Philistines
Barbara Everett, 2 April 1987
“... potent small poems, the Dutch 17th-century genre-painting of a tavern, at once radiant and very gross, which he called ‘The Card-Players’. The Larkin poem possesses a rich calm moral abstraction that works against and yet through its earthy image of what happens when, in the company of ‘Jan van Hogspeuw’ and ‘Dirk Dogstoerd’, someone behind ... ”