On Roy DeCarava
Gazelle Mba, 7 April 2022
“... at the camera; Ornette Coleman looks mean and impressive. But there are also the photos of the unknown and unnamed: a garment worker tugging a covered cart, three men pushing heavy hand trucks on a busy street. The value of a retrospective is that these pictures can sit beside, say, a shot of the bassist Reggie Workman playing, his hands in motion, his ... ”