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“... that British new music – equally suspicious of European modernism and anything American, whether John Cage or Janis Joplin – wasn’t a club worth joining. Although he had no desire to take up 12-tone composition techniques, Arnold Schoenberg’s music appealed to him intellectually and he engaged with it seriously – in noticeable contrast to Vaughan ...”

“... tales would be difficult to make for most of the modern period. In the Enlightenment, for every Cook there was a Bougainville or Georg Forster; somewhat later, at a higher level, Humboldt or Custine. But in the 20th century, one society seems to have outproduced all others, across the genres. Between the wars, there was a strong strain of exoticism in ...”

“... making him the country’s first openly gay elected official. When a State Senator named John Briggs introduced an amendment that would have prevented gays from teaching in the California public schools, a grass-roots movement, led by Milk, rose and defeated the Bill by a two-to-one majority. Gay power was at its high-water mark. It was around that ...”

“... against the Nato action as ‘an unpardonable folly’, not only found himself denounced by Robin Cook as ‘the toast of Belgrade’, but also saw both his Party’s and his own personal poll ratings fall. However, the reassertion of Britishness is not a mere by-product of Balkan contingencies. Scottish Labour’s manifesto has trumpeted the achievements and ...”

“... a sharp reminder to the Ninth Lancers when they tried to hush up the murder of an Indian cook, since home opinion would be slow to stir on such a matter. But the test of marriage was whether the lady would be acceptable at the dinner tables of Camberley. It was the closer and more frequent contact with middle-class England through the steamer and ...”

“... With the introduction of the private detective film four years later, the other noir founders, John Huston and Humphrey Bogart, shifted audience identification from hunted to hunter. Dashiell Hammett’s Sam Spade in The Maltese Falcon made Bogart a star, although the refugee Peter Lorre provides the film’s only moment of genuine fright Wilder, the ...”

“... not be prevented from doing so by domestic duties. His solution, however, that she might employ a cook, so spectacularly missed the point that it only revealed the depth of the problem. For most of the inhabitants of bohemia, the inversion of middle-class morality translated into ‘women and children last’. If the ultimate bourgeois value is the ...”

“... Cheyne and his diet. He was favourably quoted in Tom Jones; Samuel Johnson commended his books; John Wesley’s Primitive Physick copied out whole sections of Cheyne’s work; and his patients included Pope, Gay, Beau Nash, Richardson, the Methodist Countess of Huntingdon, Robert Walpole’s adolescent daughter, Catherine (who died under Cheyne’s care of ...”

“... inhabitants of Cadbury in Somerset were scavenging cremation urns from 200-year-old cemeteries to cook with. An Iron Age earthwork there was extensively refortified in the post-Roman period, causing some believers in the King Arthur legend to imagine it as the original Camelot, but their imagination will not have stretched to the notion of the Knights of the ...”

“... from access to the Tree of Life. No more low-hanging fruit: from then on we had to hunt, farm and cook. The Earth itself was injured by original sin: it became less fertile and its produce less nourishing, taking a toll on human longevity. The patriarchs were not immortal, but they were built to last. Methuselah was out in the nervous 900s, and the Deluge ...”

“... had been allowed entry to Britain on a ‘married couple’ visa, which meant employment as cook-and-butler but not being able to live with their daughter. In Other People’s Houses, their employer is given the name Mrs Willoughby (just one of the book’s nods to Austen; the Darcys also feature). One day she asks Franzi if she would mind serving tea ...”

“... to the ‘kitchen sink’ allegedly installed somewhere in the house. Novels by Stan Barstow, John Braine, Alan Sillitoe, David Storey and others framed stories told from the point of view of an aspiring and/or truculent working-class protagonist, often Northern, usually but not always male, as a Bildungsroman or novel of moral and sentimental ...”

“... we were all such boys.’ This is how I remember my early days working for the BBC in the 1960s. John Fortune, John Bird, Keith Waterhouse and Willis Hall: we were all such boys too and it seemed such play. Less play was Beyond the Fringe, but that had its sillier side. Dudley Moore had an act – never, I think, done in ...”

“... the intricate and mysterious network of connections, the echoes and reflections by which, as John Hollander demonstrates in The Figure of Echo, works of literature are flexibly bound, despite all national boundaries, one to another. Such criticism then hopes to reconnect the works to a social-economic support system wherein, on new frequencies, a few of ...”

“... to the burning sun, which sends him blind. One other scene stands out. The hero, Harry Faversham (John Clements), fears he is a coward and having declined to go with his regiment to the Sudan goes native in order to prove himself by working unrecognised to assist his ex-colleagues who have sent him the feathers. To corroborate his disguise as a harmless ...”