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“... Theatre Tooting?’ She did so, explaining that the Granada – a Thirties supercinema with a hall of mirrors and a cyclorama of the night sky projected onto a ceiling – had been important to her as a child. She had thought it terrifically beautiful; it had also given her an intimation of what it was to play with style: ‘it’s a very, very difficult ...”

“... and friend. There are at least two reasons for this. The story has often been told, notably by David Cannadine, of how the long agricultural depression broke the power of the British aristocracy, but it also drove tenant famers and labourers off the land and into the cities and suburbs; a million or more had emigrated by 1914. As a legacy of this flight ...”

“... much more engrossing than any bedtime story, had unspooled in my head in perfect greyscale. (They do still, in childish defiance of the facts.) It wasn’t as if I’d seen many photographs of her as a girl – I still haven’t – but simply that the past, as I had perceived it, was defined by an absence of colour. No one ...”

“... with the Eighth Army, which Nancy had asserted in the House of Commons in 1944 was ‘dodging D-Day’. They returned singing to the tune of ‘Lili Marlene’: We’re the D-Day Dodgers, out in Italy, Always on the vino, always on the spree. Eighth Army scroungers and their tanks, We live in Rome among the Yanks: We ...”

“... you with the devil hand gesture you see at rock festivals. UCL students have been occupying a hall in the main building since 24 November, and are now a focal point for the national student protests. This is day eight. The occupation began at a ‘What Next?’ meeting on the day of the second student march when a group of UCL students voted to take over ...”

“... behind the pseudonym Elena Ferrante. Has the press – or anyone else – any moral right to do this? Is an author’s identity an aspect of her personal privacy, to be disclosed or withheld as she chooses? Or is it information which belongs as much in the public domain as the books she writes? Anonymous and pseudonymous publication has a long ...”

“... Oxford 1968-9. In the evenings, after dinner in hall, groups would take shape informally in the quad. There was Richard Cobb’s lot, making for the buttery and another round of worldly banter. There was this or that sodality, taking a cigarette break or killing time before revision. There was my own cohort, usually divided between the opposing tasks of selling the factional newspaper, or distributing the latest leaflet, or procuring another drink ...”

“... to serve her husband in the British Antarctic Survey: they were expected to drink beer in the hall, while the officer class took cocktails in the drawing-room. The men preferred beer, we were told, and, given the choice, they might well have chosen ‘cloudy’, the connoisseur’s drop, before the filtered blandness of the more expensive ...”

“... pointy teeth, all at once so English, so ordinary and so glamorous. And it’s four decades since David Bowie – wearing a lot of make-up and very few clothes, grinning through his pointy teeth, all at once so English, so ordinary and so glamorous – released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. ‘Five years, that’s all we’ve ...”

“... not the case anymore, but you know, he’s a very engaging guy … And he’s a real star. Do brilliantly. And he got selected. Now, just as an indication of how the party’s changing, Wilfred got selected for Chippenham – white, middle-class, you know, deepest Wiltshire. And Wilfred tooled up to the selection meeting, wearing his jeans and an ...”

“... Why is Tony Crosland one of the few Old Labour heroes that nobody mocks? Keir Hardie, G.D.H. Cole, Stafford Cripps, Gaitskell, even Nye Bevan, have become the subject of New Labour locker-room ribaldry. Yet to describe yourself as a ‘Crosland socialist’ still carries meaning. Maybe it is because of that sardonic smile, and an uneasy feeling that, if he were alive today, he would be doing the mocking ...”

“... day I remember how precarious the talks had been. Reading an article in the Daily Telegraph where David Trimble concludes his argument for a Yes vote by saying ‘we must have confidence in ourselves to face the future, not use the troubles of the past as a comfort blanket,’ I wonder how many Unionists will follow his advice. The vote will be Yes, but he ...”

“... sense that the narrative, if you don’t keep your wits about you, will carry you somewhere you’d rather not go. What is the source of this confidence? Perhaps it derives from the author’s name. It can’t be easy in the current climate of headbanging provincialism, rap scripts, scratch ’n’ sniff novellas, to have to answer to ‘Tim’. A moniker ...”

“... which begin next month will be different. On 10 June, Scotland will play Brazil at the Stade de France in the opening game. For the first time in eight years, English supporters, too, will be able to admire, or rail at, their team on the most important international stage. The media and advertising bonanza will last for more than four weeks. The final ...”

“... draped Art Deco dryads, fishbowl lights and heavy velvet curtains. The set was screaming for a David Lynch remake of The Masque of the Red Death. Room Three, Hotel Esperance, Finistère: a beacon of hope at the end of a darkening continent. But something embedded layers deep, mephitic and beyond redemption, was present in this city. All the coded signs ...”