...”

“... During the 1980s, a generation of American scholars – Ron Bush, Reed Dasenbrock, Michael Groden, James Longenbach, Lawrence Rainey – set those limits by mapping in great detail the relations between the various literary Modernists and examining the genesis of their major writings. Mutual influence is by no means the sole topic of such enquiries, but it ...”