“... Partisan Review, the Kenyon Review and Sewanee Review, with a good deal of auto-canonising. Robert Lowell, almost by default it seemed, was ceded pride of place, the ‘most important American poet now at work’. Lowell and Randall Jarrell, roommates at Kenyon College in the 1930s, and to a lesser extent Berryman too, were big on rating and ...”

“... both of them, Madeleine as much as Francis. That they were religious and interested in mysticism may explain part of it, but the fact that they were old and made clear their loathing for Ireland’s pieties is also significant. They were warm and deeply engaged with the world and with each other. Many of us came away from their house inspired and cheered ...”

“... from the settlement they imposed on it. Wilson, heading the strongest of the winning powers, may have had his flaws, like Tsar Alexander before him, but in Ghervas’s view is entitled to imaginative sympathy. He was no less moved than the tsar by high religious and moral ideals, which in his case found expression in the covenant of a League of Nations ...”

“... could be married and a film born.The back office deity of that era was the seven-times-married Robert Evans, who ran production at Paramount for a decade from 1966, when the studio made The Godfather and The Godfather Part II, Chinatown and Rosemary’s Baby. The ghost of Evans haunts Pandora’s Box, which covers the time some perhaps premature ...”

“... collective life. And always, however stertorous and philistine the previous century’s slumber may have been, it was dreaming most deeply of that future life, and throwing up premonitions and travesties of it. Once upon a time, what we call ‘education’ consisted essentially in interpreting dreams like these – telling the children about tradition, or ...”

“... called Brutalism? ABK were thrown off the project, which was eventually built to a design by Robert Venturi and Denise Scott Brown. Whatever its programmatic ‘complexity and contradiction’, as Venturi would put it, the Sainsbury Wing ‘looked’ to the casual eye like just another part of Trafalgar Square, all Corinthian columns and Portland ...”

“... by a mountain of a man dressed in a jellaba. He tells me to hurry up the stairs – the briefing may already have started. Upstairs is a large room with whitewashed walls and grey carpet tiles. On one of the walls a banner proclaims that there is no God but God. A panel of young, bearded men are sitting under the banner, facing a semi-circular swathe of TV ...”

“... decade, domesticity, cookery, paperwork, entertaining, trying to sew buttons,’ Bedford wrote to Robert Gottlieb, her American publisher, in 1986. Between 1956 and 1976, Bedford’s domestic situation had been fairly settled: cash injections from Gellhorn and Huxley’s second wife, Laura, a live-in relationship with Eda Lord, an American émigré ...”

“... beauty, sweet reason must veil their heads, they must give way to arguments of power.’ Robert Graves writes in his autobiography that, back in the hills of Harlech, he found himself ‘still mentally and nervously organised for war’, automatically sizing up the landscape for places to site a Lewis-gun and provide cover for his rifle-grenade ...”

“... worst section of the 2300-seat palais, with the ‘lumpenproletariat of film lovers’. Frémaux may not be a technocrat, but when I asked fellow film critics at Cannes how they would describe him, the most common responses were ‘politician’ and ‘diplomat’. One Australian programmer compared him to ‘a sales rep for Cartier watches’. At the much ...”

“... talk’. In True Nature, his new biography of Matthiessen, Lance Richardson speculates that they may have discussed poetry. Both men were protégés of Norman Holmes Pearson, an instructor in the English department at Yale. Pearson was a correspondent of Ezra Pound and Wallace Stevens as well as F.O. Matthiessen, the Harvard scholar and cousin of his ...”

“... marginal. But if the test of any major work is also the questions it prompts, a few loose thoughts may be worth bouncing off these superbly polished surfaces. The axis around which the trilogy organises the history of the ‘long 19th century’ – running, as it were, from 1776 or 1789 to 1914 – is, in Hobsbawm’s words, ‘the triumph and transformation ...”

“... letters. The postman always announced his presence with a ‘burst of prophetic whistling’. In May 1958, eating a slice of toast with butter and strawberry jam before going to teach her class at Smith, she spotted the mailman with ‘a handful of flannel: circulars – soap-coupons, Sears sales, a letter from mother of stale news she’d already relayed ...”

“... a point of refusing invitations from feminist, gay and lesbian, and Jewish film festivals – this may be the only recording of her speaking with other women about a ‘woman’s cinema’. Akerman is slouching on a sofa, along from Marguerite Duras; they are separated by Duras’s handbag and a packet of cigarettes, which Akerman chain-smokes, bringing her ...”

“... It speaks for them because they shared a place in time.’She begins her present book, which ‘may or may not be a biography of Kathy Acker’, by evoking the circles that gathered around her subject’s ashes in the weeks after her death from metastatic breast cancer in an alternative medicine clinic in Tijuana in ...”