Metropolitan Miscreants

Matthew Bevis: Victorian Bloomsbury, 4 July 2013

Victorian Bloomsbury 
by Rosemary Ashton.
Yale, 380 pp., £25, July 2012, 978 0 300 15447 4
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Metropolitan Art and Literature, 1810-40: Cockney Adventures 
by Gregory Dart.
Cambridge, 297 pp., £55, July 2012, 978 1 107 02492 2
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... all approachable by the same dull steps, all fended off by the same pattern of railing’). Virginia Woolf puts in a brief appearance when Ashton quotes from a story in which a character imagines that ‘if one lived here in Bloomsbury … beneath the pale green of umbrageous trees, one might grow up as one liked.’ This is meant to encapsulate ...

Death in Plain Sight

Marina Warner: Emily Davison, Modern Martyr, 4 July 2013

... continues still in North Korea. It lingered too in more local processions and pageants, such as Virginia Woolf invents in Between the Acts. Miss La Trobe, who stages a history of England, may have been modelled on Edith Craig, the artist daughter of Ellen Terry, who designed some of the movement’s banners. When he created the spectacular story of the ...

Living as Little as Possible

Terry Eagleton: Lodge’s James, 23 September 2004

Author, Author: A Novel 
by David Lodge.
Secker, 389 pp., £16.99, September 2004, 0 436 20527 0
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... an iota of civility on that account, is as keenly conscious of the coupling as Thomas Mann or Virginia Woolf. ‘When he walked out of the refuge of his study,’ his secretary Theodora Bosanquet, who crops up as a character in this novel, remarked, ‘he saw a place of torment, where creatures of prey perpetually thrust their claws into the ...

A Question of Breathing

John Bayley, 4 August 1988

Elizabeth Barrett Browning 
by Margaret Forster.
Chatto, 400 pp., £14.95, June 1988, 0 7011 3018 0
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Selected Poems of Elizabeth Barrett Browning 
by Margaret Forster.
Chatto, 330 pp., £12.95, June 1988, 0 7011 3311 2
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The Poetical Works of Robert Browning: Vol. III 
edited by Ian Jack and Rowena Fowler.
Oxford, 542 pp., £60, June 1988, 0 19 812762 6
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The Complete Works of Robert Browning: Vol. VIII 
edited by Roma King and Susan Crowl.
Ohio/Baylor University, 379 pp., £47.50, September 1988, 9780821403808
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... for things in the early part, in the narrator’s consciousness, can be delicious: as good as Virginia Woolf, or John Betjeman, who would have adored subtle pentameters like ‘The irregular line of elms by the deep lane’. And like Sonnets from the Portuguese, which Robert Browning had advised Elizabeth to present as translations, and which were ...

I’ve Got Your Number (Written on the Back of my Hand)

Jenny Turner: ‘High Fidelity’, 11 May 1995

High Fidelity 
by Nick Hornby.
Gollancz, 256 pp., £14.99, April 1995, 0 575 05748 3
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... sense ever pretended that Lucky Jim was a work of art in the way that Ulysses is, or something by Virginia Woolf, but that in itself is not to say that Lucky Jim was not, for many readers in the Fifties, an overwhelmingly powerful book. ‘The importance of being Amis ... is in a sense greater than the sum of his works, individually considered as ...

The Great NBA Disaster

John Sutherland, 19 October 1995

... in ducky little plastic bags decorated with (trademarked) Levine cartoons of Stephen King, Virginia Woolf, Margaret Atwood, Toni Morrison or John Updike (gender and ethnic propriety are carefully observed). What is most dispiriting about these Barnes and Noble stores is the expansive blandness of their produce, and the prominence given bestsellers ...

Four in a Bed

Wendy Doniger, 8 February 1996

Vice Versa: Bisexuality and the Eroticism of Everyday Life 
by Marjorie Garber.
Hamish Hamilton, 608 pp., £25, January 1996, 9780241134481
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... Harold with various unnamed lovers. Vita with Rosamund Grosvenor, Violet Keppel Trefusis and Virginia Woolf. (Vita’s one monogamous passion was for Knole, the Elizabethan house that she grew up in but lost; even in politics she was a Mugwump, remaining notoriously neutral during the Spanish Civil War.) And then there are the theatrical ...

Having Half the Fun

Jenny Diski, 9 May 1996

An Unquiet Mind: A Memoir of Moods and Madness 
by Kay Redfield Jamison.
Picador, 220 pp., £15.99, April 1996, 0 330 34650 4
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Touched with Fire 
by Kay Redfield Jamison.
Free Press, 250 pp., £19.95, December 1994, 0 02 916030 8
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Welcome to My Country: A Therapist’s Memoir of Madness 
by Lauren Slater.
Hamish Hamilton, 199 pp., £16, April 1996, 0 241 13638 5
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... of with manic states. Byron, Blake, Coleridge, the Jameses, Melville, Van Gogh and, of course, Virginia Woolf are all tested, by their works and their known heredities, for bipolar illness and the findings are positive. While Jamison acknowledges that ‘there are many artists, writers and composers who are perfectly normal from a psychiatric point of ...

Into Thin Air

Marina Warner: Science at the Séances, 3 October 2002

The Invention of Telepathy 
by Roger Luckhurst.
Oxford, 334 pp., £35, June 2002, 0 19 924962 8
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... such tremulous, responsive, imponderably harmonised bodies, appear in the writings of Henry James, Virginia Woolf (The Waves) and even Rudyard Kipling, as well as those of others mentioned by Luckhurst, such as Arthur Machen, Vernon Lee and Grant Allen. The concept of telepathy continually threatened to collapse distinctions between the literal and the ...

Associated Prigs

R.W. Johnson: Eleanor Rathbone, 8 July 2004

Eleanor Rathbone and the Politics of Conscience 
by Susan Pedersen.
Yale, 469 pp., £25, March 2004, 0 300 10245 3
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... bewilderment at the ‘readiness with which the postwar generation throws in the sponge’. When Virginia Woolf, saddened by the death of her nephew Julian Bell in Spain, called on women to see that Fascism, war and patriotism were all the work of men and adopt a principled pacifism, Rathbone dismissed her out of hand, quite careless of the fact that ...

McTeague’s Tooth

David Trotter: Good Fetishism, 20 November 2003

A Sense of Things: The Object Matter of American Literature 
by Bill Brown.
Chicago, 245 pp., £22.50, April 2003, 0 226 07628 8
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... good fetishism not from The Sense of Things, but from Brown’s inventive and searching essay on Virginia Woolf and objects, which appeared four years ago in the journal Modernism/ Modernity. It’s odd that no comparable account appears in this book, where the argument does at times depend on knowing the difference between an object and a thing, though ...

Dishevelled

Wayne Koestenbaum: Tennessee Williams, 4 October 2007

Tennessee Williams: Notebooks 
edited by Margaret Bradham Thornton.
Yale, 828 pp., £27.50, February 2007, 978 0 300 11682 3
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... His notebooks do not belong to the respectable genre of the writer’s diary, of which Virginia Woolf was an ideal practitioner. Williams’s notebooks are far more elliptical; they pose existence as a problem not to be overcome by description or eloquence. I won’t demean his notebooks by calling them raw material. Call ...

What does she think she looks like?

Rosemary Hill: The Dress in Your Head, 5 April 2018

... about women and their clothes, how they wear them and also how they write about them, led me to Virginia Woolf and the term she coined: ‘frock consciousness’. On 6 January 1925, at the beginning of her diary for that year, she wrote: ‘I want to begin to describe my own sex.’ That thought recurs in the diary as the months go on and it is ...

Introversion Has Its Limits

Adam Mars-Jones: ‘Essayism’, 8 March 2018

Essayism 
by Brian Dillon.
Fitzcarraldo, 138 pp., £10.99, June 2017, 978 1 910695 41 8
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Sound: Stories of Hearing Lost and Found 
by Bella Bathurst.
Wellcome, 224 pp., £8.99, February 2018, 978 1 78125 776 0
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Proxies: A Memoir in Twenty-Four Attempts 
by Brian Blanchfield.
Picador, 181 pp., £9.99, August 2017, 978 1 5098 4785 3
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... include Davenport in his pantheon of practitioners, but Dillon’s responsiveness is wide, to Virginia Woolf, to William Gass, to Susan Sontag, to Lester Bangs and to Roland Barthes (his first and most important inspiration). Most practitioners regard essay-writing as a sideline – Davenport set store by his stories, so much less vital than his ...

The Poetry of John Ashbery

John Bayley, 2 September 1982

Shadow Train 
by John Ashbery.
Carcanet, 50 pp., £3.25, March 1982, 0 85635 424 4
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... more elegant and friendly kinds of pseudo-precision, somehow reminiscent of a campus art-shop, Virginia Woolf’s shadow features on a clean tee-shirt, like the Turin shroud. Yes, but – there are no ‘yes, buts’. The body is what all this is about and it dispenses In sheeted fragments, all somewhere around But difficult to read correctly since ...