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“... This is the second part of a two-part interview. Part 1: ‘You Muddy Fools’ I want to ask you about Robert Lowell: as an influence on your work, that is, and only then as what he later became – a ‘Life’, the subject of your first full-length biography. You did and do admire him greatly as a poet, yet in his poetic practice didn’t he trample all over the distinctions, the reticences and borderlines, you set so much store by in your own verse?Yes ...”

“... It was reading Robert Lowell that brought me to poetry at the age of 19, in 1976. I had borrowed a friend’s omnibus edition of Life Studies and For the Union Dead, and something in me said: ‘This is it!’ I don’t remember the poem I first had that response to, but most likely it was in Part IV of Life Studies, ‘Dunbarton’ or ‘For Sale’, or perhaps ‘Waking in the Blue ...”

“... 26 May 2022, he walked into the Irish Cultural Centre in Hammersmith. Andy has little connection to Ireland; he’s from East London and his family’s roots are in Dominica. But earlier that day he had heard on the radio that the centre was hosting an event run by the organisation Troubles, Tragedy and Trauma. He told me that he felt ‘compelled ...”

“... bang: ‘Susan Sontag was America’s last great literary star.’ In my gaudier moments I prefer to think of Sontag as American literature’s first and last great screen star. Transcending staid text, she was projected into the avid imaginations of legions of onlookers who didn’t know Walter Benjamin from Walter ...”