At Tate Britain
Brian Dillon: ‘Phantom Ride’, 4 July 2013
“... effects, just convincing enough to make Picasso’s Charnel House or a group of mirrored cubes by Robert Morris seem not quite right. The combination of ‘real’ footage, digital effects and a complexly motile camera makes for seductive and startling effects, as the ghosts of exhibitions and installations past appear and swiftly vanish. There’s some ... ”