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“... liberties as an expression of royal weakness. The outpouring of royal charters under Richard I and John has traditionally been regarded as the equivalent of selling the ancestral silver for petty cash. Paradoxically, this reading derives from another aspect of belief in the feudal system. If a ruler’s power consists of rights deriving from the overlordship ...”

“... In 1629, King Charles I granted the Massachusetts Bay Company a standard commercial charter containing a clerical slip that changed the world. The document charged the stockholders with duly electing a board of management – a governor and 18 assistants – and holding them to account at quarterly meetings. However, crown officials failed to specify where the company headquarters should be (London would have been the usual assumption) and the wily leaders of the company absconded to New England, where they transformed quarterly meetings into government sessions, stockholders into freemen, assistants into magistrates, the governor into a Governor, and then piously declared their new regime to be ‘a city on a hill’ ready to serve as a model of divinely inspired governance for the rest of the world (well, for England, which came to the same thing ...”

“... More particularly, he was the disciple who questioned the truth of Jesus’s resurrection. In John 20, the only gospel source for the story, he demands to see and touch the physical evidence of crucifixion – ‘Except I shall see in his hands the print of the nails, and put my finger into the print of the nails, and thrust my hand into his side, I will ...”

“... in which family alliances would be less important, and the Annual Register rejoiced that the young King had ‘united all sects and all parties’. For the time being, however, the old ways prevailed and Burke had to do the best he could. He agreed to act as paid assistant and adviser to William Gerard Hamilton, chief secretary of the Lord Lieutenant of ...”

“... fashion, with a few feminist trimmings, is in the same tradition as Ruskin’s ‘The King of the Golden River’ (1850) where his fiercely-held political, aesthetic and ecological doctrines reappear in fantastic guise. In ‘A Toy Princess’ (1877) Mary de Morgan mounts a conventional attack on the conventional Victorian miss; and Frances Browne ...”

“... furnace and the smoky atmospherics which he calls ‘Gothic’. But the poem is dedicated to John Cowper Powys, whose Atlantis, one of his most eccentric novels, is cited as a source. As Fisher himself points out, A Furnace inherits Powys’s ‘Romantic notion’ that ‘the making of all kinds of identities is a primary impulse which the cosmos itself ...”

“... that the screenplay is by Pasolini, and so it is. But not in the same way that the screenplay for John Huston’s The Bible is by Christopher Fry, or for Martin Scorsese’s The Last Temptation of Christ by Paul Schrader. Pasolini hasn’t really written this movie, he has made excerpts from the gospel and filmed them, either as images in the manner we have ...”

“... very well since. Kenneth Anger has been this kind of wallflower at the orgy for years. The dragon king of gorgeous Hollywood has him in thrall. His snappy chapter-headings (‘Closely Observed Blondes’, ‘Babylon Boozers’, ‘Hollywood Drugstore’) give a promise that is always kept. A sample from another chapter (‘The Magic of Self-Murder’) conveys ...”

“... Surrey is the Country of my Birth and my delight,’ John Evelyn told John Aubrey; and like Surrey, Evelyn has had more than his fair share of bad press over the years. Yet to picture him as simply the pious sermoniser the Victorians eulogised is as misleading as to write off Surrey as wall-to-wall Weybridge ...”

“... of musicians and courtiers at Hampton Court. Negotiations broke down, and in November the king fled. By then Hesperides – which might partly have been designed as a bid for favour within that renewed royal household – was in press. It remained as a monument to the rapid fluctuations of its times. Herrick was the son of a wealthy London ...”

“... and which prefigures the cross, the Last Supper, the lamb of God, the pointing finger of John the Baptist, the resurrected Christ trampling the dragon or skeleton of sin and death. Many of them also depict the new church, in representations of Protestant celebration of the gospel sacraments of baptism and communion, and in portraits of its leaders or ...”

“... anticlerical French model, was misguided rather than vicious. This distinction was confirmed by John Robison, professor of natural philosophy at Edinburgh, in Proofs of a Conspiracy against all the Religions and Governments of Europe (1797). British Masonry stood in a different relationship to the visible Establishment. Whereas in 1738 Pope Clement XII’s ...”

“... and a date: 1633. This was the year a local gentleman, Sir John Reresby of Thrybergh Hall, began to note the contents of his garden. Every peach, pear and plum is catalogued, as are herbs, shrubs, bulbs – ‘Kentish Codlings’, ‘the Granado Gilliflower’, ‘Melincholly Munkes hoode’ – and attempts at grafting ...”

“... Similarly Shakespeare, a socially ambitious young man, could have been loudly anti-Catholic, as in King John, without abandoning the family beliefs. He was ‘an exemplary Elizabethan venturer’ – not, as Thomson agrees, that this fact is of paramount importance, but it is well to know he wasn’t immune from ‘the infections of his ...”

“... lack biographies in depth of key religious figure such as Stephen Marshall, Cornelius Burges, John Goodwin, Edmund Calamy, Henry Burton and others. They flit tantalisingly through the pages of Valerie Pearl’s valuable study of the London revolution of 1641, or Anthony Fletcher’s equally important analysis of petitioning on the eve of Civil War. It is ...”